no author listed
Year: 1889
Complete Citation:
“Announcement.” Danbury Evening News, October 21, 1889: 3.Notes: Erroneously dated 1888 in Ives's compiled references.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1892
Complete Citation:
“Reviews and notices of George and Charles Ives’s performances in Brewster, NY.” Brewster Standard. February 5, 1892: 3; February 12, 1892; February 19, 1892: 3.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1902
Complete Citation:
“The Four O’Clock Concert.” Journal and Courier (New Haven), May 8, 1902.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1902
Complete Citation:
“Charles E. Ives’ Concert and New Cantata, The Celestial Country.” Musical Courier 44/17, April 23, 1902, 34.Source: Magazine
Reprints: Reprinted in Charles Ives and His World (item 36), 276-77. In <i>Charles Ives and His World</i>, 276-277. Edited by J. Peter Burkholder. Princeton, NJ: Princeton University Press, 1996.
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1912
Complete Citation:
“Columns 1-3.” Sun (New York), March 15, 1912, 9.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1923
Complete Citation:
“From Everywhere.” The Cologne Post, Issue 1303, July 1923.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1924
Complete Citation:
“Goldstein Completes ‘Modernist’ Recital at Aeolian Hall.” New York Herald Tribune, March 19, 1924, 15.Source: Newspaper
Reprints: “Goldstein Completes ‘Modernist’ Recital at Aeolian Hall.” In <i>Charles Ives and His World</i>, 290-291. Edited by J. Peter Burkholder. Princeton, NJ: Princeton University Press, 1996.
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1924
Complete Citation:
“Concerts for the Month: Jerome Goldstein.” Musical Advance (April 1924): 17-18.Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1925
Complete Citation:
“Quarter-Tone Feature At Referendum Concert: Is Played Purposely on Pianos at Franco American.” The New York Herald, February 15, 1925, 8.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1926
Complete Citation:
“Mysticism and Modern Music: The Future Evolution of Music in the Light of Anthroposophy.” Threefold Commonwealth 51 (April 1926): 2-3.Source: Journal
VI. Topical Studies
A. Transcendentalism or Philosophy
Year: 1929
Complete Citation:
“Review.” Chattanooga Times (April 2, 1929).Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1929
Complete Citation:
“Review.” Morning Tribute [New Orleans], March 25, 1929.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1930
Complete Citation:
“Old and New.” Danbury Times, June 30, 1930.Notes: An editorial quoting a re-sponse to what the difference is between the “old” and “new” schools of music by a “well--known composer of this vicinity.”
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1931
Complete Citation:
“The Genius of American Original Production.” The Phonograph Monthly Review (July 1931).Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 1932
Complete Citation:
“Becker Returns from Eastern Lecture Tour; Speaks Before Associa-tion of University Women in Milwaukee.” The Purple & Gray (March 4, 1932): 1.Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1932
Complete Citation:
“Modern Philharmonic’ Gets Applause, Hisses.” The Hartford Courant, March 6, 1932, 8.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1932
Complete Citation:
“U.S. Concert Cheered and Jeered in Berlin.” The Washington Post. March 6, 1932, 11.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1932
Complete Citation:
“Berlin Cheers Slonimsky Music.” Boston Herald. March 6, 1932, 1.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1932
Complete Citation:
“Musik.” Hamburger Tageblatt. December, 1932, 14.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1932
Complete Citation:
“Musik.” Hamburger Anzeiger, December, 1932, 19.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances