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Bibliography

Sadie, Stanley, and Alison Latham, ed.

Year: 1986
Complete Citation:
Sadie, Stanley, and Alison Latham, ed. Stanley Sadie’s Music Guide: An Introduction, 458-463. Englewood Cliffs, NJ: Prentice-Hall, 1986.
Notes:

The main entry includes some biography and a list of works and uses Three Places in New England for study: “Putnam’s Camp,” No. 2. “Charles Ives was composing pieces of irrational juxtaposition of musi-cal ideas and deliberately distorted harmonies” (423).

Source: Book
VII. Entries in Larger Volumes
A. Textbook Accounts

Salzman, Eric

Year: 1967
Complete Citation:
Salzman, Eric. “Ives.” In 20th-century Music: An Introduction, 143-147. Englewood Cliffs, NJ: Prentice Hall, 1967.
Source: Chapter in Book
Reprints:

Salzman, Eric. “Ives.” In <i>20th-century Music: An Introduction</i>, 128-131. Englewood Cliffs, NJ: Prentice Hall, 1974.

VII. Entries in Larger Volumes
A. Textbook Accounts
Year: 1967
Complete Citation:
Salzman, Eric. Twentieth -Century Music: An Introduction, 61, 64, 97, 143--148, 152, 164. Englewood Cliffs, NJ: Prentice- Hall, 1967.
Source: Book
Reprints:

Salzman, Eric. <i>Twentieth -Century Music: An Introduction</i>, 128--131.<i> </i>Second Edition. Englewood Cliffs, NJ: Prentice- Hall,. 1974. * Third Edition, 1988. * Fourth Edition, 2002: 136--139.

VII. Entries in Larger Volumes
A. Textbook Accounts

Saminsky, Lazare

Year: 1949
Complete Citation:
Saminsky, Lazare. Living Music of the Americas, 43, 149-152. New York, NY: Howell, Soskin and Crown, 1949.
Source: Book
VII. Entries in Larger Volumes
A. Textbook Accounts

Simms, Bryan R.

Year: 1996
Complete Citation:
Simms, Bryan R. Music in the Twentieth Century: An Anthology. New York, NY: Schirmer, 1996.
Notes:

Accompanying CD includes Charlie Rutlage and from Paracelsus.

Source: Book
VII. Entries in Larger Volumes
A. Textbook Accounts

Slominsky, Nicholas

Year: 1957
Complete Citation:
Slominsky, Nicholas. “Ives, Charles.” In Die Musik in Geschichte und Gegenwart, vol. 6 (1957): 1574-1580.
Source: Journal
VII. Entries in Larger Volumes
B. Encyclopedia Entries

Slominsky, Nicolas

Year: 1937
Complete Citation:
Slominsky, Nicolas. Music since 1900. New York, New York: W.W. Norton, 1937.
Source: Book
Reprints:

Second Edition, 1938. Third Edition, 1949. Fourth Edition, 1971. Fifth Edition, 1994.

VII. Entries in Larger Volumes
A. Textbook Accounts
Year: 2001
Complete Citation:
Slonimsky, Nicolas. “Ives, Charles Edward.” In Baker's Biographical Dic-tionary of Musicians. 8th rev. ed. New York, NY: Schirmer, 2001.
Source: Chapter in Book
VII. Entries in Larger Volumes
C. Dictionary Entries

Slonimsky, Nicolas

Year: 1989
Complete Citation:
Slonimsky, Nicolas. Lectionary of Music: An Entertaining Reference and Reader’s Companion. New York, NY: McGraw-Hill, 1989.
Notes:

Numerous cita-tions to Ives’s compositions as examples.

Source: Book
VII. Entries in Larger Volumes
B. Encyclopedia Entries

Specq, François

Year: 2008
Complete Citation:
Specq, François. “« God's Alphabet »: Le Transcendantalisme Musical De John Sullivan Dwight.” Revue Française D'études Américaines, no. 117, (2008): 6-25.
Source: Magazine
VI. Topical Studies
A. Transcendentalism or Philosophy

Spies, B., and W. Weyer

Year: 2007
Complete Citation:
Spies, B., and W. Weyer. “‘Music is Life’ - the Influence of Transcendentalist Philosophy on Ives’s Concord Sonata.” TD: The Journal for Transdisciplinary Research in Southern Africa, vol. 3, No. 2 (2007): 239-278.
Source: Journal
VI. Topical Studies
A. Transcendentalism or Philosophy

Spurling, Christina

Year: 2016
Complete Citation:
Spurling, Christina. “Spirituality, creativity and human progress in the work of Charles Ives.” Research & Materials, Longy School of Music, 2016.
Source: Academic paper
VI. Topical Studies
A. Transcendentalism or Philosophy

Stolba, K. Marie

Year: 1990
Complete Citation:
Stolba, K. Marie. “Late Nineteenth-Century—Early Twentieth-Century Music.” In The Development of Western Music: An History, 789-793. Madison, WI: Brown and Benchmark, 1990.
Notes:

Discusses "The Alcotts" from the Concord Sonata, which is supplied with the supplementary recordings {D101}.

Source: Chapter in Book
VII. Entries in Larger Volumes
A. Textbook Accounts

Taruskin, Richard

Year: 2005
Complete Citation:
Taruskin, Richard. The Oxford History of Western Music: The Early Twentieth Century, 245-292. Vol. 4 of The Oxford History of Western Music. Oxford, United Kingdom: Ox-ford University Press, 2005.
Source: Book
VII. Entries in Larger Volumes
A. Textbook Accounts
Year: 2010
Complete Citation:
Taruskin, Richard. Music in the Early Twentieth Century, 243-302. Volume 4 of Oxford History of Western Music. New York, NY: Oxford University Press, 2010.
Source: Chapter in Book
VII. Entries in Larger Volumes
A. Textbook Accounts

Thomson, Virgil

Year: 1971
Complete Citation:
Thomson, Virgil. American Music since 1910. New York, New York: Holt, Rinehart and Winston, 1971.
Source: Book
VII. Entries in Larger Volumes
A. Textbook Accounts

Tyler, Charles Ives

Year: 1997
Complete Citation:
Tyler, Charles Ives. “American Transcendalists: Two Composers in the Pioneer Tradition-Charles Ives.” Piano Today, Vol. 17, No. 3 (1997): 8, 10, 54.
Source: Magazine
VI. Topical Studies
A. Transcendentalism or Philosophy

Ward, Keith C.

Year: 1984
Complete Citation:
Ward, Keith C. “Abstract: Charles Ives and the Over-Soul.” Sonneck Society for American Music Bulletin (Fall) 10: 63.
Notes:

Compares Ives to Emerson.

Source: Journal
VI. Topical Studies
A. Transcendentalism or Philosophy

Ward, Keither

Year: 1985
Complete Citation:
Ward, Keith. “Charles Ives and the Oversoul.” Paper presented at the Mid-Atlantic Chapter Meeting of the American Musicological Society, February 3, 1985.
Source: Conference paper
VI. Topical Studies
A. Transcendentalism or Philosophy

Wennerstrom, Mary

Year: 1969
Complete Citation:
Wennerstrom, Mary. Anthology of Twentieth-Century Music. New York, NY: Appleton-Century-Crofts, 1969.
Source: Book
VII. Entries in Larger Volumes
A. Textbook Accounts