decorative banner image

Bibliography

Genres

Show all
I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
(-) VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
(-) IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Abraham, Gerald

Year: 1979
Complete Citation:
Abraham, Gerald. The Concise Oxford History of Music, 824. London, United Kingdom: Oxford University Press, 1979.
Source: Book
VII. Entries in Larger Volumes
A. Textbook Accounts

Albrecht, Henning, Benjamin Scheuer and Christian Schmidt

Year: 2009
Complete Citation:
Albrecht, Henning, Benjamin Scheuer and Christian Schmidt. Von Charles Ives zur New York School: US-amerikanische Avantgarde im 20. Jahrhundert; Programmbuch zum Seminar am Musikwissenschaftlichen Institut der Universität Hamburg, Sommersemester 2009. Hamburg, Germany: Musikwissenschaftlichen Institut der Universität Hamburg, 2009.
Source: Pamphlet
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
A. Festivals/Conferences

Alexander, J. Heywood

Year: 2002
Complete Citation:
Alexander, J. Heywood. “Charles Ives.” In To stretch our ears: a documentary history of America's music. New York, NY: W.W. Norton, 2002.
VII. Entries in Larger Volumes
A. Textbook Accounts

Allenby, David

Year: 1991
Complete Citation:
Allenby, David. “Festivals (Towards the Millennium Concert Series).” Musical Opinion 114/1363 (July 1991): 260-261.
Notes:

Regarding The Unanswered Question and Central Park in the Dark.

Source: Journal
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
C. Reviews and Announcements of Festivals, Conferences, and Concert Series

ap Sion, Pwyll

Year: 2015
Complete Citation:
ap Sion, Pwyll. “American Mavericks.” Gramophone, Vol. 92 (2015): 110-111.
Source: Magazine (recording/festival review?)
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
C. Reviews and Announcements of Festivals, Conferences, and Concert Series

Archabal, Nina

Year: 1974
Complete Citation:
Archabal, Nina. “Ives Festivals at Minnesota, Spring 1971 and 1972.” Cur-rent Musicology 18 (1974): 43-45.
Source: Journal
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
A. Festivals/Conferences

Austin, William F.

Year: 1966
Complete Citation:
Austin, William F. Music in the Twentieth Century, from Debussy through Stravinsky. New York, New York: W.W. Norton, 1966.
Source: Book
VII. Entries in Larger Volumes
A. Textbook Accounts

Austin, William W.

Complete Citation:
Austin, William W. Music in the 20th Century, 57-61. New York, NY: W.W. Norton, 1966.
Source: Book
VII. Entries in Larger Volumes
A. Textbook Accounts

Baron, Carol K.

Year: 1991
Complete Citation:
Baron, Carol K. “Ives and the Concord Transcendentalists.” Paper presented at Charles Ives: A Yankee Genius or Musical Fraud. Charles Ives Center, Danbury, Connecticut, October 1991.
Source: Conference paper
VI. Topical Studies
A. Transcendentalism or Philosophy

Bauer, Marion

Year: 1933
Complete Citation:
Bauer, Marion. 20th Century Music: How It Developed, How to Listen to It, 278. New York, NY: G.P. Putnam’s Sons, 1933.
Source: Book
Reprints:

Bauer, Marion. <i>20th Century Music: How It Developed, How to Listen to It</i>, 278. New York, New York: Da Capo Press, 1978, 278.

VII. Entries in Larger Volumes
D. Other

Becker, Dr. John H.

Year: 1933
Complete Citation:
Becker, John H. “Charles E. Ives: Musical Philosopher.” Northwest Musical Herald (January 1933): 5-6.
Notes:

Available at the Yale University Music Library Archival Collection. “Charles Ives Papers” Mss. 14/41; 14/56/2; 41/112.

Source: Journal
VI. Topical Studies
A. Transcendentalism or Philosophy

Bernheimer, Martin

Year: 1966
Complete Citation:
Bernheimer, Martin. “Impressive Finale for Series.” Los Angeles Times, April 20, 1966, D14.
Source: Newspaper
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
C. Reviews and Announcements of Festivals, Conferences, and Concert Series

Bernstein, Martin and Martin Picker

Year: 1966
Complete Citation:
Bernstein, Martin and Martin Picker. “Contemporary American Music.” In An Introduction to Music, 525, 541-549. Third Edition. Englewood Cliffs, NJ: Prentice-Hall, 1966.
Notes:

Section on Charles Ives

Source: Chapter in Book
VII. Entries in Larger Volumes
A. Textbook Accounts

Blanding, Thomas

Year: 1994
Complete Citation:
Blanding, Thomas. “Music of the Higher Spheres: The Philoso-phy and Influence of New England Transcendentalists.” In American Transcendentalists [Program Booklet]. Brooklyn Philharmonic Orchestra, Brooklyn Academy of Music, Brooklyn, New York, November 11-13, 1994. Da Camera of Houston, The Menil Collection, Houston, Texas, November 21-22, 1994.
Source: Program Booklet
VI. Topical Studies
A. Transcendentalism or Philosophy

Bloom, Harold

Complete Citation:
Bloom, Harold. A Map of Misreading. New York: Oxford University Press, 1975: 162.
Notes:

Only one reference to Ives: "The war of American poets against influence is part of our Emersonian heritage, manifested first in the great triad of 'The Divinity School Address,' 'The American Schol-ar,' and ‘Self--Reliance.' This heritage can be traced in Thoreau, Whit-man, Dickinson and quite directly again in Robinson and Frost, in the architectural writings of Sullivan and Wright, in the Essays Before a Sonata of Charles Ives. The less direct heritage is more relevant to any brooding on the negative aspects of poetic influence, centering partly on Pound and Williams (where it is refracted through Whitman) and partly on Stevens, who disliked the very idea of influence."

Source: Chapter in Book
VI. Topical Studies
A. Transcendentalism or Philosophy

Blume, Friedrich

Year: 1975
Complete Citation:
Blume, Friedrich. Epochen der Musikgeschichte. Munich, Germany: Deutscher Taschenbuch Verlag, 1975.
Source: Book
VII. Entries in Larger Volumes
D. Other

Bohlman, Philip V.

Year: 2005
Complete Citation:
Bohlman, Philip V. “Introduction.” In Music in American Religious Experience, edited by Bohlman, Philip V., Edith L. Blumhofer, and Maria M. Chow. Oxford, United Kingdom: Oxford University Press, 2005.
Source: Newsletter
VI. Topical Studies
A. Transcendentalism or Philosophy

Boody, Charles G. And Margaret Snell

Year: 1971
Complete Citation:
Boody, Charles G., and Margaret Snell. “The Charles Ives Festival, Spring 1970: Reflections.” Current Musicology 11 (May 1971): 57-58.
Source: Journal
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
A. Festivals/Conferences

Boody, Charles G; Snell, Margaret

Year: 1971
Complete Citation:
Boody, Charles G; Snell, Margaret. “Minneapolis: The Charles Ives Festival, Spring 1970 - Reflections.” Current Musicology, no. 11 (January 1, 1971): 57.
Source: Journal
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
C. Reviews and Announcements of Festivals, Conferences, and Concert Series

Borroff, Edith

Year: 1988
Complete Citation:
Borroff, Edith. Review of ‘Internationale Symposium’: “International Symposium on American Music, 1988: Charles Ives and the American Music Tradition up to the Present.” Sonneck Society for American Music Bul-letin 14/2: 69-72.
Source: Bulletin/Journal
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
C. Reviews and Announcements of Festivals, Conferences, and Concert Series