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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Berns, John Edgar

Year: 2005
Complete Citation:
Berners, John Edgar. “Use of Time and Spatial Form in String Quartet No. 2 by Charles Ives.” Ph.D. diss., University of Michigan, 2005.
Notes:

Volume II of Berns’ dissertation. Volume I is an original composition. Makes reference to Robert P. Morgan’ “Spatial Form in Ives.”

Source: Ph.D. dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Bestor, Charles

Year: 1976
Complete Citation:
Bestor, Charles. “The Second symphony: an introduction to the compositional approach and technique of Charles Ives.” D.M.A. diss., University of Colorado, 1976.
Source: D.M.A. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Blanding, Thomas

Year: 1994
Complete Citation:
Blanding, Thomas. “Music of the Higher Spheres: The Philoso-phy and Influence of New England Transcendentalists.” In American Transcendentalists [Program Booklet]. Brooklyn Philharmonic Orchestra, Brooklyn Academy of Music, Brooklyn, New York, November 11-13, 1994. Da Camera of Houston, The Menil Collection, Houston, Texas, November 21-22, 1994.
Source: Program Booklet
VI. Topical Studies
A. Transcendentalism or Philosophy

Blim, Dan

Year: 2013
Complete Citation:
Blim, Dan. “Patchwork Nation: Collage, Music, and American Identity.” Ph.D. diss., University of Michigan, 2013.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Bloom, Harold

Complete Citation:
Bloom, Harold. A Map of Misreading. New York: Oxford University Press, 1975: 162.
Notes:

Only one reference to Ives: "The war of American poets against influence is part of our Emersonian heritage, manifested first in the great triad of 'The Divinity School Address,' 'The American Schol-ar,' and ‘Self--Reliance.' This heritage can be traced in Thoreau, Whit-man, Dickinson and quite directly again in Robinson and Frost, in the architectural writings of Sullivan and Wright, in the Essays Before a Sonata of Charles Ives. The less direct heritage is more relevant to any brooding on the negative aspects of poetic influence, centering partly on Pound and Williams (where it is refracted through Whitman) and partly on Stevens, who disliked the very idea of influence."

Source: Chapter in Book
VI. Topical Studies
A. Transcendentalism or Philosophy

Bohlman, Philip V.

Year: 2005
Complete Citation:
Bohlman, Philip V. “Introduction.” In Music in American Religious Experience, edited by Bohlman, Philip V., Edith L. Blumhofer, and Maria M. Chow. Oxford, United Kingdom: Oxford University Press, 2005.
Source: Newsletter
VI. Topical Studies
A. Transcendentalism or Philosophy

Bonham, Robert John

Year: 1981
Complete Citation:
Bonham, Robert John. “Some common aesthetic tendencies manifested in examples of pioneer American cabins and Old Harp music and in selected works of H.H. Richardson and Charles E. Ives.” Ph.D. diss., Ohio University, 1981.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Booth, Earl W.

Year: 1974
Complete Citation:
Booth, Earl W. “New England Quartet: E.A. Robinson, Robert Frost, Charles Ives and Carl Ruggles.” Ph.D. diss., University of Utah, 1974.
Source: Ph.D. Disseration
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Bottemanne, Jean-Paul

Year: 1995
Complete Citation:
Bottemanne, Jean-Paul. “L’esprit musical de Charles Ives, 1874-1954: essai sur les specificites techniques et esthitiques de I'oeuvre de Charles Ives.” Doctoral thesis, University of Paris 8, 1995.
Source: Doctoral Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Bradshaw, James Robert McKeel

Year: 2014
Complete Citation:
Bradshaw, James Robert McKeel. “Historical and musical comparison of cello works by David Stanley Smith and the Fourth violin sonata by Charles Ives.” D.M.A. Thesis, University of Oklahoma, 2014.
Source: D.M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Brock, Gordon R.

Year: 1996
Complete Citation:
Brock, Gordon R. “Four works for wind ensemble.” D.M.A. thesis, University of Colorado, 1996.
Source: D.M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Brooks, William Fordyce

Year: 1976
Complete Citation:
Brooks, William. “Sources and Errata List for Charles Ives’ Symphony No. 4, Movement II.” D.M.A. diss., University of Illinois, 1976.
Source: D.M.A. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Broyles, Michael

Year: 2004
Complete Citation:
Broyles, Michael. “Looking Back: Puritanism, Geography, and the Myth of American Individualism.” In Mavericks and Other Traditions in American Music, 271-296. New Haven, CT: Yale University Press, 2004.
Source: Chapter in Book
VI. Topical Studies
A. Transcendentalism or Philosophy

Broyles, Michael and Denise Von Glahn

Year: 1999
Complete Citation:
Broyles, Michael, and Denise Von Glahn. 1999. “Later Manifestations of Concord: Charles Ives and the Transcendentalist Tradition.” In Transient and Permanent: The Transcendentalist Movement and its Contexts, edited by Charles Capper and Conrad Edick Wright, 574-604. Studies in American History and Culture, No. 5. Boston, MA: Massachusetts Historical Society.
Source: Book
VI. Topical Studies
A. Transcendentalism or Philosophy

Bruderer, Conrad

Year: 1968
Complete Citation:
Bruderer, Conrad. “The Studies of Charles Ives.” Ph.D. diss., Indiana University, 1968.
Notes:

Bruderer, Conrad. 1. A Comparison of the Preludes found in Common in the Clavier-Buchlein Vor Wilhelm Friedemann Bach, “the Well Tempered Clavier.” 2. A Study of the Etudes of Charles Ives, ProQuest Dissertations Publishing, 1969.

Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Bruhn, Christopher

Year: 2004
Complete Citation:
Bruhn, Christopher. “Refracting History: Ives and Emerson and the German Romantic Tradition in American Music.” Paper presented at A Century of Composing in America: 1820-1920. The City University of New York, The Graduate Center, New York, New York, October, 2004.
Source: Conference Paper
VI. Topical Studies
A. Transcendentalism or Philosophy

Bruhn, Christopher Edwin

Year: 2006
Complete Citation:
Bruhn, Christopher Edwin. “Ives’s multiverse: the Concord Sonata as American cosmology.” Ph.D. diss., City University of New York, 2006
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Buckoff, Ronald Nick

Year: 1988
Complete Citation:
Buckoff, Ronald Nick. “Charles Ives, a history and bibliography of criticism (1920-1939), and Ives's influence (to 1947) on Bernard Herrmann, Elie Siegmeister, and Robert Palmer.” Ph.D. Diss., Cornell University, 1988.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Buddin, David E.

Complete Citation:
Buddin, David E. “A few lessons in transformation from Ives' Waltz-Rondo: Litany for orchestra.” Ph.D. diss., Rutgers University, 2006.
Source: Ph.D. dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Buk, False

Year: 2007
Complete Citation:
Buk, False. “A outra América (do Norte): Ives, Cage e os transcendentalistas 1.” Claves, no. 4 (November 2007): 91-96.
VI. Topical Studies
A. Transcendentalism or Philosophy