Horowitz, Joseph
Year: 1994
Complete Citation:
Horowitz, Joseph. “Introduction.” Paper presented at American Transcendentalists. Brooklyn Philharmonic Orchestra, Brooklyn Academy of Music, Brooklyn, New York, November 11-13, 1994. Da Camera of Houston, The Menil Collection, Houston, Texas, November 21-22, 1994.Source: Conference Paper
VI. Topical Studies
A. Transcendentalism or Philosophy
Year: 1994
Complete Citation:
Horowitz, Joseph. “Introduction: The Transcendental Ives.” In American Transcendentalists [Program Booklet]. Brooklyn Philharmonic Orchestra, Brooklyn Academy of Music, Brooklyn, New York, November 11-13, 1994. Da Camera of Houston, The Menil Collection, Houston, Texas, November 21-22, 1994.Source: Program Booklet
VI. Topical Studies
A. Transcendentalism or Philosophy
Horowitz, Joseph, John Adams, <br>Thomas Blanding, Donald Moffat, Stuart Feder, Steven Mayer, and Kurt Oilman
Year: 1994
Complete Citation:
Horowitz, Joseph, John Adams,
Thomas Blanding, Donald Moffat, Stuart Feder, Steven Mayer, and Kurt Oilman. “Panel Discussion.” Paper presented at American Transcendentalists. Brooklyn Philharmonic Orchestra, Brooklyn Academy of Music, Brooklyn, New York, November 11-13, 1994. Da Camera of Houston, The Menil Collection, Houston, Texas, November 21-22, 1994.Source: Conference Paper
VI. Topical Studies
A. Transcendentalism or Philosophy
Hwang, Mi Kyung
Year: 2010
Complete Citation:
Hwang, Mi Kyung. “Charles Ives’s Variations on “America”: A Musical Analysis Based upon Jazz Elements.” The Organ, Vol. 89 (2010): 26-35.Source: Magazine
VI. Topical Studies
G. Music Theory Analyses
Iverson, Jennifer
Year: 2002
Complete Citation:
Iverson, Jennifer. “Ives Reworks Thoreau: Charles Ives’ Interpretation of Thoreau in 114 Songs and Essays before a Sonata.” Publications of the Missouri Philological Association, vol. 27 (2002): 66.Source: Journal
VI. Topical Studies
A. Transcendentalism or Philosophy
Year: 2011
Complete Citation:
Iverson, Jennifer. “Creating Space: Perception and Structure in Charles Ives’ Collages.” Music Theory Online, Vol. 17 (2011).Source: Journal (online)
VI. Topical Studies
G. Music Theory Analyses
Josephson, Nors S.
Year: 1978
Complete Citation:
Josephson, Nors S. “Charles Ives: Intervallische Permutationen im Spätwerk.” Zeitschrift für Musiktheorie 9/2 (1978): 27-33.Source: Journal
VI. Topical Studies
G. Music Theory Analyses
Kaenel, André
Year: 1986
Complete Citation:
Kaenel, André. “Les transcendentalists americaines.” Contrechamps 7 (1986): 99-109.Source: Journal
VI. Topical Studies
A. Transcendentalism or Philosophy
Kirkpatrick, John
Year: 1976
Complete Citation:
Kirkpatrick, John. “Ives as Prophet.” In South Florida's Historic Ives Festival, 1974-1976, 59. Coral Gables, FL: University of Miami, 1976.Source: Chapter in Book
VI. Topical Studies
A. Transcendentalism or Philosophy
Klemm, Eberhardt
Year: 1977
Complete Citation:
Klemm, Eberhardt. “Musikalischer Neuererund Demokrat: Der Komponist Charles Ives.” Musik und Gesellschaft 27/12 (1977): 731-735.Source: Journal
VI. Topical Studies
A. Transcendentalism or Philosophy
Koch, Gerhard R.
Year: 1973
Complete Citation:
Koch, Gerhard R. “Charles Ives. Musik als reale Utopie.” HiFi-Stereophonie 12/7 (July 1973): 689-698.Source: Journal
VI. Topical Studies
A. Transcendentalism or Philosophy
Kramer, Jonathan Donald
Year: 2001
Complete Citation:
Kramer, Jonathan Donald. “Concetti postmoderni di tempo musicale.” Analisi 12 (May 2001): 5-21.Notes: Regarding “Putnam's Camp.” Includes musi-cal examples, comments, and tables.
Source: Journal
VI. Topical Studies
G. Music Theory Analyses
Kunze, Stefan
Year: 1974
Complete Citation:
Kunze, Stefan. “Raumvorstellungen in der Musik.” Archiv für Musikwissenschaft 31/1 (1974): 1-21.Source: Journal
VI. Topical Studies
G. Music Theory Analyses
Lambert, J. Philip
Year: 1990
Complete Citation:
Lambert, J. Philip. “Interval Cycles as Compositional Resources in the Music of Charles Ives.” Music Theory Spectrum 12/1 (Spring 1990): 43-82.Source: Journal
VI. Topical Studies
G. Music Theory Analyses
Year: 1990
Complete Citation:
Lambert, J. Philip. “Aggregate Structures in Music of Charles Ives.” Journal of Music Theory 34 (1990): 29-55.Source: Journal
VI. Topical Studies
G. Music Theory Analyses
Year: 1991
Complete Citation:
Lambert, J. Philip. “Ives and Counterpoint.” American Music 9, No. 2 (Summer 1991).Source: Journal
VI. Topical Studies
G. Music Theory Analyses
Year: 1993
Complete Citation:
Lambert, J. Philip. “Toward a Theory of Chord Structure for the Music of Charles Ives.” Journal of Music Theory 37/1 (Spring 1993): 55-83.Source: Journal
VI. Topical Studies
G. Music Theory Analyses
Lapsley, James N.
Year: 2007
Complete Citation:
Lapsley, James N. “Charles Ives and the Reformed Tradition: A Musical Pilgrimage.” Theology Today, vol. 64, no. 3 (2007): 305-321.Source: Journal
VI. Topical Studies
A. Transcendentalism or Philosophy
LaRocca, David
Year: 2013
Complete Citation:
LaRocca, David. Estimating Emerson: an anthology of criticism from Carlyle to Cavell. New York, NY: Bloomsbury Academic, 2013.Source: Book
VI. Topical Studies
A. Transcendentalism or Philosophy
Lefebure, Leo D.
Year: 2013
Complete Citation:
Lefebure, Leo D. “A Christian Commentary on the “Dhammapada.”” Buddhist-Christian Studies 33, no. 1, (2013): 181-189.Source: Journal
VI. Topical Studies
A. Transcendentalism or Philosophy
