McLendon, James Wm., Jr.
Year: 1974
Complete Citation:
McLendon, James William, Jr. “Expanding the Theory: Charles Edward Ives—Theologian in Music.” In Biography as Theology: How Life Stories Can Remake Today’s Theology, 140-169. Nashville, TN: Abingdon Press, 1974.Source: Journal
VI. Topical Studies
A. Transcendentalism or Philosophy
Mead, Andrew
Year: 2007
Complete Citation:
Mead, Andrew. “On Tempo Relations.” Perspectives of New Music 45, no. 1 (Winter 2007): 64-108.Source: Journal
VI. Topical Studies
R. Performance Approaches
Mehring, Frank
Year: 2002
Complete Citation:
Mehring, Frank. “‘Unpremeditated Music’: Thoreaus Avantgardistische Vorstöße in Eine Neudefinition Von Musik.” Amerikastudien/ American Studies 47/1 (2002): 39-54.Source: Journal
VI. Topical Studies
A. Transcendentalism or Philosophy
Year: 2004
Complete Citation:
Mehring, Frank. “Kontextualisierte Kreativitat: Charles Ives’ Ver-bindungen zum amerikanischen Transzendentalismus aus der Perspektive seiner Biographen.” In Charles Ives 1874-1954: Amerikanischer Pionier der Neuen Musik, edited by Hanns-Werner Heister and Werner Kremp, 179-187. Atlantische Texte, Vol. 23. Trier, Germany: Wissenschaftlicher Verlag Trier, 2004.Source: Chapter in Book
VI. Topical Studies
A. Transcendentalism or Philosophy
Mellers, Wilfrid
Year: 1965
Complete Citation:
Mellers, Wilfrid. "Realism and transcendentalism: Charles Ives as American hero.” In Music in a new found land; themes and developments in the history of American music. New York, NY: A.A. Knopf, 1965.Source: Chapter in Book
VI. Topical Studies
A. Transcendentalism or Philosophy
Mellers, Wilfrid H.
Year: 1964
Complete Citation:
Mellers, Wilfrid H. “Realism and Transcendentalism: Charles Ives American Hero.” In Music in a New Found Land: Themes and Develop merits in the History of American Music. London, United Kingdom: Barrie and Rockliff, 1964.Notes: See also Appendix I.
Source: Chapter in Book
Reprints: Mellers, Wilfrid H. “Realism and Transcendentalism: Charles Ives American Hero.” In <i>Music in a New Found Land: Themes and Develop merits in the History of American Music</i>, 38--64. New York, NY: Alfred A. Knopf, 1965.
VI. Topical Studies
A. Transcendentalism or Philosophy
Mogill, Kenneth M.
Year: 1987
Complete Citation:
Mogill, Kenneth M. “Some reflections on the relationship between the jury system, truth and Charles Ives.” Cooley Law Review (September 1, 1987).Source: Journal
VI. Topical Studies
A. Transcendentalism or Philosophy
Nardi, Gregorio
Year: 2004
Complete Citation:
Nardi, Gregorio. “Interpretare Ie Interpretazione.” Musica 21/60 (October 2004): 39--42.Source: Journal
VI. Topical Studies
R. Performance Approaches
Pearsall, Ronald
Year: 1986-87
Complete Citation:
Pearsall, Ronald. “Ives in Performance.” Music Review 47/1 (1986-87): 24-28.Source: Journal
VI. Topical Studies
R. Performance Approaches
Permoser, Manfred, editor
Year: 2011
Complete Citation:
Permoser, Manfred, editor. “Form Und Sinn: Philosophische Und Kunsttheoretische Positionen.” In Zur Kategorie Der Form in Neuer Musik, by Andreas Holzer, vol. 5, Hollitzer Verlag, Wien (2011): 61-112.Source: Journal
VI. Topical Studies
A. Transcendentalism or Philosophy
Rathert, Wolfgang
Year: 1987
Complete Citation:
Rathert, Wolfgang. “Philosophische Grundlagen der Musik von Charles Ives.” In Entgrenzungen in der Musik, edited by Otto Kolleritsch, 123-137. Studien zur Wertungsforschung, Vol. 18. Vienna, Austria: Universal Edition, 1983.Source: Journal
VI. Topical Studies
A. Transcendentalism or Philosophy
Year: 1995
Complete Citation:
Rathert, Wolfgang. Der Amerikanische Transzendentalismus. In Musik und Religion, edited by Helga de la Motte-Haber, 189-214. Lilienthal, Germany. Laaber-Verlag, 1995.Source: Book
VI. Topical Studies
A. Transcendentalism or Philosophy
Reinhard, Johnny
Year: 2005
Source: Online article
VI. Topical Studies
R. Performance Approaches
Rosen, Michael
Year: 2000
Complete Citation:
Rosen, Michael. “Terms Used in Percussion: Another Look at the Rute: Charles Ives and Some Surprises.” Percussive Notes 38 (July 2000): 60-61.Source: Journal
VI. Topical Studies
R. Performance Approaches
Rosenfeld, Paul
Year: 1939
Complete Citation:
Rosenfeld, Paul. “A Plea for Improvisation.” Modern Music, Vol. 16, No. 2 (January-February 1939).Source: Journal
VI. Topical Studies
R. Performance Approaches
Rudhyar, Dane
Year: 1938
Complete Citation:
Rudhyar, Dane. “The Birth of the Transcendental Movement and Its Manifestations in Music and the Modern Dance.” New Mexico Daily Examiner (August 21, 1938).Source: Journal
VI. Topical Studies
A. Transcendentalism or Philosophy
Schafer, William J.
Year: 1975-1976
Complete Citation:
Schafer, William J. “Introducing Charles Ives: A Multi-Media Experience.” Student Musicologists at Minnesota 6 (1975-76): 5-15.Source: Journal
VI. Topical Studies
R. Performance Approaches
Schlocker, Georges
Year: 1998
Complete Citation:
Schlocker, Georges. “Christoph Marthaler: Memory Resurrected.” Art Press 232 (February 1998): 54-56.Source: Journal
VI. Topical Studies
R. Performance Approaches
Seckerson, Edward
Year: 2002
Complete Citation:
Seckerson, Edward. “Potent and Wholly Persuasive Accounts from Hampson and Tilson Thomas of Ives’s Quirky Idiom.” Gramophone, Vol. 79 (2002): 75.Source: Magazine
VI. Topical Studies
R. Performance Approaches
Sinclair, James
Year: 1998
Complete Citation:
Sinclair, James. “Performing Ives/Ives Performing.” Paper presented at Ives & Yale: A Celebration of the Centenary of Charles Ives’s Gradua-tion from Yale. Yale University, New Haven, Connecticut, April 3-5, 1998.Source: Conference paper
VI. Topical Studies
R. Performance Approaches
