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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
(-) VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Von Glahn, Denise

Year: 2003
Complete Citation:
Von Glahn, Denise. “From Country to City in the Music of Charles Ives.” In The Sounds of Place: Music and the American Cultural Landscape, 64--109. Boston, MA: Northeastern University Press, 2003.
Source: Chapter in Book
VI. Topical Studies
M. Ives and Manhattan

von Rhein, John

Year: 1999
Complete Citation:
von Rhein, John. “Millennial Masterworks.” Chicago Tribune [Arts & Entertainment] (July 25, 1999): 5.
Source: Newspaper
VI. Topical Studies
S. Reception Studies and Related Scholarship

Wallner, Bo

Year: 1968
Complete Citation:
Wallner, Bo. Var tids musik i Norden: Fran 20--Tal Till 60--Tal, 252, 255, 260. Stock-holm, Sweden: Nordiska Musikforlaget, 1968.
Notes:

Otto Henrik Donner quoted: "I Charles Ives har jag upplevten tonsdattare som inte laste sig vid nagon skenbar logik eller nagot system." Also mentions Donner’s Symphonie (I'Hommage a Ives) of 1964 {E080}.

Source: Book
VI. Topical Studies
S. Reception Studies and Related Scholarship

Warburton, Thomas

Year: 1982
Complete Citation:
Thomas, Warburton,. “Abstract: Ives’s Modular Rags and a Skit for Danbury Fair.” Sonneck Society for American Music Bulletin (Spring) 9: 18.
Notes:

A paper read at the American Musicological Society meeting (November 7: Ann Arbor, MI).

Source: Conference Paper
VI. Topical Studies
B. Musical Quotation or Borrowing
Year: 1999
Complete Citation:
Warburton, Thomas. “Charles Ives and the Ragtime.” Studi Musicali 27/1 (1999): 209-238.
Source: Journal
VI. Topical Studies
B. Musical Quotation or Borrowing

Ward, Charles

Year: 1969
Complete Citation:
Ward, Charles. “The Use of Hymn Tunes as an Expression of ‘Substance’ and ‘Manner’ in the Music of Charles E. Ives.” Master’s Essay, University of Texas at Austin, 1969.
Notes:

Unpublished Master’s Thesis

Source: Master’s Thesis
VI. Topical Studies
B. Musical Quotation or Borrowing
Year: 1974
Complete Citation:
Ward, Charles. “Charles Ives’s Concept of Music.” Current Musicology, no. 18 (1974): 114-19.
Source: Journal
VI. Topical Studies
I. Compositional Process

Ward, Keith C.

Complete Citation:
Ward, Keith C. “Ives, Schoenberg, and the Musical Ideal.” In Charles Ives and the Classical Tradition, edited by Geoffrey Block and J. Peter Burkholder, 87-104. New Haven, CT: Yale University Press, 1996.
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1984
Complete Citation:
Ward, Keith C. “Abstract: Charles Ives and the Over-Soul.” Sonneck Society for American Music Bulletin (Fall) 10: 63.
Notes:

Compares Ives to Emerson.

Source: Journal
VI. Topical Studies
A. Transcendentalism or Philosophy

Ward, Keither

Year: 1985
Complete Citation:
Ward, Keith. “Charles Ives and the Oversoul.” Paper presented at the Mid-Atlantic Chapter Meeting of the American Musicological Society, February 3, 1985.
Source: Conference paper
VI. Topical Studies
A. Transcendentalism or Philosophy

Warren-Findley, Janelle

Year: 1964
Complete Citation:
Warren--Findley, Janelle. “American Studies and American Fine-Art Music.” American Studies 19/2- (Fall 1978): 85--87.
Source: Journal
VI. Topical Studies
L. Ives and America

Warren, Robert Penn

Year: 1947
Complete Citation:
Warren, Robert Penn. “Sketches of Those Added by Columbia to the Roll of Pulitzer Prize Winners.” The New York Times. May 6, 1947: 1, 20.
Source: Newspaper
VI. Topical Studies
V. Awards

Watkins, Glenn

Year: 2003
Complete Citation:
Watkins, Glenn. Proof through the night: music and the great war. Berkeley, CA: University of California Press, 2003.
Source: Book
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions

Webb, John

Year: 1992
Complete Citation:
Webb, John. “Schnittke in Context.” Tempo 182 (September 1992): 19-22.
Notes:

Composer Schnittke tells of influence of Mahler and Ives. Considers each to be polystylistic.

Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Weisberger, Bernard A.

Year: 1958
Complete Citation:
Weisberger, Bernard A. They Gathered at the River: The Story of the Great Revivalists and Their Impact Upon Religion in America, 19. Boston, MA: Little, Brown and Co., 1958.
Source: Book
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions

Weischollek, Dirk

Year: 2011
Complete Citation:
Weischollek, Dirk. “Gustav Mahler und Charles Ives - Heterogenität als Welterfahrung.” In Wo die schönen Trompeten blasen: vokale und instrumentale Semantik im Werk Gustav Mahlers, edited by Heister, Hanns-Werner. Berlin, Germany: Weidler Buchverlag, 2011.
Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Weiss, Adolph

Year: 1931
Complete Citation:
Weiss, Adolph. “Letter to the Editor.” The New York Times. July 26, 1931, sec. 8, 7.
Source: Newspaper
VI. Topical Studies
S. Reception Studies and Related Scholarship

Weschler, Lawrence

Year: 1986
Complete Citation:
Weschler, Lawrence. “Profiles: Boy Wonder—I.” New Yorker 62/39 (Novem-ber 17, 1986): 54-56, 61, 64-65, 68-70, 72-73, 76-78, 87-89, 91-93. “Boy Wonder—II.” New Yorker (November 24) 62/40: 52-54, 57- 58, 60, 63-64, 67-74.
Notes:

Nicolas Slonimsky is the subject of this pro-file. Includes his reminiscences of his early, pioneering conducting (November 17: 88-89, 91-92) of Ives’s compositions (esp. Orchestral Set No. 1: Three Places in New England). Uses quotations from Slo-nimsky’s autobiography.

Source: Magazine
VI. Topical Studies
N. Ives’ Childhood

Weyer, Waldo, and Bertha Spies

Year: 2007
Complete Citation:
Weyer, Waldo, and Bertha Spies. “‘Music is Life’ – the Influence of Transcendentalist Philosophy on Ives’s Concord Sonata.” The Journal for Transdisciplinary Research in Southern Africa, vol. 3, no. 2 (2007): e1-e40.
Source: Journal
VI. Topical Studies
A. Transcendentalism or Philosophy

White, Michael J.

Year: 1982
Complete Citation:
White, Michael J. “Hazel Smith in Ives.” The Guardian, June 12, 1982, 12.
Source: Newspaper
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers