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Bibliography

Hoffmann, Niels Frederic

Year: 1980
Complete Citation:
Hoffmann, Niels Frederic. “Der Alltag im musikalischen Kunstwerk. Von Offenbach bis Kagel.” In Musik im Alltag: Zehn Kongressbeitrage, edited by Reinhold Brinkmann. Veroffentlichungen des Instituts fur Neue Musik und Musikerziehung Darmstadt, 21. Mainz, Germany: Schott, 1980.
Notes:

Ives is one of the com-posers whose works are cited as having used everyday elements in their compositions.

Source: Chapter in Book
VII. Entries in Larger Volumes
A. Textbook Accounts

Horowitz, Joseph

Year: 1994
Complete Citation:
Blanding, Thomas. “Music of the Higher Spheres: The Philoso-phy and Influence of New England Transcendentalists.” In American Transcendentalists [Program Booklet]. Brooklyn Philharmonic Orchestra, Brooklyn Academy of Music, Brooklyn, New York, November 11-13, 1994. Da Camera of Houston, The Menil Collection, Houston, Texas, November 21-22, 1994.
Source: Program Booklet
VI. Topical Studies
A. Transcendentalism or Philosophy
Year: 1994
Complete Citation:
Horowitz, Joseph. “Introduction: The Transcendental Ives.” In American Transcendentalists [Program Booklet]. Brooklyn Philharmonic Orchestra, Brooklyn Academy of Music, Brooklyn, New York, November 11-13, 1994. Da Camera of Houston, The Menil Collection, Houston, Texas, November 21-22, 1994.
Source: Program Booklet
VI. Topical Studies
A. Transcendentalism or Philosophy
Year: 1994
Complete Citation:
Horowitz, Joseph. “Introduction.” Paper presented at American Transcendentalists. Brooklyn Philharmonic Orchestra, Brooklyn Academy of Music, Brooklyn, New York, November 11-13, 1994. Da Camera of Houston, The Menil Collection, Houston, Texas, November 21-22, 1994.
Source: Conference Paper
VI. Topical Studies
A. Transcendentalism or Philosophy

Horowitz, Joseph, John Adams, <br>Thomas Blanding, Donald Moffat, Stuart Feder, Steven Mayer, and Kurt Oilman

Year: 1994
Complete Citation:
Horowitz, Joseph, John Adams,
Thomas Blanding, Donald Moffat, Stuart Feder, Steven Mayer, and Kurt Oilman. “Panel Discussion.” Paper presented at American Transcendentalists. Brooklyn Philharmonic Orchestra, Brooklyn Academy of Music, Brooklyn, New York, November 11-13, 1994. Da Camera of Houston, The Menil Collection, Houston, Texas, November 21-22, 1994.
Source: Conference Paper
VI. Topical Studies
A. Transcendentalism or Philosophy

Howard, John Tasker

Year: 1931
Complete Citation:
Howard, John Tasker. Our American Music: Three Hundred Years of It, 576-578. New York, NY: Thomas Y. Crowell Co., 1931.
Source: Book
VII. Entries in Larger Volumes
A. Textbook Accounts

Hughes, Don Anselm

Year: 1954
Complete Citation:
Hughes, Don Anselm. The New Oxford History of Music, Vol. II. London, United Kingdom: Oxford University Press, 1954.
Source: Book
VII. Entries in Larger Volumes
A. Textbook Accounts

Iverson, Jennifer

Year: 2002
Complete Citation:
Iverson, Jennifer. “Ives Reworks Thoreau: Charles Ives’ Interpretation of Thoreau in 114 Songs and Essays before a Sonata.” Publications of the Missouri Philological Association, vol. 27 (2002): 66.
Source: Journal
VI. Topical Studies
A. Transcendentalism or Philosophy

Kaenel, André

Year: 1986
Complete Citation:
Kaenel, André. “Les transcendentalists americaines.” Contrechamps 7 (1986): 99-109.
Source: Journal
VI. Topical Studies
A. Transcendentalism or Philosophy

Kerman, Joseph

Year: 1985
Complete Citation:
Kerman, Joseph. Listen. Third Brief Edition. Waco, TX: Worth, 1985.
Notes:

For listening studies, Kerman uses “The Rockstrewn Hills Join in the People's Outdoor Meeting” from Orchestral Set No. 2.

Source: Book
VII. Entries in Larger Volumes
A. Textbook Accounts

Kirkpatrick, John

Year: 1976
Complete Citation:
Kirkpatrick, John. “Ives as Prophet.” In South Florida's Historic Ives Festival, 1974-1976, 59. Coral Gables, FL: University of Miami, 1976.
Source: Chapter in Book
VI. Topical Studies
A. Transcendentalism or Philosophy

Klemm, Eberhardt

Year: 1977
Complete Citation:
Klemm, Eberhardt. “Musikalischer Neuererund Demokrat: Der Komponist Charles Ives.” Musik und Gesellschaft 27/12 (1977): 731-735.
Source: Journal
VI. Topical Studies
A. Transcendentalism or Philosophy

Koch, Gerhard R.

Year: 1973
Complete Citation:
Koch, Gerhard R. “Charles Ives. Musik als reale Utopie.” HiFi-Stereophonie 12/7 (July 1973): 689-698.
Source: Journal
VI. Topical Studies
A. Transcendentalism or Philosophy

Lang, Paul Henry

Year: 1961
Complete Citation:
Lang, Paul Henry. One Hundred Years of American Music, 98--99, 108. New York, NY: G. Schirmer, 1961.
Notes:

Scattered passing references.

Source: Book
VII. Entries in Larger Volumes
A. Textbook Accounts

Lapsley, James N.

Year: 2007
Complete Citation:
Lapsley, James N. “Charles Ives and the Reformed Tradition: A Musical Pilgrimage.” Theology Today, vol. 64, no. 3 (2007): 305-321.
Source: Journal
VI. Topical Studies
A. Transcendentalism or Philosophy

LaRocca, David

Year: 2013
Complete Citation:
LaRocca, David. Estimating Emerson: an anthology of criticism from Carlyle to Cavell. New York, NY: Bloomsbury Academic, 2013.
Source: Book
VI. Topical Studies
A. Transcendentalism or Philosophy

Layton, Robert

Year: 1960
Complete Citation:
Layton, Robert. “Music in the United States.” Twentieth Century Music, edited by Rollo H. Myers, 197-198. London, United Kingdom: John Calder, 1960.
Notes:

“His works show an extraordinary admixture of sheer genius and downright incom-petence.”

Source: Chapter in Book
Reprints:

Revised and Enlarged Edition, 1968: 232-240.

VII. Entries in Larger Volumes
A. Textbook Accounts

Lefebure, Leo D.

Year: 2013
Complete Citation:
Lefebure, Leo D. “A Christian Commentary on the “Dhammapada.”” Buddhist-Christian Studies 33, no. 1, (2013): 181-189.
Source: Journal
VI. Topical Studies
A. Transcendentalism or Philosophy

Lück, Hartmut

Year: 1980
Complete Citation:
Luck, Hartmut. “Provokation und Utopie: ein Portrat des amerikanischen Komponisten Charles Edward Ives.” Neuland 1 (1980): 3-15.
Source: Journal
VI. Topical Studies
A. Transcendentalism or Philosophy

Machlis, Joseph

Year: 1979
Complete Citation:
Machlis, Joseph. Introduction to contemporary music. 2nd ed. New York, NY: Norton, 1979.
Source: Book
VII. Entries in Larger Volumes
A. Textbook Accounts