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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Gilmore, Bob

Year: 1996
Complete Citation:
Gilmore, Bob. “Reinventing Ives.” Music Analysis 19/1 (March 2000): 101-123.
Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship

Golemba, Henry

Year: 1976
Complete Citation:
Golemba, Henry. “Charles Ives’ Whitman.” American Transcendental Quarterly, vol. 29, no. 1, 1976: 36.
Source: Journal
VI. Topical Studies
A. Transcendentalism or Philosophy

Goosens, Eugene

Year: 1943
Complete Citation:
Goosens, Eugene. “The Public:- Has It Changed?” Modern Music 20/2 (Jan-uary-February 1943): 72--73.
Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship

Hale, William

Year: 2005
Complete Citation:
Hale, William. “The Difficulty of Ives.” Paper presented at Charles Ives and His World, as Tribute to Iconoclastic American Com-poser. New England Conservatory of Music, Jordan Hall and Williams Hall, Boston, Massachusetts, March 13--17, 2005.
Source: Conference paper
VI. Topical Studies
S. Reception Studies and Related Scholarship

Hanson, Howard

Year: 1927
Complete Citation:
Hanson, Howard. “Of Critics, Publishers and Patrons.” Modern Music IV, 2 (January-February 1927): 28-31.
Source: Journal
V. General Music Studies
S. Reception Studies and Related Scholarship

Harding, Walter

Year: 1947
Complete Citation:
Harding, Walter. “Thoreau and Music.” Thoreau Society Bulletin 18 (January 1947): 2.
Source: Bulletin
Reprints:

Harding, Walter. “Thoreau and Music.” <i>Thoreau Society Bulletin</i>, Numbers 1-100 (Fall 1941-Summer 1967 Summer). New York, NY: Johnson Reprint Corp., 1970.

VI. Topical Studies
A. Transcendentalism or Philosophy

Harding, Walter, editor

Year: 1971
Complete Citation:
“Thoreau: Nature’s Musician.” In Henry David Thoreau: A Profile, edited by Walter Harding. American Profiles Series. New York: Hill and Wang, 1971: 105-120.
Source: Chapter in Book
VI. Topical Studies
A. Transcendentalism or Philosophy

Harding, Walter, George Brenner, and Paul A. Doyle, eds.

Year: 1972
Complete Citation:
Harding, Walter, George Brenner, and Paul A. Doyle, eds. Henry David Thoreau: studies and commentaries. Rutherford, NJ: Fairleigh Dickinson University Press, 1972.
Source: Book
VI. Topical Studies
A. Transcendentalism or Philosophy

Hardin, Walter

Year: 1959
Complete Citation:
Harding, Walter. “Thoreau’s Fame.” In A Thoreau Handbook. New York, NY: New York Univer-sity Press, 1959.
Source: Chapter in Book
VI. Topical Studies
A. Transcendentalism or Philosophy

Harvey, Mark Sumner

Year: 1989
Complete Citation:
Harvey, Mark Sumner. “Charles Ives: Prophet of American Civil Religion.” Soundings 72/2-3 (Summer-Fall 1989): 501-525.
Source: Journal
VI. Topical Studies
A. Transcendentalism or Philosophy

Heister, Hanns Werner

Year: 2004
Complete Citation:
Heister, Hanns-Werner. “Zu musikgeschichter Stellung und musik- asthetischen Stellenwert von Ives: ‘Amerikanischer’ Komponist und internationale 'Neue Musik.’” In Charles Ives 1874-1954: Amerikanischer Pionier der Neuen Musik, edited by Hanns-Werner Heister and Werner Kremp, 9-24. Atlantische Texte, Vol. 23. Trier, Germany: Wissenschaftlicher Verlag Trier, 2004.
Source: Chapter in Book
VI. Topical Studies
S. Reception Studies and Related Scholarship

Hellmons, Matthias

Year: 2002
Complete Citation:
Hellmons, Matthias. “Thema: Geister über den Wassern: Singen im Musikunterricht als Fenster zur Transzendenz.” Musik and Bildung: Praxis Musikerziehung, Vol. 34, No. 3 (2002): 28-35.
Source: Journal
VI. Topical Studies
A. Transcendentalism or Philosophy

Helms, Hans G.

Year: 1975-1976
Complete Citation:
Helms, Hans G. “Hommage zum 100. Geburtstag.” Student Musicologists at Minnesota (1975-1976): 95-127.
Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship

Henahan, Donal

Year: 1986
Complete Citation:
Henahan, Donal. “Maverick Composers Make Their Own Choices.” New York Times. December 14, 1986: sec. 2, 25.
Source: Newspaper
VI. Topical Studies
A. Transcendentalism or Philosophy
Year: 1986
Complete Citation:
Henahan, Donal.“Maverick Composers Make Their Own Choices.” The New York Times, December 14, 1986, 2, 25, 32.
Notes:

Response to “Who Owns American Music?”

Source: Newspaper
VI. Topical Studies
S. Reception Studies and Related Scholarship
Year: 1987
Complete Citation:
Henahan, Donal. 1987. “Is an Icon Becoming a Has--Been?” New York Times, April 5.
Source: Newspaper
V. General Music Studies
S. Reception Studies and Related Scholarship

Henahan, Donald

Year: 1974
Complete Citation:
Henahan, Donald. “Composers Uncommemorated.” The Atlanta Constitution, July 6, 1974, 6T.
Source: Newspaper
VI. Topical Studies
S. Reception Studies and Related Scholarship

Hertz, David Michael, Thomas Dumm, Barbara Packer, panelists

Year: 1996
Complete Citation:
Hertz, David Michael, Thomas Dumm, Barbara Packer. “Transcendentalism and the Arts in America [Panel].” In Charles Ives and His World Festival, edited by J. Peter Burkholder. Annandale-on-Hudson, New York; Bard College, August 9-11, 16-18, 1996.
Source: [Chapter in] Festival Publication
VI. Topical Studies
A. Transcendentalism or Philosophy

Hickman, Larry A., ed.

Year: 2010
Complete Citation:
Hickman, Larry A., ed. “The Deweyan Aesthetic of Charles Ives.” In The continuing relevance of John Dewey: reflections on aesthetics, morality, science, and society. Amsterdam, Netherlands: Rodopi, 2010.
Source: Chapter in Book
VI. Topical Studies
A. Transcendentalism or Philosophy

Horowitz, Joseph

Year: 1994
Complete Citation:
Horowitz, Joseph. “Introduction.” Paper presented at American Transcendentalists. Brooklyn Philharmonic Orchestra, Brooklyn Academy of Music, Brooklyn, New York, November 11-13, 1994. Da Camera of Houston, The Menil Collection, Houston, Texas, November 21-22, 1994.
Source: Conference Paper
VI. Topical Studies
A. Transcendentalism or Philosophy