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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Eichler, Jeremy

Year: 2004
Complete Citation:
Eichler, Jeremy. “The American Canon’s Unabashed Patriot.” The New York Times. Janu-ary 28, 2004.
Source: Newspaper
VI. Topical Studies
L. Ives and America

Emerson, Ralph Waldo

Complete Citation:
Emerson, Ralph Waldo. “Quotation and Originality.” Complete Works of Ralph Waldo Emerson. Boston/New York: Houghton Mifflin, 1903. Vol-ume 8: 201: Letters and Social Aims.
Source: Chapter in Book
VI. Topical Studies
A. Transcendentalism or Philosophy

Ewen, David

Year: 1942
Complete Citation:
Ewen, David. Music Comes to America, 277, 289. New York, NY: Allen, Towne & Heath, 1947.
Notes:

Two passing citations. Submits that American music will follow “the futuristic music of Charles Ives.”

Source: Book
VI. Topical Studies
L. Ives and America

Farwell, Arthur

Year: 1935
Complete Citation:
Farwell, Arthur. “Pioneering for American Music.” Modern Music 12 (March-April 1935): 116-122.
Source: Journal
VI. Topical Studies
L. Ives and America

Faucett, Bill F. (Compiled, prepared, and introduced by)

Year: 2008
Complete Citation:
Faucett, Bill F., ed. Music in America, 1860--1918: Essays, Reviews, and Remarks on Critical Issues. Monographs and Bibliographies in American Music, series edited by Michael J. Budds. Hillsdale, NY: Pendragon Press, 2008.
Notes:

Cites and quotes from the review of The Celestial Country from the Musical Courier {CI08}.

Source: Book
VI. Topical Studies
L. Ives and America

Feder, Stuart

Year: 1994
Complete Citation:
Feder, Stuart. “An American Diary in Music.” Paper presented at American Transcendentalists. Brooklyn Philharmonic Orchestra, Brooklyn Academy of Music, Brooklyn, New York, November 11-13, 1994. Da Camera of Houston, The Menil Collection, Houston, Texas, November 21-22, 1994.
Source: Conference Paper
VI. Topical Studies
A. Transcendentalism or Philosophy
Year: 1994
Complete Citation:
Feder, Stuart. “Charles Ives’s ‘Transcendental Tune of Con-cord’.” In American Transcendentalists [Program Booklet]. Brooklyn Philharmonic Orchestra, Brooklyn Academy of Music, Brooklyn, New York, November 11-13, 1994. Da Camera of Houston, The Menil Collection, Houston, Texas, November 21-22, 1994.
Source: Program Booklet
VI. Topical Studies
A. Transcendentalism or Philosophy
Year: 1994
Complete Citation:
Feder, Stuart. “An American Diary in Music.” Paper presented at American Transcendentalists. Brooklyn Philharmonic Orchestra, Brooklyn Academy of Music, Brooklyn, New York, November 11-13, 1994. Da Camera of Houston, The Menil Collection, Houston, Texas, November 21-22, 1994.
Notes:

Used Ives’s diary as a “musical autobiography” with commentary.

Source: Conference Paper
VI. Topical Studies
A. Transcendentalism or Philosophy

Ferris, William R. and Mary L. Hart

Year: 1982
Complete Citation:
Ferris, William R. and Mary L. Hart. “Charles Ives: Victorian gentleman or American folk hero?” In Folk music and modern sound. Jackson: University Press of Mississippi, 1982.
Source: Chapter in Book
VI. Topical Studies
L. Ives and America

Fink, Lea

Year: 2011
Complete Citation:
Fink, Lea. “Identitäts(Er)Findung Der Amerikanischen Musikgeschichte: Charles Ives.” In Identität - Alterität - Musik, Vol. 4, edited by Annegret Huber et al., 83-98. Vienna, Austria: Hollitzer Verlag, 2011.
Source: Journal
VI. Topical Studies
L. Ives and America

Finkelstein, Sydney

Year: 1960
Complete Citation:
Finkelstein, Sydney. Composer and Nation: The Folk Heritage of Music, 237-243. London, United Kingdom: Lawrence & Wishart, 1960.
Source: Book
VI. Topical Studies
L. Ives and America

Fletcher, Lucille.

Complete Citation:
Fletcher, Lucille. “A Connecticut Yankee in Music.” Charles Ives Papers. Box 56. Irving S. Gilmore Music Library, Yale University.
Notes:

Unpublished article for the New Yorker Magazine, Charles Ives Papers at Yale University, Box 56. Nearly every page has additions and corrections in Ives’s hand, and some passages were actually written by Ives.<br>

Source: Unpublished article
VI. Topical Studies
L. Ives and America

Frankenstein, Alfred

Year: 1960
Complete Citation:
1960 - Alfred Frankenstein. “Charles Ives: A Musical Transcendentalist.” In The Unforgettable Americans, edited by John A. Garraty, 323-326. Great Neck, NY: Channel Press, 1960.
Source: Chapter in Book
VI. Topical Studies
A. Transcendentalism or Philosophy

Gail, Dorothea

Year: 2013
Complete Citation:
Gail, Dorothea. “Charles Ives: la musique comme fabrique de l’existence.” In Théories de la composition musicale au XXe siècle. Lyon, France: Symétrie Publisher, 2013.
Source: Chapter in Book
VI. Topical Studies
A. Transcendentalism or Philosophy

Galt, Martha Caroline

Year: 1943
Complete Citation:
Galt, Martha Caroline. Know Your American Music: A Handbook. Augusta, ME: Kennebee Journal Print Shop, 1943.
Source: Book
Reprints:

Ithaca, NY: National Federation of Music Clubs, 1945.

VI. Topical Studies
L. Ives and America

Gann, Kyle

Year: 1997
Complete Citation:
Gann, Kyle. American Music in the Twentieth Century. New York, NY: Prentice Hall International, 1997.
Source: Book
VI. Topical Studies
L. Ives and America

Garland, Peter

Year: 1982
Complete Citation:
Garland, Peter. Americas: Essays on American Music and Culture, 1973-80, 32-52, 65-116, 109. Santa Fe, NM: Soundings Press.
Notes:

In “American Piano: An Appreciation” (32-52), the author appreciates “the Ives piano music, [because of] how its complexity, enclosed in the scope of a keyboard, mirrors that of a full orchestra.” In his “Oaxacan Journal” (65-116), he refers to Tone Roads, From the Steeples and the Mountains, and General William Booth Enters into Heaven and he argues that “Ives totally revolutionized the art song” (109).

Source: Section in Book
VI. Topical Studies
L. Ives and America

Garrett, Charles Hiroshi

Year: 2008
Complete Citation:
Garrett, Charles Hiroshi. Struggling to Define a Nation: American Music and the Twentieth Century. Berkeley, CA: University of California Press, 2008.
Source: Book
VI. Topical Studies
L. Ives and America

Geselbacht, Raymond H.

Year: 1974
Complete Citation:
Geselbacht, Raymond H. “Evolution and the New World Vision in the Music of Charles Ives.” Journal of American Studies 8 (1974): 211-227.
Source: Journal
VI. Topical Studies
L. Ives and America
Year: 1975
Complete Citation:
Geselbacht, Raymond H. “Transcendental Renaissance in the Arts: 1890-1920.” New England Quarterly LIII (1975): 463-486.
Source: Journal
VI. Topical Studies
A. Transcendentalism or Philosophy