Utz, Christian
Year: 2005
Complete Citation:
Utz, Christian. “Bernd Alois Zimmermann und Charles Ives: Schichtungsverfahren, Intertextualität, kulturelle Verotung.” In Bernd Alois Zimmermann, Zeitauffassung und musikalische Poetik. Munich, Germany: Edition Text + Kritik, 2005.Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Van Vechten, Carl
Year: 1917
Complete Citation:
Van Vechten, Carl. “The Great American Composer.” Vanity Fair. April 1917.VI. Topical Studies
P. Ives Collaborators and Colleagues
Velten, Klaus
Year: 1981
Complete Citation:
Velten, Klaus. “Der Kunstler und die Natur-ein Interpretationsbeitrag zum Liebschaffen von Charles Ives.” Musik und Bildung: Zeitschrift 13 (September 1981): 544-546.Source: Journal
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
Year: 1981
Complete Citation:
Velten, Klaus. “Der Künstler und die Natur. Ein Interpretationsbeitrag zum Liebschaften von Charles Ives.” Musik und Bildung 13 (1981): 544-546.Source: Journal
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
Vermeulen, Ernst
Year: 1968
Complete Citation:
Vermeulen, Ernst. “Compositions by Louis Andriessen and Peter Schat Incorporating Quotations.” Sonorum Speculum (Summer 1968) 35: 1-12.Notes: Compares quotations by Louis Andriessen and Peter Schatt with some aspects of Ives’s use of quotation. In English and in Dutch.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Vinay, Gianfranco
Year: 1974
Complete Citation:
Vinay, Gianfranco. L’America musicale di Charles Ives. Turin, Italy: Giulio Einaudi, 1974.Source: Book
VI. Topical Studies
L. Ives and America
Year: 1974
Complete Citation:
Vinay, Gianfranco. “Charles Ives e i musicisti europei: anticipazioni e dipendenze.” Nuova Rivista Musicale Italiana 7 (1973): 417-429.Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship
Year: 1998
Complete Citation:
Vinay, Gianfranco. “Le “son américain” entre utopie et tradition: á l'origine de la musique expérimentale américain (Ives et Cowell).” Revue Belge de Musicologie: Belgisch Tijdschrift voor Muziekwetenschap, Vol. 52 (1998): 91-100.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 2004
Complete Citation:
Vinay, Gianfranco. “Charles Ives tra nostalgia e Utopia.” Il Giornale della Musica 20/204 (May 2004): 26.Notes: Part of “Ives, un Padre del Novecento,” for the fiftieth anni-versary of Ives’s death.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Von Glahn [Cooney], Denise
Year: 1996
Complete Citation:
Von Glahn [Cooney], Denise. “Narration and Landscape.” In Charles Ives and His World Festival, edited by J. Peter Burkholder, 33-37. Annandale-on-Hudson, New York; Bard College, August 9-11, 16-18, 1996.Source: [Chapter in] Festival Publication
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
Von Glahn, Denise
Year: 2001
Complete Citation:
Von Glahn, Denise. “Charles Ives, Cowboys and Indians: Aspects of the Other Side of Pioneering.” American Music 19/3 (Fall 2001): 291-314.Notes: De-tailed discussion of two songs: The Indians and Charlie Rutlage.
Source: Journal
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
Year: 2001
Complete Citation:
Von Glahn, Denise. “Renewing Immortality: The Musical Monument of Charles Ives.” In Hope and Glory: Essays on the Legacy of the Fifty- Fourth Massachusetts Regiment, edited by Martin H. Blatt, Thomas J. Brown, and Donald Yacovone, 191--201. Amherst, MA: University of Massachusetts Press in Association with the Massachusetts Historical Society, 2001.Notes: In re: "Colonel Robert Shaw and His Colored Regiment" from Orchestral Set No. 1: Three Places In New England.
Source: Chapter in Book
VI. Topical Studies
S. Reception Studies and Related Scholarship
Year: 2001
Complete Citation:
Von Glahn, Denise. “Charles Ives, Cowboys, and Indians: Aspects of the ‘Other Side of Pioneering.’” American Music, vol. 19, no. 3 (2001): 291-314.Source: Journal
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
Year: 2003
Complete Citation:
Von Glahn, Denise. “From Country to City in the Music of Charles Ives.” In The Sounds of Place: Music and the American Cultural Landscape, 64--109. Boston, MA: Northeastern University Press, 2003.Source: Chapter in Book
VI. Topical Studies
M. Ives and Manhattan
von Rhein, John
Year: 1999
Complete Citation:
von Rhein, John. “Millennial Masterworks.” Chicago Tribune [Arts & Entertainment] (July 25, 1999): 5.Source: Newspaper
VI. Topical Studies
S. Reception Studies and Related Scholarship
Wallner, Bo
Year: 1968
Complete Citation:
Wallner, Bo. Var tids musik i Norden: Fran 20--Tal Till 60--Tal, 252, 255, 260. Stock-holm, Sweden: Nordiska Musikforlaget, 1968.Notes: Otto Henrik Donner quoted: "I Charles Ives har jag upplevten tonsdattare som inte laste sig vid nagon skenbar logik eller nagot system." Also mentions Donner’s Symphonie (I'Hommage a Ives) of 1964 {E080}.
Source: Book
VI. Topical Studies
S. Reception Studies and Related Scholarship
Warburton, Thomas
Year: 1982
Complete Citation:
Thomas, Warburton,. “Abstract: Ives’s Modular Rags and a Skit for Danbury Fair.” Sonneck Society for American Music Bulletin (Spring) 9: 18.Notes: A paper read at the American Musicological Society meeting (November 7: Ann Arbor, MI).
Source: Conference Paper
VI. Topical Studies
B. Musical Quotation or Borrowing
Year: 1999
Complete Citation:
Warburton, Thomas. “Charles Ives and the Ragtime.” Studi Musicali 27/1 (1999): 209-238.Source: Journal
VI. Topical Studies
B. Musical Quotation or Borrowing
Ward, Charles
Year: 1969
Complete Citation:
Ward, Charles. “The Use of Hymn Tunes as an Expression of ‘Substance’ and ‘Manner’ in the Music of Charles E. Ives.” Master’s Essay, University of Texas at Austin, 1969.Notes: Unpublished Master’s Thesis
Source: Master’s Thesis
VI. Topical Studies
B. Musical Quotation or Borrowing
Year: 1974
Complete Citation:
Ward, Charles. “Charles Ives’s Concept of Music.” Current Musicology, no. 18 (1974): 114-19.Source: Journal
VI. Topical Studies
I. Compositional Process
