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Bibliography

Cizmic, Maria

Year: 1999
Complete Citation:
Cizmic, Maria. “Composing the Pacific: Interviews with Lou Harrison.” Echo: A Music Centered Journal, Vol. 1, No. 1 (1999): np.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Clarke, Gary E.

Year: 1977
Complete Citation:
Clarke, Gary E. “Charles Edward Ives.” In Essays on American Music. Westport, CT: Greenwood Press, 1977.
Source: Chapter in Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Clark, Robin C.

Year: 1965
Complete Citation:
Clark, Robin C. “Plaque Marking Charles Ives’ Birthplace Dedicated.” Danbury News-Times. June 28, 1965, 3.
Source: Newspaper
VI. Topical Studies
W. Obituaries

Clarkson, Austin

Year: 1974
Complete Citation:
Clarkson, Austin. “Charles Ives Here-and-Now-and-After.” In An Ives Celebration: Papers and Panels of the Charles Ives Centennial Festival-Conference, edited by H. Wiley Hitchcock and Vivian Perlis, 241-243. Music in American Life. Urbana, Illinois: University of Illinois Press, 1977.
Source: Chapter in Book
VI. Topical Studies
S. Reception Studies and Related Scholarship
Year: 1977
Complete Citation:
Clarkson, Austin. “Charles Ives Here-and-Now-and-After,” 241-243. In An Ives Celebration: Papers and Panels of the Charles Ives Centennial Festival-Conference, edited by H. Wiley Hitchock and Vivan Perlis, 241-243. Urbana, IL: University of Illinois Press, 1977.
Source: Chapter in Book
VI. Topical Studies
S. Reception Studies and Related Scholarship

Clough, Stephen B.

Year: 1946
Complete Citation:
Clough, Stephen B. A Century of American Life Insurance, A History of The Mutual Life Insurance Company of New York, 1843-1943, 282. New York, NY: Columbia University Press, 1946.
Source: Book
VI. Topical Studies
D. Insurance

Clüver, Claus

Year: 1991
Complete Citation:
Clüver, Claus. “Musical Trainrides in the Classroom.” Indiana Theory Review 12 (1991): 163-1-85.
Source: Journal
VI. Topical Studies
T. Ives in Music Education

Cohn, Arthur

Year: 1939
Complete Citation:
Cohn, Arthur. “Americana in the Fleisher Collection.” Modern Music 16/2 (January-February 1939): 116-119.
Source: Journal
VI. Topical Studies
L. Ives and America

Cole, Michael S.

Year: 1997
Complete Citation:
Cole, Michael S. “Concord Revisited: Charles Ives and the American Transcendentalists [Abstract].” Canadian Journal for Traditional Music, Vol. 25 (1997): 29.
Source: Journal
VI. Topical Studies
A. Transcendentalism or Philosophy

Conn, Peter

Year: 1983
Complete Citation:
Conn, Peter. “Innovation and Nostalgia: Charles Ives.” In The Divided Mind: Ideology and Imagination in America, 1898-1917, 230-250. Cambridge, UK: Cambridge University Press, 1983.
Source: Chapter in Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Conn, Peter J.

Year: 1988
Complete Citation:
Conn, Peter J. “Innovation and nostalgia: Charles Ives.” In The divided mind: ideology and imagination in America 1898-1917. Cambridge, United Kingdom: Cambridge University Press, 1988.
Source: Chapter in Book
VI. Topical Studies
L. Ives and America

Copland, Aaron

Year: 1932
Complete Citation:
Copland, Aaron. “The American Composer and His Critic.” Modern Music IX, 4 (May-June 1932): 143-147.
Source: Journal
VI. Topical Studies
L. Ives and America
Year: 1932
Complete Citation:
Copland, Aaron. “The Composer in America, 1923-1933.” Modern Music X, 1 (November-December 1932): 91.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1933
Complete Citation:
Copland, Aaron. “The Composer in America, 1923-1933.” Modern Music X. 2 (January-February 1933): 87-92.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1941
Complete Citation:
Copland, Aaron. “The Ives Case.” In Our New Music, New York, 149-161. New York, NY: Whittlesey House, 1941.
Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1945
Complete Citation:
Copland, Aaron. Música y músicos contemporáneos. Buenos Aires, Argentina: Losada, 1945.
Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1951
Complete Citation:
Copland, Aaron. Charles Eliot Norton Lectures at Harvard University, 1951-1952.
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1952
Complete Citation:
Copland, Aaron. Music and Imagination: The Charles Eliot Norton Lectures at Harvard University, 1951-1952, 99, 111-114. Cambridge, MA: Harvard University Press, 1952.
Source: Book
Reprints:

Copland, Aaron. <i>Music and Imagination: The Charles Eliot Norton Lectures at Harvard University, 1951-1952</i>.<i> </i>New York, NY: New American Library Mentor Book, 1959. * Copland, Aaron. <i>Music and Imagination </i>[Musica e Imaginación]. Buenos Aires, Argentina: Emecé Editores, 1955.

VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1952
Complete Citation:
Copland, Aaron. “The Composer in Industrial America.” In Music and Imagination: The Charles Elliott Norton Lectures, 1951--1952, 96--111. Cambridge, United Kingdom: Harvard University Press, 1952.
Source: Book
VI. Topical Studies
L. Ives and America
Year: 1955
Complete Citation:
Copland, Aaron. “Modern Music: Fresh and Different.” New York Times Magazine (March 13, 1955): 15, 60, 62.
Source: Magazine
Reprints:

Copland, Aaron. “‘Are My Ears on Wrong?’ A Polemic.” In <i>Copland on Music</i>, 253-260. New York, NY: Doubleday, 1960. New York: W. W. Norton, 1963.

VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers