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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
(-) X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Anderson, William

Year: 1975
Complete Citation:
Anderson, William. “Editorially Speaking: Composer Charles Ives Enters History.” Stereo Review 34/3 (March 1975): 4.
Source: Magazine
X. Editing Practices and Articles Regarding Published Editions
A. Editing Practices

Archibald, Bruce

Year: 1966
Complete Citation:
Archibald, Bruce. “Reviewed Works: The Orchestra Song by William Schuman; Variations on “America” (Charles Ives, for organ, 1891; William Schuman, for orch., 1963) by Charles Ives.” Notes, vol. 23, no. 1 (September 1966): 157.
Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions

Ashbee, Andrew

Year: 2016
Complete Citation:
Ashbee, Andrew. “James Shirley’s The Triumph of Peace Revisited.” The Consort: European Journal of Early Music, Vol. 72 (2016): 31-48.
Source: Journal
VI. Topical Studies
K. Stylistic Influences on Ives

Atlas, Allan W.

Year: 1996
Complete Citation:
Atlas, Allan W. The Wheatstone English Concertina in Victorian England. Oxford, United Kingdom: Clarendon Press, 1996.
Source: Book
VI. Topical Studies
K. Stylistic Influences on Ives

Austin, Larry

Year: 1976
Complete Citation:
Austin, Larry. “Reconstruction of Ives’ Universe Symphony.” In Desert Plants: Conversations with 23 American Musicians, interviewed by Walter Zimmermann, 207-220. Vancouver, BC: A.R.C. Publications, 1976.
Source: Chapter in Book
X. Editing Practices and Articles Regarding Published Editions
A. Editing Practices
Year: 1985
Complete Citation:
Austin, Larry. “Charles Ives’s Life Pulse Prelude for Percussion Orchestra: A Realization for Modem Performance from Sketches for His Universe Symphony.” Percussionist 23, no. 6 (1985): 58-84.
Source: Magazine
X. Editing Practices and Articles Regarding Published Editions
A. Editing Practices

Bales, Richard

Year: 1948
Complete Citation:
Bales, Richard. “Charles Ives: Third Symphony. [Review of Symphony No. 3 by Charles Ives.]” Notes 5/3 (June 1948): 413.
Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions

Bales, Richard and Charles Seeger

Year: 1950
Complete Citation:
Bales, Richard and Charles Seeger. “Tone Roads No. 1 for Chamber Orchestra (performable also as chamber music).” New York: Peer International Corp., 1949. Notes 7/3 (June 1950): 432-433.
Source: Journal
X. Editing Practices and Articles Regarding Published Editions
A. Editing Practices

Baron, Carol K.

Year: 1991
Complete Citation:
Baron, Carol K. “Ives and the Concord Transcendentalists.” Paper presented at Charles Ives: A Yankee Genius or Musical Fraud. Charles Ives Center, Danbury, Connecticut, October 1991.
Source: Conference paper
VI. Topical Studies
A. Transcendentalism or Philosophy
Year: 1992
Complete Citation:
Baron, Carol K. “Review of Symphony No. 3 (The Camp Meeting) by Charles Ives.” Notes 48/4 (June 1992): 1436-1438.
Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions

Becker, Dr. John H.

Year: 1933
Complete Citation:
Becker, John H. “Charles E. Ives: Musical Philosopher.” Northwest Musical Herald (January 1933): 5-6.
Notes:

Available at the Yale University Music Library Archival Collection. “Charles Ives Papers” Mss. 14/41; 14/56/2; 41/112.

Source: Journal
VI. Topical Studies
A. Transcendentalism or Philosophy

Bellamann, Henry

Year: 1921
Complete Citation:
Bellamann, Henry. “Reviews: ‘Concord, Mass., 1840-1860’ (A Piano Sonata by Charles E. Ives.).” Double Dealer 2 (October 1921): 166-169.
Source: Journal
Reprints:

Reprinted in <i>Charles Ives and His World</i>, 280-284.

X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions

Berger, Arthur V.

Year: 1949
Complete Citation:
Berger, Arthur V. “The Musical Scene: Ives is Prominent on Current Lists of Publishers After Long Neglect.” New York Herald Tribune, 1949, C5.
Source: Newspaper
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions

Bernstein, Leonard

Year: 1982
Complete Citation:
Bernstein, Leonard. “The Absorption of Race Elements into American Music.” In Findings: Fifty Years of Meditations on Music, 36-99. New York, NY: Doubleday, 1982.
Source: Book
VI. Topical Studies
K. Stylistic Influences on Ives

Black, Phillip C.

Year: 2012
Complete Citation:
Black, Phillip C. “Reviews - Tuba Ensemble: “Variations on ‘America’,” by Charles Ives, arranged for tuba quartet by Tim Ott and Bryan Doughty.” ITEA Journal, Vol. 39, No. 2 (2012).
Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions

Blanding, Thomas

Year: 1994
Complete Citation:
Blanding, Thomas. “Music of the Higher Spheres: The Philoso-phy and Influence of New England Transcendentalists.” In American Transcendentalists [Program Booklet]. Brooklyn Philharmonic Orchestra, Brooklyn Academy of Music, Brooklyn, New York, November 11-13, 1994. Da Camera of Houston, The Menil Collection, Houston, Texas, November 21-22, 1994.
Source: Program Booklet
VI. Topical Studies
A. Transcendentalism or Philosophy

Block, Geoffrey

Year: 1996
Complete Citation:
Block, Geoffrey. “Ives and the ‘Sounds that Beethoven Didn't Have.’” In Charles Ives and the Classical Tradition, edited by Geoffrey Block and J. Peter Burkholder, 34-50. New Haven, CT: Yale University Press, 1996.
Source: Chapter in Book
VI. Topical Studies
K. Stylistic Influences on Ives
Year: 1997
Complete Citation:
Block, Geoffrey. “Remembrance of Dissonances Past: The Two Published Editions of Ives’s Concord Sonata.” In Ives Studies, edited by Philip Lambert, 27-50. Cambridge, UK: Cambridge University Press, 1997.
Source: Book
X. Editing Practices and Articles Regarding Published Editions
A. Editing Practices
Year: 1997
Complete Citation:
Block, Geoffrey. “Remembrance of Dissonances Past: The Two Published Editions of Ives’s Concord Sonata.” In Ives Studies, edited by Philip Lambert, 27-50. Cambridge, United Kingdom: Cambridge University Press, 1997.
Source: Chapter in Book
X. Editing Practices and Articles Regarding Published Editions
A. Editing Practices
Year: 2000
Complete Citation:
Block, Geoffrey. “Review of Symphony No. 1 by Charles Ives.” Notes 57/2 (December 2000): 461-64.
Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions