Bonighton, Ian and Richard Middleton
Year: 1979
Complete Citation:
Bonighton, Ian and Richard Middleton. Ives and Varèse. London, United Kingdom: Open University Press, 1979.Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Booth, Earl Walter
Year: 1974
Complete Citation:
Booth, Earl Walter. “New England Quartet: E.A. Robinson, Robert Frost, Charles Ives and Carl Ruggles.” Ph.D. diss., University of Utah, 1974.Source: Ph.D. Dissertation
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Borroff, Edith
Year: 1988
Complete Citation:
Borroff, Edith. “American Music since Charles Ives.” Sonneck Society for American Music Bulletin 14/1 (1988): 11-12.Source: Journal
VI. Topical Studies
L. Ives and America
Year: 2003
Complete Citation:
Borroff, Edith. “Charles Ives.” In Music melting round: a history of music in the United States. Lanham, MD: Scarecrow Press, 2003.Source: Chapter in Book
VI. Topical Studies
L. Ives and America
Borum, Poul
Year: 1996
Complete Citation:
Borum, Poul. “Musikkens Borum.” Dansk Musik Tidsskrift, Vol. 70, No. 5 (1996): 160-166.Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship
Botstein, Leon
Year: 1996
Complete Citation:
Botstein, Leon. “Innovation and Nostalgia: Ives, Mahler, and the Origins of Modernism.” In Charles Ives and His World, edited by J. Peter Burkholder, 35-74. Princeton, NJ: Princeton University Press, 1996.Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 2005
Complete Citation:
Botstein, Leon. “Copland Reconfigured.” In Aaron Copland and His World, edited by Carol J. Oja and Judith Tick, 439-484. Princeton, NJ: Princeton University Press, 2005.Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Bowden, Charles
Year: 2015
Complete Citation:
Bowden, Charles. “On the edge with Edward Abbey, Charles Ives, and the Outlaws.” In Abbey in America: a philosopher's legacy in a new century. Albuquerque, NM: University of New Mexico Press, 2015.Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Bowen, Meirion
Year: 1979
Complete Citation:
Bowen, Meirion. “On the long misunderstanding of Charles Ives.” The Guardian, April 17, 1979, 8.Source: Newspaper
VI. Topical Studies
S. Reception Studies and Related Scholarship
Boziwick, George
Year: 2000
Complete Citation:
Boziwick, George. “Henry Cowell at the New York Public Library: A Whole World of Music.” Notes 57, no. 1 (September 2000): 46-58.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Brady, Tim
Year: 1995
Complete Citation:
Brady, Tim. “Death of the Masterpiece: The Changing Social Context for Creative Music.” Musicworks: The Journal of Sound Exploration 61 (Spring 1995): 29-33.Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship
Year: 1995
Complete Citation:
Brady, Tim. “Death of a Masterpiece: The Changing Social Context for Creative Music.” Musicworks: The Journal of Sound Exploration 61 (Spring 1995): 29-33.Notes: Closes with a quotation from the “Epilogue” of Essays Before a Sonata.
Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship
Brandt, Maarten
Year: 2002
Complete Citation:
Brandt, Maarten. “Klinkende Alchemie.” Mens en Melodie, Vol. 57, No. 5 (2002): 170-172.Source: Journal
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Brant, Henry
Year: 1957
Complete Citation:
Brant, Henry. “Henry Cowell—Musician and Citizen.” Etude (February 1957): 15, 47, 58-59; (March, 1957): 20, 60-61; (April 1957): 22, 60-61.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1967
Complete Citation:
Brant, Henry. “Space as an Essential Aspect of Musical Composition.” In Contemporary Composers on Contemporary Music, edited by Elliott Schwartz and Barney Childs, 221-242. New York, NY: Holt, Rinehart and Winston, 1967.Notes: Cites <i>The Unanswered Question</i> as an example.
Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Braun, Doris
Year: 2006
Complete Citation:
Braun, Doris. “International Corner: [Keith Ford].” The Triangle of Mu Phi Epsilon, Vol. 99, No. 4 (2006): 5.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Brian, Crystal
Year: 1999
Complete Citation:
Crystal Brian. “‘To Be Quiet and Listen’: The Orphans’ Home Cycle and the Music of Charles Ives.” In Horton Forte: A Casebook, edited by Gerald C. Wood, 89-108. Garland Reference Library of the Humanities: Case- books on Modern Dramatists. New York, NY: Garland Press, 1999.Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Brits, Hanneli
Year: 2000
Complete Citation:
Brits, Hanneli. Die invloede op Charles E. Ives se komposisiestyl. Potchefstroom, South Africa: North West University Library, 2000.Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Britton, Allen P.
Year: 1956
Complete Citation:
Britton, Allen P. “America’s Music.” Journal of Research in Music Education (April 1956).Source: Journal
VI. Topical Studies
L. Ives and America
Brooks, William
Year: 2018
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers