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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
(-) VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Camus, Raoul F. and Roger Kamien

Year: 1996
Complete Citation:
Camus, Raoul F. and Roger Kamien. “Charles Ives.” In Study guide and student workbook to accompany Kamien Music: an appreciation. New York, NY: Mcgraw Hill, 1996.
Source: Chapter in Book
VI. Topical Studies
T. Ives in Music Education

Cardieu, Martine

Year: 1977
Complete Citation:
Cardieu, Martine. “Charles Ives, or America of the ‘First Romance.’” In An Ives Celebration: Papers and Panels of the Charles Ives Centennial Festival-Conference, edited by H. Wiley Hitchcock and Vivian Perlis, 238-241. Music in American Life. Urbana, Illinois: University of Illinois Press, 1977.
Source: Chapter in Book
VI. Topical Studies
L. Ives and America

Carlson, Michael

Year: 1996
Complete Citation:
Carlson, Michael. “The Discomposing Composer.” Specta-tor 277/8781 (November 2, 1996): 44.
Notes:

“[H]is marvelous 'From Hanover Square North' ranks with Nielsen's Fifth as the most moving reactions to the Great War.”

Source: Journal
VI. Topical Studies
I. Compositional Process

Carter, Eilliot

Year: 1939
Complete Citation:
Carter, Elliott. “The Case of Mr. Ives: Winter Nites.” Modern Music 16 (March-April 1939): 3, 172-176.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Carter, Elliot

Year: 1938
Complete Citation:
Carter, Elliott. “Vacation Novelties, New York.” Modern Music (January-February 1938) 15/2: 97.
Notes:

A review of Daniel Gregory Mason’s <i>Abraham Lincoln Symphony </i>

Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1944
Complete Citation:
Carter, Elliot. “Ives Today, His Vision and Challenge.” Modern Music 21/3 (May-June 1944).
Source: Journal
Reprints:

Carter, Elliot. “Ives Today, His Vision and Challenge.” In <i>Elliott Carter: collected essays and lectures, 1937-1995</i>, edited by Jonathan W. Bernard.

VI. Topical Studies
S. Reception Studies and Related Scholarship
Year: 1946
Complete Citation:
Carter, Elliot. “An American Destiny.” Listen (November, 1946): 4-7.
Source: Journal
VI. Topical Studies
L. Ives and America
Year: 1948
Complete Citation:
Carter, Elliot. “Genial Sage.” In Paul Rosenfeld: Voyager in the Arts, edited by Jerome Mellquist and Lucie Wiese, 163-165. New York, NY: Creative Age Press, 1948.
Source: Chapter in Book
Reprints:

Carter, Elliot. “Genial Sage.” In <i>Collected Essays and Lectures, 1937-1995</i>, 306-307. Edited by Jonathan W. Bernard. Rochester, NY: University of Rochester Press, 1998.

VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1955
Complete Citation:
Carter, Elliot. “The Rhythmic Basis of American Music.” Score and I.M.A. Magazine 12, June 1955, 27-32.
Source: Magazine
Reprints:

Carter, Elliot. “The Rhythmic Basis of American Music.” In <i>Collected Essays and Lectures, 1937-1995</i>, 57-62. Edited by Jonathan W. Bernard. Rochester, NY: University of Rochester Press, 1998.

VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1965
Complete Citation:
Carter, Elliot. “Expressionism and American Music.” Perspectives of New Music (Fall-Winter 1965): 1-13.
Source: Journal
VI. Topical Studies
L. Ives and America
Year: 1975
Complete Citation:
Carter, Elliot. “Documents of a Friendship with Ives.” Parnassus: Poetry in Review, (Spring-Summer 1975).
Source: Journal
Reprints:

Carter, Elliot. “Documents of a Friendship with Ives.” In <i>Elliott Carter: collected essays and lectures, 1937-1995</i>, edited by Jonathan W. Bernard. Rochester, NY: University of Rochester Press, 1998.

VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1998
Complete Citation:
Carter, Elliot. “Brass Quintet.” In Collected Essays and Lectures, 1937-1995, edited by Jonathan W. Bernard, 256-258. Rochester, NY: University of Rochester Press, 1998.
Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Carter, Elliot, Charles Rosen, Allen Edwards, and Heinz Holliger

Year: 1992
Complete Citation:
Carter, Elliot, Charles Rosen, Allen Edwards, and Heinz Holliger. Entretiens avec Elliott Carter. Geneva, Switzerland: Éditions Contrechamps,1992.
Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Carter, Elliott

Complete Citation:
Carter, Elliott. “Charles Ives Remembered.” In Elliott Carter: collected essays and lectures, 1937-1995, edited by Jonathan W. Bernard. Rochester, NY: University of Rochester Press, 1998.
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1939
Complete Citation:
Carter, Elliott. “The Case of Mr. Ives: Winter Notes.” Modern Music Vol. 16, No. 3 (March-April 1939): 172-176.
Source: Journal
Reprints:

Carter, Elliot. “The Case of Mr. Ives.” <i>Perspectives of New Music</i> Vol. 2, No. 2 (Spring-Summer 1964). * Carter, Elliot. “The Case of Mr. Ives.” In <i>Elliott Carter: collected essays and lectures, 1937-1995</i>, edited by Jonathan W. Bernard. Rochester, NY: University of Rochester Press, 1998.

VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1940
Complete Citation:
Carter, Elliott. “Stravinsky and Other Moderns in 1940.” Modern Music 17/3 (March-April 1940): 164-170.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1940
Complete Citation:
Carter, Elliott. “The Changing Scene, New York 1940.” Modern Music XVII, 3 (March-April 1940): 240-241.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1955
Complete Citation:
Carter, Elliott. “The Rhythm Basis of American Music.” Score (June 1955).
Source: Journal
VI. Topical Studies
L. Ives and America
Year: 1960
Complete Citation:
Carter, Elliott. “Shop Talk by an American Composer.” The Musical Quarterly XLVI (April 1960): 189-201.
Source: Journal
Reprints:

Carter, Elliott. “Shop Talk by an American Composer.” In <i>Problems of Modem Music</i>, edited by Paul Henry Lang, 51-63. New York, NY: W. W. Norton, 1962. * Carter, Elliott. “Shop Talk by an American Composer.” In <i>Problems of Modem Music</i>, edited by Paul Henry Lang, 262-273. New York, NY: W. W. Norton, 1962. New York, NY: Holt, Rinehart and Winston, 1967. * Carter, Elliott. “Shop Talk by an American Composer.” <i>Twentieth-Century Views of Music History</i>, edited by Edwin Hays, 412-424. New York, NY: Charles Scribner’s Sons, 1972.

VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1977
Complete Citation:
Carter, Elliott. The Writings of Elliott Carter: An American Composer looks at Modern Music, compiled, edited and annotated by Else and Kurt Stone. Bloomington, IN: Indiana University Press, 1977.
Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers