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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
(-) VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
(-) XVI. Photographs and Artwork
XVII. Radio Broadcasts

Chmaj, Betty E.

Year: 1979
Complete Citation:
Chmaj, Betty E. “Sonata for American Studies: Perspectives on Charles Ives.” Prospects: An Annual of American Culture Studies 4, edited by Jack Salzman, (1979): 1-58.
Source: Chapter in Book
VI. Topical Studies
L. Ives and America
Year: 1983
Complete Citation:
Chmaj, Betty E.. “Abstract: How Charles Ives Put Down the Concord Bards.” Sonneck Society for American Music Bulletin (Summer 1983) 9: 39.
Notes:

Regarding Sonata No. 2, “Concord, Mass., 1840-1860,” for piano.

Source: Journal
VI. Topical Studies
A. Transcendentalism or Philosophy
Year: 1984
Complete Citation:
Chmaj, Betty E. “Abstract: ‘As I Was Saying’: Charles Ives and the Concord Connection.” Sonneck Society for American Music Bulletin (Fall 1984) 10: 63-64.
Notes:

Regarding the Concord Sonata.

Source: Journal
VI. Topical Studies
A. Transcendentalism or Philosophy
Year: 1986
Complete Citation:
Chmaj, Betty E. “The Journey and the Mirror: Emerson and the American Arts.” In Prospects 10: An Annual of American Culture Studies, edited by Jack Salzman, 353-408. Cambridge, United Kingdom: Cambridge University Press, 1985.
Source: Chapter in Book
VI. Topical Studies
A. Transcendentalism or Philosophy

Christiansen, Erik

Year: 1996
Complete Citation:
Christensen, Erik. “Nota-tion Examples and Graphs.” In The Music Timespace: A Theory of Music Listening. Volume 2. Alborg, Denmark: Alborg University Press, 1996.
Notes:

<i>The Unan-swered Question </i>and <i>Central Park in the Dark </i>are chosen for consider-ation. Each is analyzed by five basic listening dimensions: timbre, pulse, pitch height space, movement, and intensity.

Source: Book
VI. Topical Studies
G. Music Theory Analyses
Year: 1996
Complete Citation:
Christensen, Erik. The Musical Timespace: A Theory of Music Listening. Alborg, Denmark: Alborg University Press, 1996.
Source: Book
VI. Topical Studies
G. Music Theory Analyses

Citkowitz, Israel

Year: 1932
Complete Citation:
Citkowitz, Israel. “Experiment and Necessity—New York 1932.” Modern Music 10/2 (January 1932).
Source: Journal
Reprints:

Citkowitz, Israel. “Experiment and Necessity—New York 1932.” In <i>Charles Ives and His World</i>, edited by J. Peter Burkholder, 307. Princeton, NJ: Princeton University Press, 1996.

VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Cizmic, Maria

Year: 1999
Complete Citation:
Cizmic, Maria. “Composing the Pacific: Interviews with Lou Harrison.” Echo: A Music Centered Journal, Vol. 1, No. 1 (1999): np.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Clarke, Gary E.

Year: 1977
Complete Citation:
Clarke, Gary E. “Charles Edward Ives.” In Essays on American Music. Westport, CT: Greenwood Press, 1977.
Source: Chapter in Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Clark, Robin C.

Year: 1965
Complete Citation:
Clark, Robin C. “Plaque Marking Charles Ives’ Birthplace Dedicated.” Danbury News-Times. June 28, 1965, 3.
Source: Newspaper
VI. Topical Studies
W. Obituaries

Clarkson, Austin

Year: 1974
Complete Citation:
Clarkson, Austin. “Charles Ives Here-and-Now-and-After.” In An Ives Celebration: Papers and Panels of the Charles Ives Centennial Festival-Conference, edited by H. Wiley Hitchcock and Vivian Perlis, 241-243. Music in American Life. Urbana, Illinois: University of Illinois Press, 1977.
Source: Chapter in Book
VI. Topical Studies
S. Reception Studies and Related Scholarship
Year: 1977
Complete Citation:
Clarkson, Austin. “Charles Ives Here-and-Now-and-After,” 241-243. In An Ives Celebration: Papers and Panels of the Charles Ives Centennial Festival-Conference, edited by H. Wiley Hitchock and Vivan Perlis, 241-243. Urbana, IL: University of Illinois Press, 1977.
Source: Chapter in Book
VI. Topical Studies
S. Reception Studies and Related Scholarship

Clough, Stephen B.

Year: 1946
Complete Citation:
Clough, Stephen B. A Century of American Life Insurance, A History of The Mutual Life Insurance Company of New York, 1843-1943, 282. New York, NY: Columbia University Press, 1946.
Source: Book
VI. Topical Studies
D. Insurance

Clüver, Claus

Year: 1991
Complete Citation:
Clüver, Claus. “Musical Trainrides in the Classroom.” Indiana Theory Review 12 (1991): 163-1-85.
Source: Journal
VI. Topical Studies
T. Ives in Music Education

Cober, Alan E.

Year: 1994
Complete Citation:
Cober, Alan E. Illustration. Atlantic Monthly 273/1 (January 1994): 106.
Source: Illustration
XVI. Photographs and Artwork
B. Artwork

Cohn, Arthur

Year: 1939
Complete Citation:
Cohn, Arthur. “Americana in the Fleisher Collection.” Modern Music 16/2 (January-February 1939): 116-119.
Source: Journal
VI. Topical Studies
L. Ives and America

Cole, Michael S.

Year: 1997
Complete Citation:
Cole, Michael S. “Concord Revisited: Charles Ives and the American Transcendentalists [Abstract].” Canadian Journal for Traditional Music, Vol. 25 (1997): 29.
Source: Journal
VI. Topical Studies
A. Transcendentalism or Philosophy

Conn, Peter

Year: 1983
Complete Citation:
Conn, Peter. “Innovation and Nostalgia: Charles Ives.” In The Divided Mind: Ideology and Imagination in America, 1898-1917, 230-250. Cambridge, UK: Cambridge University Press, 1983.
Source: Chapter in Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Conn, Peter J.

Year: 1988
Complete Citation:
Conn, Peter J. “Innovation and nostalgia: Charles Ives.” In The divided mind: ideology and imagination in America 1898-1917. Cambridge, United Kingdom: Cambridge University Press, 1988.
Source: Chapter in Book
VI. Topical Studies
L. Ives and America

Copland, Aaron

Year: 1932
Complete Citation:
Copland, Aaron. “The American Composer and His Critic.” Modern Music IX, 4 (May-June 1932): 143-147.
Source: Journal
VI. Topical Studies
L. Ives and America