Image
Complete Citation:
“Memorial Service Set for Composer's Widow.” The Hartford Courant, April 6, 1969, 38A.
Bibliography
Genres
no author listed
Year: 1969
Source: Newspaper
VI. Topical Studies
P. Ives Collaborators and Colleagues
P. Ives Collaborators and Colleagues
Year: 1974
Complete Citation:
Galkin, Elliot W. “Two Prophets of Music Recognized at Last.” The Sun, October 13, 1974, D3.Source: Newspaper
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1974
Complete Citation:
“Premiere.” Music Educator’s Journal 60 (April 1974): 125.Source: Journal
VI. Topical Studies
T. Ives in Music Education
T. Ives in Music Education
Year: 1974
Complete Citation:
“Notes for NOTES.” Notes 30/3 (1974): 501-504.Source: Journal
VI. Topical Studies
C. Other
C. Other
Year: 1974
Complete Citation:
“In Tribute to Charles Edward Ives on the 100th anniversary of his birth.” Current Musicology No. 18, 1974: 69-119.Source: Book
VI. Topical Studies
S. Reception Studies and Related Scholarship
S. Reception Studies and Related Scholarship
Year: 1974
Complete Citation:
“Ives the Innovator.” Time 104/19, November 4, 1974, 85, 87, 89-90.Source: Magazine
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
H. Ives, 20th Century Music, and Experimental Styles
Year: 1976
Complete Citation:
“Charles Ives: Master of Strange Harmonies: Making Music.” South China Morning Post, May 21, 1976, 11.Source: Newspaper
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
H. Ives, 20th Century Music, and Experimental Styles
Year: 1978
Complete Citation:
“The Charles Ives Society - Past, Present, and Future.” Newsletter - Institute for Studies in American Music 7, no. 2 (Spring 1978): 1, 12.Source: Journal
VI. Topical Studies
U. Institutions and Ives’ Legacy
U. Institutions and Ives’ Legacy
Year: 1980
Complete Citation:
“In the Name of Ives.” Newsletter - Institute for Studies in American Music IX, no. 2 (Spring 1980): 2.Source: Newsletter
VI. Topical Studies
U. Institutions and Ives’ Legacy
U. Institutions and Ives’ Legacy
Year: 1985
Complete Citation:
“Copyright Dilemma of Inverted Sonata; Charles Ives Case Against Hungarian Composer.” The Times, August 20, 1985.Source: Newspaper
VI. Topical Studies
U. Institutions and Ives’ Legacy
U. Institutions and Ives’ Legacy
Year: 1987
Complete Citation:
“On the Rating of Composers: Letter.” The New York Times, April 26, 1987.Source: Newspaper
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1991
Complete Citation:
“Notes for Notes.” Notes 48/2 (1991): 449.Notes:
Tells of a $99,619 grant to the Charles Ives Society from the National Endowment for the Humanities for a thematic catalogue.
Source: Journal
VI. Topical Studies
V. Awards
V. Awards
Year: 1991
Complete Citation:
“Up Front.” Musical America (1991).Notes:
Regarding a bill in the Connecticut Legislature to name Charles Ives as State Composer of Connecticut. After debate, Ives was named Composer Laureate for the first year.
Source: Journal
VI. Topical Studies
V. Awards
V. Awards
Year: 1993
Complete Citation:
“Local Boy Makes Polyrhythms.” Village Voice 38/34, August 24, 1993, 85.Source: Newspaper
VI. Topical Studies
N. Ives’ Childhood
N. Ives’ Childhood
Year: 1994
Complete Citation:
“Ives on Flatbush Avenue.” Institute for Studies in American Music Newsletter 23, no. 2 (Spring 1994): 11.Source: Letter
VI. Topical Studies
M. Ives and Manhattan
M. Ives and Manhattan
Year: 1994
Complete Citation:
“Gay Composers; Behind Ives's Harmonic Clashes: Letter.” The New York Times, July 10, 1994.Source: Newspaper
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1994
Complete Citation:
“Celebrating American Music from Ives to the Dead.” Sonneck Society for American Music Bulletin 20/2: 15-16.Notes:
“The Dead” refers to the Rock group, “The Grateful Dead.”
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1995
Complete Citation:
Rhein, John von. “Charles Ives and Paul Creston, American Originals: Chicagoland Final Edition.” Chicago Tribune, October 22, 1995.Source: Newspaper
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1996
Complete Citation:
“Between the Bandstand and the Concert Hall: Ives and His Sources.” In Charles Ives and His World Festival, edited by J. Peter Burkholder, 49-52. Annandale-on-Hudson, New York; Bard College, August 9-11, 16-18, 1996.Notes:
Selections of marching band music, choral music, and solo songs from turn-of-the-century America (selected works of Ives drawn from these categories).
Source: [Chapter in] Festival Publication
VI. Topical Studies
B. Musical Quotation or Borrowing
B. Musical Quotation or Borrowing
Year: 1997
Complete Citation:
Charles Ives and Henry David Thoreau: “A transcendental tune of Concord.” In Ives Studies, edited by Philip Lambert. Cambridge, UK: Cambridge University Press, 1997.Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers