Abraham, Gerald
Year: 1979
Complete Citation:
Abraham, Gerald. The Concise Oxford History of Music, 824. London, United Kingdom: Oxford University Press, 1979.Source: Book
VII. Entries in Larger Volumes
A. Textbook Accounts
Alexander, J. Heywood
Year: 2002
Complete Citation:
Alexander, J. Heywood. “Charles Ives.” In To stretch our ears: a documentary history of America's music. New York, NY: W.W. Norton, 2002.VII. Entries in Larger Volumes
A. Textbook Accounts
Anderson, Martin
Year: 2003
Complete Citation:
Anderson, Martin. “Obituary: Lou Harrison; Unconventional Composer Whose Music Fused East and West: FOREIGN Edition.” The Independent, February 5, 2003.Source: Newspaper
VI. Topical Studies
P. Ives Collaborators and Colleagues
Austin, William F.
Year: 1966
Complete Citation:
Austin, William F. Music in the Twentieth Century, from Debussy through Stravinsky. New York, New York: W.W. Norton, 1966.Source: Book
VII. Entries in Larger Volumes
A. Textbook Accounts
Austin, William W.
Complete Citation:
Austin, William W. Music in the 20th Century, 57-61. New York, NY: W.W. Norton, 1966.Source: Book
VII. Entries in Larger Volumes
A. Textbook Accounts
Baron, Carol K.
Year: 1991
Complete Citation:
Baron, Carol K. “Ives and the Concord Transcendentalists.” Paper presented at Charles Ives: A Yankee Genius or Musical Fraud. Charles Ives Center, Danbury, Connecticut, October 1991.Source: Conference paper
VI. Topical Studies
A. Transcendentalism or Philosophy
Barron, James
Year: 1991
Complete Citation:
Barron, James. “John Kirkpatrick is Dead at 86; A Pianist Who Popularized Ives.” The New York Times, November 11, 1991, B10.Source: Newspaper
VI. Topical Studies
P. Ives Collaborators and Colleagues
Bauer, Marion
Year: 1933
Complete Citation:
Bauer, Marion. 20th Century Music: How It Developed, How to Listen to It, 278. New York, NY: G.P. Putnam’s Sons, 1933.Source: Book
Reprints: Bauer, Marion. <i>20th Century Music: How It Developed, How to Listen to It</i>, 278. New York, New York: Da Capo Press, 1978, 278.
VII. Entries in Larger Volumes
D. Other
Becker, Dr. John H.
Year: 1933
Complete Citation:
Becker, John H. “Charles E. Ives: Musical Philosopher.” Northwest Musical Herald (January 1933): 5-6.Notes: Available at the Yale University Music Library Archival Collection. “Charles Ives Papers” Mss. 14/41; 14/56/2; 41/112.
Source: Journal
VI. Topical Studies
A. Transcendentalism or Philosophy
Bellamann, Henry
Year: 1927
Complete Citation:
Bellamann, Henry. “The Music of Charles Ives.” Pro Musica Quarterly 5, No. 1 (March-April 1927): 16-22.Source: Journal
VI. Topical Studies
P. Ives Collaborators and Colleagues
Year: 1932
Complete Citation:
Bellamann, Henry. “An American Composer.” State (Columbia, SC), May 22, 1932, 23.Source: Newspaper
VI. Topical Studies
P. Ives Collaborators and Colleagues
Berger, Arthur
Year: 2002
Complete Citation:
Berger, Arthur. Reflections of an American Composer. Berkeley, CA: Uni-versity of California Press, 2002.Notes: Berger re-evaluates some of his earlier critiques of Ives's music (i.e., his published reviews).
Source: Book
VI. Topical Studies
P. Ives Collaborators and Colleagues
Bernstein, Martin and Martin Picker
Year: 1966
Complete Citation:
Bernstein, Martin and Martin Picker. “Contemporary American Music.” In An Introduction to Music, 525, 541-549. Third Edition. Englewood Cliffs, NJ: Prentice-Hall, 1966.Notes: Section on Charles Ives
Source: Chapter in Book
VII. Entries in Larger Volumes
A. Textbook Accounts
Blanding, Thomas
Year: 1994
Complete Citation:
Blanding, Thomas. “Music of the Higher Spheres: The Philoso-phy and Influence of New England Transcendentalists.” In American Transcendentalists [Program Booklet]. Brooklyn Philharmonic Orchestra, Brooklyn Academy of Music, Brooklyn, New York, November 11-13, 1994. Da Camera of Houston, The Menil Collection, Houston, Texas, November 21-22, 1994.Source: Program Booklet
VI. Topical Studies
A. Transcendentalism or Philosophy
Bloom, Harold
Complete Citation:
Bloom, Harold. A Map of Misreading. New York: Oxford University Press, 1975: 162.Notes: Only one reference to Ives: "The war of American poets against influence is part of our Emersonian heritage, manifested first in the great triad of 'The Divinity School Address,' 'The American Schol-ar,' and ‘Self--Reliance.' This heritage can be traced in Thoreau, Whit-man, Dickinson and quite directly again in Robinson and Frost, in the architectural writings of Sullivan and Wright, in the Essays Before a Sonata of Charles Ives. The less direct heritage is more relevant to any brooding on the negative aspects of poetic influence, centering partly on Pound and Williams (where it is refracted through Whitman) and partly on Stevens, who disliked the very idea of influence."
Source: Chapter in Book
VI. Topical Studies
A. Transcendentalism or Philosophy
Blume, Friedrich
Year: 1975
Complete Citation:
Blume, Friedrich. Epochen der Musikgeschichte. Munich, Germany: Deutscher Taschenbuch Verlag, 1975.Source: Book
VII. Entries in Larger Volumes
D. Other
Bohlman, Philip V.
Year: 2005
Complete Citation:
Bohlman, Philip V. “Introduction.” In Music in American Religious Experience, edited by Bohlman, Philip V., Edith L. Blumhofer, and Maria M. Chow. Oxford, United Kingdom: Oxford University Press, 2005.Source: Newsletter
VI. Topical Studies
A. Transcendentalism or Philosophy
Broyles, Michael
Year: 2004
Complete Citation:
Broyles, Michael. “Looking Back: Puritanism, Geography, and the Myth of American Individualism.” In Mavericks and Other Traditions in American Music, 271-296. New Haven, CT: Yale University Press, 2004.Source: Chapter in Book
VI. Topical Studies
A. Transcendentalism or Philosophy
Broyles, Michael and Denise Von Glahn
Year: 1999
Complete Citation:
Broyles, Michael, and Denise Von Glahn. 1999. “Later Manifestations of Concord: Charles Ives and the Transcendentalist Tradition.” In Transient and Permanent: The Transcendentalist Movement and its Contexts, edited by Charles Capper and Conrad Edick Wright, 574-604. Studies in American History and Culture, No. 5. Boston, MA: Massachusetts Historical Society.Source: Book
VI. Topical Studies
A. Transcendentalism or Philosophy
Bruhn, Christopher
Year: 2004
Complete Citation:
Bruhn, Christopher. “Refracting History: Ives and Emerson and the German Romantic Tradition in American Music.” Paper presented at A Century of Composing in America: 1820-1920. The City University of New York, The Graduate Center, New York, New York, October, 2004.Source: Conference Paper
VI. Topical Studies
A. Transcendentalism or Philosophy