Anderson, Deborah, choreographer and dancer
    Year: 1986
Complete Citation: 
Deborah Anderson, choreographer and dancer. Waiting (1986); Dance  Theater Workshop. Music: Largo from Pre--First Violin Sonata.
Prf:  1986 August 15: New York; Studios, Bessie Schönberg Theater.Source: Performance (ballet)
XII. Interdisciplinary Performances with Ives’s Music
B. Dance
Anderson, Jack
    Year: 1985
Complete Citation: 
Anderson, Jack. “City Ballet: ‘Poulenc Sonata’ and ‘Calcium Light Night’: Review.” The New York Times, 1985.Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
B. Dance
Year: 1989
Complete Citation: 
Anderson, Jack. “Small-Town America.” The New York Times, February 14, 1989, sec. C, 16.Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
B. Dance
Year: 1993
Complete Citation: 
Anderson, Jack. “A Dutch Tribute to Ives’s Life and Music.” The New York Times, October 14, 1993, sec. C, 18.Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
B. Dance
Year: 1999
Complete Citation: 
Anderson, Jack. “Balanchine and Ives: Marriage of Mysteries.” The New York Times, June 15, 1999, sec. E, 5.Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
B. Dance
Anderson, William
    Year: 1975
Complete Citation: 
Anderson, William. “Editorially Speaking: Composer Charles Ives Enters History.” Stereo Review 34/3 (March 1975): 4.Source: Magazine
X. Editing Practices and Articles Regarding Published Editions
A. Editing Practices
Archibald, Bruce
    Year: 1966
Complete Citation: 
Archibald, Bruce. “Reviewed Works: The Orchestra Song by William Schuman; Variations on “America” (Charles Ives, for organ, 1891; William Schuman, for orch., 1963) by Charles Ives.” Notes, vol. 23, no. 1 (September 1966): 157.Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
Austin, Larry
    Year: 1976
Complete Citation: 
Austin, Larry. “Reconstruction of Ives’ Universe Symphony.” In Desert Plants: Conversations with 23 American Musicians, interviewed by Walter Zimmermann, 207-220. Vancouver, BC: A.R.C. Publications, 1976.Source: Chapter in Book
X. Editing Practices and Articles Regarding Published Editions
A. Editing Practices
Year: 1985
Complete Citation: 
Austin, Larry. “Charles Ives’s Life Pulse Prelude for Percussion Orchestra: A Realization for Modem Performance from Sketches for His Universe Symphony.” Percussionist 23, no. 6 (1985): 58-84.Source: Magazine
X. Editing Practices and Articles Regarding Published Editions
A. Editing Practices
Balanchine, George, and Francis Mason
    Year: 1977
Complete Citation: 
Balanchine, George, and Francis Mason. “Ivesiana.” In Balanchine’s Com-plete Stories of the Great Ballets. 2nd ed. Garden City, NY: Doubleday, 1977.Source: Book
XII. Interdisciplinary Performances with Ives’s Music
B. Dance
Balanchine, George (choreographer)
    Year: 1954
Complete Citation: 
George Balanchine, choreographer. Ivesiana (1954); ballet; New York  City Ballet Company. [Homage to Ives in the year of his death.]Source: *Ballet
XII. Interdisciplinary Performances with Ives’s Music
B. Dance
Bales, Richard
    Year: 1948
Complete Citation: 
Bales, Richard. “Charles Ives: Third Symphony. [Review of Symphony No. 3 by Charles Ives.]” Notes 5/3 (June 1948): 413.Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
Bales, Richard and Charles Seeger
    Year: 1950
Complete Citation: 
Bales, Richard and Charles Seeger. “Tone Roads No. 1 for Chamber Orchestra (performable also as chamber music).” New York: Peer International Corp., 1949. Notes 7/3 (June 1950): 432-433.Source: Journal
X. Editing Practices and Articles Regarding Published Editions
A. Editing Practices
Barnes, Clive
    Year: 1966
Complete Citation: 
Barnes, Clive. “Dance: Ives sans Currier.” The New York Times, December 5, 1966, 65.Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
B. Dance
Baron, Carol K.
    Year: 1991
Complete Citation: 
Baron, Carol K. “Ives and the Concord Transcendentalists.” Paper presented at Charles Ives: A Yankee Genius or Musical Fraud. Charles Ives Center, Danbury, Connecticut, October 1991.Source: Conference paper
VI. Topical Studies
A. Transcendentalism or Philosophy
Year: 1992
Complete Citation: 
Baron, Carol K. “Review of Symphony No. 3 (The Camp Meeting) by Charles Ives.” Notes 48/4 (June 1992): 1436-1438.Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
Beck, Jill
    Year: 1985
Complete Citation: 
Beck, Jill. “Principles and Techniques of Choreography: A Study of  Five Choreographies from 1983.” Ph.D. diss., City University of New  York, 1985.Source: Ph.D. Dissertation
XII. Interdisciplinary Performances with Ives’s Music
B. Dance
Becker, Dr. John H.
    Year: 1933
Complete Citation: 
Becker, John H. “Charles E. Ives: Musical Philosopher.” Northwest Musical Herald (January 1933): 5-6.Notes: Available at the Yale University Music Library Archival Collection.  “Charles Ives Papers” Mss. 14/41; 14/56/2; 41/112.
 Source: Journal
VI. Topical Studies
A. Transcendentalism or Philosophy
Bellamann, Henry
    Year: 1921
Complete Citation: 
Bellamann, Henry. “Reviews: ‘Concord, Mass., 1840-1860’ (A Piano Sonata by Charles E. Ives.).” Double Dealer 2 (October 1921): 166-169.Source: Journal
Reprints: Reprinted in <i>Charles Ives and His World</i>, 280-284.
 X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
Berger, Arthur V.
    Year: 1949
Complete Citation: 
Berger, Arthur V. “The Musical Scene: Ives is Prominent on Current Lists of Publishers After Long Neglect.” New York Herald Tribune, 1949, C5.Source: Newspaper
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions