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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
(-) VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
(-) XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Brian, Crystal

Year: 1999
Complete Citation:
Crystal Brian. “‘To Be Quiet and Listen’: The Orphans’ Home Cycle and the Music of Charles Ives.” In Horton Forte: A Casebook, edited by Gerald C. Wood, 89-108. Garland Reference Library of the Humanities: Case- books on Modern Dramatists. New York, NY: Garland Press, 1999.
Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Brits, Hanneli

Year: 2000
Complete Citation:
Brits, Hanneli. Die invloede op Charles E. Ives se komposisiestyl. Potchefstroom, South Africa: North West University Library, 2000.
Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Britton, Allen P.

Year: 1956
Complete Citation:
Britton, Allen P. “America’s Music.” Journal of Research in Music Education (April 1956).
Source: Journal
VI. Topical Studies
L. Ives and America

Brockway, Merrill, producer

Year: 1970
Complete Citation:
Brockway, Merrill, producer. “La Belle Epoque.” Camera Three. Virgil Fox, organ. WCBS-TV, 30 minutes. Fall 1970.
Source: Telecast/Videocassette
Reprints:

Includes Variations on “America.” Available on videocassette.

XV. Television Broadcasts, Films, and Videocassettes
A. Television Broadcasts

Brooks, William

Year: 2018
Complete Citation:
Brooks, William. “Charles Ives and John Cage in February 2018.” Academia. February 21, 2018. www.academia.edu/35985644/Charles_Ives_and_John_Cage_in_February_2018_William_Brooks.
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Brooks, William, et. al.

Year: 2019
Complete Citation:
Brooks, William, et al. “Postlude: Not an End.” In Over Here, Over There: Transatlantic Conversations on the Music of World War I, edited by William Brooks et. al., 241-244. Urbana, IL: University of Illinois Press, 2019.
Source: Chapter in Book
VI. Topical Studies
S. Reception Studies and Related Scholarship

Brown, Earle and Vivian Perlis, Co-Chairs

Year: 1977
Complete Citation:
Brown, Earle and Vivian Perlis, Panel Co-Chairs. “Ives Viewed From Abroad.” In An Ives Celebration: Papers and Panels of the Charles Ives Centennial Festival-Conference, edited by H. Wiley Hitchcock and Vivian Perlis, 45-63. Music in American Life. Urbana, Illinois: University of Illinois Press, 1977.
Source: Chapter in Book
VI. Topical Studies
S. Reception Studies and Related Scholarship

Browning, J. Robert

Year: 2001
Complete Citation:
Browning, J. Robert. “‘My God, What Has Sound Got to Do with Music?’ Interdisciplinarity in Eliot and Ives.” In T. S. Eliot’' Orchestra: Critical Essays on Poetry and Music, edited by John Xiros Cooper, 195-214. New York, NY: Garland Press, 2001.
Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Brown, Marshall

Year: 1992
Complete Citation:
Brown, Marshall. “Origins of Modernism: Musical Structures and Narrative Forms.” In Music and Text: Critical Inquiries, edited by Steven Paul Scher, 75--92. Cambridge, UK: Cambridge University Press, 1992.
Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Brown, Stephen

Year: 1988
Complete Citation:
Brown, Stephen. “In America: Ives and Copland.” In The Sense of Music. San Diego, CA: Harcourt Brace Jovanovich, 1988.
Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Broyles, Michael

Year: 1996
Complete Citation:
Broyles, Michael. "Charles Ives and the American Democratic Tradition." In Charles Ives and His World, 118-160. Edited by J. Peter Burkholder. Princeton, NJ: Princeton University Press, 1996.
Source: Chapter in Book
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
Year: 2004
Complete Citation:
Broyles, Michael. “Precursors: Charles Ives and Leo Ornstein.” In Mavericks and Other Traditions in American Music, 71-91. New Haven, CT: Yale University Press, 2004.
Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 2004
Complete Citation:
Broyles, Michael. Mavericks and other traditions in American music. New Haven, CT: Yale University Press, 2004.
Source: Book
VI. Topical Studies
L. Ives and America
Year: 2004
Complete Citation:
Broyles, Michael. “Looking Back: Puritanism, Geography, and the Myth of American Individualism.” In Mavericks and Other Traditions in American Music, 271-296. New Haven, CT: Yale University Press, 2004.
Source: Chapter in Book
VI. Topical Studies
A. Transcendentalism or Philosophy
Year: 2004
Complete Citation:
“We, the Rebels.” In Mavericks and Other Traditions in American Music, by Michael Broyles. Yale University Press (2004): 1-10.
Source: Chapter in Book
VI. Topical Studies
L. Ives and America

Broyles, Michael and Denise Von Glahn

Year: 1999
Complete Citation:
Broyles, Michael, and Denise Von Glahn. 1999. “Later Manifestations of Concord: Charles Ives and the Transcendentalist Tradition.” In Transient and Permanent: The Transcendentalist Movement and its Contexts, edited by Charles Capper and Conrad Edick Wright, 574-604. Studies in American History and Culture, No. 5. Boston, MA: Massachusetts Historical Society.
Source: Book
VI. Topical Studies
A. Transcendentalism or Philosophy

Bruhn, Christopher

Year: 2004
Complete Citation:
Bruhn, Christopher. “Refracting History: Ives and Emerson and the German Romantic Tradition in American Music.” Paper presented at A Century of Composing in America: 1820-1920. The City University of New York, The Graduate Center, New York, New York, October, 2004.
Source: Conference Paper
VI. Topical Studies
A. Transcendentalism or Philosophy

Buchman, Andrew

Year: 1996
Complete Citation:
Buchman, Andrew. “Ives and Stravinsky: Two Angles on “the German Stem.” In Charles Ives and the Classical Tradition, edited by Geoffrey Block and J. Peter Burkholder, 131-149. New Haven, CT: Yale University Press, 1996.
Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Budiansky, Stephen

Year: 2013
Complete Citation:
Budiansky, Stephen. “Ives, Diabetes, and His ‘Exhausted Vein’ of Composition.” American Music 31.1 (Spring 2013): 1-25.
Source: Journal
VI. Topical Studies
I. Compositional Process

Buechner, Alan

Year: 1974
Complete Citation:
Buechner, Alan. "Ives in the Classroom: A Teaching Guide to Two Compo-sitions." Music Educator's Journal 61/2 (October 1974): 64-70.
Source: Journal
VI. Topical Studies
T. Ives in Music Education