Ward, Keith C.
Complete Citation:
Ward, Keith C. “Ives, Schoenberg, and the Musical Ideal.” In Charles Ives and the Classical Tradition, edited by Geoffrey Block and J. Peter Burkholder, 87-104. New Haven, CT: Yale University Press, 1996.VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1984
Complete Citation:
Ward, Keith C. “Abstract: Charles Ives and the Over-Soul.” Sonneck Society for American Music Bulletin (Fall) 10: 63.Notes: Compares Ives to Emerson.
Source: Journal
VI. Topical Studies
A. Transcendentalism or Philosophy
Ward, Keither
Year: 1985
Complete Citation:
Ward, Keith. “Charles Ives and the Oversoul.” Paper presented at the Mid-Atlantic Chapter Meeting of the American Musicological Society, February 3, 1985.Source: Conference paper
VI. Topical Studies
A. Transcendentalism or Philosophy
Warren-Findley, Janelle
Year: 1964
Complete Citation:
Warren--Findley, Janelle. “American Studies and American Fine-Art Music.” American Studies 19/2- (Fall 1978): 85--87.Source: Journal
VI. Topical Studies
L. Ives and America
Warren, Robert Penn
Year: 1947
Complete Citation:
Warren, Robert Penn. “Sketches of Those Added by Columbia to the Roll of Pulitzer Prize Winners.” The New York Times. May 6, 1947: 1, 20.Source: Newspaper
VI. Topical Studies
V. Awards
Watkins, Glenn
Year: 2003
Complete Citation:
Watkins, Glenn. Proof through the night: music and the great war. Berkeley, CA: University of California Press, 2003.Source: Book
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
Webb, John
Year: 1992
Complete Citation:
Webb, John. “Schnittke in Context.” Tempo 182 (September 1992): 19-22.Notes: Composer Schnittke tells of influence of Mahler and Ives. Considers each to be polystylistic.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Weisberger, Bernard A.
Year: 1958
Complete Citation:
Weisberger, Bernard A. They Gathered at the River: The Story of the Great Revivalists and Their Impact Upon Religion in America, 19. Boston, MA: Little, Brown and Co., 1958.Source: Book
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
Weischollek, Dirk
Year: 2011
Complete Citation:
Weischollek, Dirk. “Gustav Mahler und Charles Ives - Heterogenität als Welterfahrung.” In Wo die schönen Trompeten blasen: vokale und instrumentale Semantik im Werk Gustav Mahlers, edited by Heister, Hanns-Werner. Berlin, Germany: Weidler Buchverlag, 2011.Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Weiss, Adolph
Year: 1931
Complete Citation:
Weiss, Adolph. “Letter to the Editor.” The New York Times. July 26, 1931, sec. 8, 7.Source: Newspaper
VI. Topical Studies
S. Reception Studies and Related Scholarship
Weschler, Lawrence
Year: 1986
Complete Citation:
Weschler, Lawrence. “Profiles: Boy Wonder—I.” New Yorker 62/39 (Novem-ber 17, 1986): 54-56, 61, 64-65, 68-70, 72-73, 76-78, 87-89, 91-93. “Boy Wonder—II.” New Yorker (November 24) 62/40: 52-54, 57- 58, 60, 63-64, 67-74.Notes: Nicolas Slonimsky is the subject of this pro-file. Includes his reminiscences of his early, pioneering conducting (November 17: 88-89, 91-92) of Ives’s compositions (esp. Orchestral Set No. 1: Three Places in New England). Uses quotations from Slo-nimsky’s autobiography.
Source: Magazine
VI. Topical Studies
N. Ives’ Childhood
Weyer, Waldo, and Bertha Spies
Year: 2007
Complete Citation:
Weyer, Waldo, and Bertha Spies. “‘Music is Life’ – the Influence of Transcendentalist Philosophy on Ives’s Concord Sonata.” The Journal for Transdisciplinary Research in Southern Africa, vol. 3, no. 2 (2007): e1-e40.Source: Journal
VI. Topical Studies
A. Transcendentalism or Philosophy
White, Michael J.
Year: 1982
Complete Citation:
White, Michael J. “Hazel Smith in Ives.” The Guardian, June 12, 1982, 12.Source: Newspaper
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Whitesell, Lloyd
Year: 1994
Complete Citation:
Whitesell, Lloyd. “Reckless Form, Uncertain Audiences: Responding to Ives.” American Music 12.3 (Autumn 1994): 304-319.Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship
Wickstrom, Fred
Year: 1976
Complete Citation:
Wickstrom, Fred. “Ives and Percussion, A Forerunner on All Fronts.” In South Florida's Historic Ives Festival 1974-1976, edited by F. Warren O’Reilly, 57-58. Coral Gables, FL: University of Miami at Coral Gables, 1976.Source: Chapter in Book
VI. Topical Studies
R. Performance Approaches
Wiecki, Ronald Victor
Year: 1992
Complete Citation:
Wiecki, Ronald V. “Two Musical Idealists—Charles Ives and E. Robert Schmitz: A Friendship Reconsidered.” American Music, 10/1 (Spring 1992): 1-19.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Wilder, Robert D.
Year: 1969
Complete Citation:
Wilder, Robert D. Twentieth--Century Music, 95-98. Brown Music Horizons Series. Dubuque, IA: Wm. C. Brown, 1969.Notes: Includes other passing refer-ences.
Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Williams, Jonathan
Year: 1967
Complete Citation:
Williams, Jonathan. The old (transcendental) college try: some notes & inventions on Mr. Ives. Aspen, Colorado: Publisher unlisted, 1967.Source: Book
VI. Topical Studies
Wilshire, Bruce W.
Year: 2016
Complete Citation:
Wilshire, Bruce W. “Music of Science, Thought, and the Body.” In The Much-at-Once: Music, Science, Ecstasy, the Body, 167-196. New York, NY: Fordham University, 2016.Source: Chapter in Book
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
Wilson-Dickson, Andrew
Year: 2003
Complete Citation:
Wilson-Dickson, Andrew. “The United States and the European classical tradition: Charles Ives.” In The story of Christian music: an illustrated guide to all the major traditions of music in worship. Oxford, United Kingdom: Lion, 2003.Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
