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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
(-) X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Henck, Herbert

Year: 1980
Complete Citation:
Henck, Herbert. “‘Waltz-Rondo’ und andere Klavierstucke von Charles Ives. [Review of Waltz-Rondo by Charles Ives.]” Neuland 1 (1980): 44-46.
Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
Year: 1982-1983
Complete Citation:
Henck, Herbert. “Aus zweiter Hand: Charles E. Ives’ ‘Study No. 20.’ Review of Study No. 20 by Charles Ives.]” Neuland 3 (1982-83): 242.
Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions

Hertz, David Michael, Thomas Dumm, Barbara Packer, panelists

Year: 1996
Complete Citation:
Hertz, David Michael, Thomas Dumm, Barbara Packer. “Transcendentalism and the Arts in America [Panel].” In Charles Ives and His World Festival, edited by J. Peter Burkholder. Annandale-on-Hudson, New York; Bard College, August 9-11, 16-18, 1996.
Source: [Chapter in] Festival Publication
VI. Topical Studies
A. Transcendentalism or Philosophy

Hickman, Larry A., ed.

Year: 2010
Complete Citation:
Hickman, Larry A., ed. “The Deweyan Aesthetic of Charles Ives.” In The continuing relevance of John Dewey: reflections on aesthetics, morality, science, and society. Amsterdam, Netherlands: Rodopi, 2010.
Source: Chapter in Book
VI. Topical Studies
A. Transcendentalism or Philosophy

Hitchcock, H. Wiley

Year: 1997
Complete Citation:
Hitchcock, H. Wiley. “Editing Ives's 129 Songs.” In Ives Studies, 51-76. Lambert, Philip, ed. Ives Studies. Cambridge, UK: Cambridge University Press, 1997. 
Source: Chapter in Book
X. Editing Practices and Articles Regarding Published Editions
A. Editing Practices

Hitchcock, H. Wiley and Vivian Perlis

Year: 1977
Complete Citation:
Hitchcock, H. Wiley and Vivian Perlis. “Editors’ Experiences.” In An Ives Celebration: Papers and Panels of the Charles Ives, edited by H. Wiley Hitchcock and Vivian Perlis. Urbana, Illinois: University of Illinois Press, 1977.
Source: Chapter in Book
X. Editing Practices and Articles Regarding Published Editions
A. Editing Practices

Horowitz, Joseph

Year: 1994
Complete Citation:
Horowitz, Joseph. “Introduction.” Paper presented at American Transcendentalists. Brooklyn Philharmonic Orchestra, Brooklyn Academy of Music, Brooklyn, New York, November 11-13, 1994. Da Camera of Houston, The Menil Collection, Houston, Texas, November 21-22, 1994.
Source: Conference Paper
VI. Topical Studies
A. Transcendentalism or Philosophy
Year: 1994
Complete Citation:
Horowitz, Joseph. “Introduction: The Transcendental Ives.” In American Transcendentalists [Program Booklet]. Brooklyn Philharmonic Orchestra, Brooklyn Academy of Music, Brooklyn, New York, November 11-13, 1994. Da Camera of Houston, The Menil Collection, Houston, Texas, November 21-22, 1994.
Source: Program Booklet
VI. Topical Studies
A. Transcendentalism or Philosophy
Year: 1994
Complete Citation:
Blanding, Thomas. “Music of the Higher Spheres: The Philoso-phy and Influence of New England Transcendentalists.” In American Transcendentalists [Program Booklet]. Brooklyn Philharmonic Orchestra, Brooklyn Academy of Music, Brooklyn, New York, November 11-13, 1994. Da Camera of Houston, The Menil Collection, Houston, Texas, November 21-22, 1994.
Source: Program Booklet
VI. Topical Studies
A. Transcendentalism or Philosophy

Horowitz, Joseph, John Adams, <br>Thomas Blanding, Donald Moffat, Stuart Feder, Steven Mayer, and Kurt Oilman

Year: 1994
Complete Citation:
Horowitz, Joseph, John Adams,
Thomas Blanding, Donald Moffat, Stuart Feder, Steven Mayer, and Kurt Oilman. “Panel Discussion.” Paper presented at American Transcendentalists. Brooklyn Philharmonic Orchestra, Brooklyn Academy of Music, Brooklyn, New York, November 11-13, 1994. Da Camera of Houston, The Menil Collection, Houston, Texas, November 21-22, 1994.
Source: Conference Paper
VI. Topical Studies
A. Transcendentalism or Philosophy

Hume, Paul

Year: 1954
Complete Citation:
Hume, Paul. “Ten Songs.” Notes 11, no. 3 (June 1954): 449-450.
Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
Year: 1954
Complete Citation:
Hume, Paul. “Reviewed Work: Ten Songs for Voice and Piano by Charles Ives.” Notes, vol. 11, no. 3 (June 1954): 449-450.
Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
Year: 1964
Complete Citation:
Hume, Paul. “Review of Ten Early Songs.” Music Library Association Notes, Second Series, vol. II, no. 3 (June 1964).
Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions

Iverson, Jennifer

Year: 2002
Complete Citation:
Iverson, Jennifer. “Ives Reworks Thoreau: Charles Ives’ Interpretation of Thoreau in 114 Songs and Essays before a Sonata.” Publications of the Missouri Philological Association, vol. 27 (2002): 66.
Source: Journal
VI. Topical Studies
A. Transcendentalism or Philosophy

Johnson, Lockrem

Year: 1960
Complete Citation:
Johnson, Lockrem. “Reviewed Works: Robert Browning Overture, for Large Orchestra by Charles E. Ives; The Rainbow (After the Poem by William Wordsworth), for Chamber Orchestra. [Flute, Basset or English Horn, str. and Piano] by Charles E. Ives; Persian Set. [Picc. (Or Fl.), Cl. Tar. (Or Guitar or Mandolin), Dr. (Persian Dr. or Tom-Tom), Vlns. I, II, III, Vc., Cb., Piano] by Henry Cowell.” Notes, vol. 17, no. 4 (September 1960): 656-657.
Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions

Kaenel, André

Year: 1986
Complete Citation:
Kaenel, André. “Les transcendentalists americaines.” Contrechamps 7 (1986): 99-109.
Source: Journal
VI. Topical Studies
A. Transcendentalism or Philosophy

Keys, Ivor

Year: 1952
Complete Citation:
Keys, Ivor. “Sonata No. 3.” Music & Letters 33, no. 1 (January 1952): 91-92.
Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions

Kirby, Fred

Year: 1967
Complete Citation:
Kirby, Fred. “Ives Boom Boon to Peer- Southern.” Billboard 79 (April 22, 1967): 32--33.
Notes:

Includes comments from Wladimir Lakond, international director of musical education and serious music department of Peer- Southern. States that Peer- Southern has over 100 copyrights of Ives’s music.

Source: Magazine
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions

Kirkpatrick, John

Year: 1949
Complete Citation:
Kirkpatrick, John. “Review of ‘Three-Page Sonata,’ [etc.].” Music Library Association Notes, Second Series, Vol. 6, No. 3 (June, 1949).
Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
Year: 1961
Complete Citation:
Kirkpatrick, John. “Ives as Revealed in His Marginalia.” Cornell University Music Review, Vol. 4 (1961).
Source: Journal
X. Editing Practices and Articles Regarding Published Editions
A. Editing Practices