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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Becker, Dr. John H.

Year: 1933
Complete Citation:
Becker, John H. “Charles E. Ives: Musical Philosopher.” Northwest Musical Herald (January 1933): 5-6.
Notes:

Available at the Yale University Music Library Archival Collection. “Charles Ives Papers” Mss. 14/41; 14/56/2; 41/112.

Source: Journal
VI. Topical Studies
A. Transcendentalism or Philosophy

Bellison, L.

Year: 1954
Complete Citation:
Bellison, L. “2 Get the Right Pitch on the Jew’s-Harp: Professional Musicians, both from City, Win Chance to Play Under Stokowski.” The New York Times, February 17, 1954, 26.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Bender, William

Year: 1965
Complete Citation:
Bender, William. “‘New’ Ives Work: Bravo.” New York Herald Tribune. April 27, 1965, 15.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Berger, Arthur V.

Year: 1932
Complete Citation:
Berger, Arthur V. “Music.” New York Daily Mirror. May 3, 1932: 24.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1932
Complete Citation:
Berger, Arthur V. “Ruggles Work Performed.” Sunday Mirror (New York). January 24, 1932.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1932
Complete Citation:
Berger, Arthur V. “Pan-American Association.” Daily Mirror, New York, Extra Edition, February 17, 1932, 18.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1932
Complete Citation:
Berger, Arthur V. “Yaddo Musical Festival.” Daily Mirror, New York, Final Edition. May 3, 1932: 18.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1946
Complete Citation:
Berger, Arthur V. “Three New Sonatas.” New York Herald Tribune, November 12, 1946, 21.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Bernheimer, Martin

Year: 1971
Complete Citation:
Bernheimer, Martin. “Philharmonic does Ives’ 1st.” Los Angeles Times, 1971, A6.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Bernstein, Leonard

Year: 1962
Complete Citation:
Bernstein, Leonard. “Program Five, Folk Music in the Concert Hall.” In Young People's Concerts for Reading and Listen-ing. New York, NY: Simon and Schuster, 1962.
Notes:

Includes discussion about Symphony No. 2 (109--111). Supplement has an abridged recording of the last movement on a 7-inch LP record.

Source: Book
Reprints:

Bernstein, Leonard. <i>Revised, and Newly Expanded: Leonard Bernstein's Young People's Concerts</i>, edited by Jack Gottlieb. New York: Anchor Books, Doubleday, 1992.

XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Blanding, Thomas

Year: 1994
Complete Citation:
Blanding, Thomas. “Music of the Higher Spheres: The Philoso-phy and Influence of New England Transcendentalists.” In American Transcendentalists [Program Booklet]. Brooklyn Philharmonic Orchestra, Brooklyn Academy of Music, Brooklyn, New York, November 11-13, 1994. Da Camera of Houston, The Menil Collection, Houston, Texas, November 21-22, 1994.
Source: Program Booklet
VI. Topical Studies
A. Transcendentalism or Philosophy

Blangger, Tim

Year: 2001
Complete Citation:
Blangger, Tim. “Baritone Hopes People Embrace, Don’t Beware, The Ives of March: First Edition.” The Morning Call, March 15, 2001.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 2001
Complete Citation:
Blangger, Tim. "Buckner Boosts Stock of Charles Ives: First Edition." The Morning Call, March 21, 2001.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Blitzenstein, Marc

Year: 1936
Complete Citation:
Blitzenstein, Marc. “Les Jeunes Americains dans la Musique.” La Revue Musicale 163, February 1936, 145.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Bloom, Harold

Complete Citation:
Bloom, Harold. A Map of Misreading. New York: Oxford University Press, 1975: 162.
Notes:

Only one reference to Ives: "The war of American poets against influence is part of our Emersonian heritage, manifested first in the great triad of 'The Divinity School Address,' 'The American Schol-ar,' and ‘Self--Reliance.' This heritage can be traced in Thoreau, Whit-man, Dickinson and quite directly again in Robinson and Frost, in the architectural writings of Sullivan and Wright, in the Essays Before a Sonata of Charles Ives. The less direct heritage is more relevant to any brooding on the negative aspects of poetic influence, centering partly on Pound and Williams (where it is refracted through Whitman) and partly on Stevens, who disliked the very idea of influence."

Source: Chapter in Book
VI. Topical Studies
A. Transcendentalism or Philosophy

Blyth, Alan

Year: 1966
Complete Citation:
Blyth, Alan. “Pop Celebration.” Music and Musicians 15, No. 2 (October 1966): 42.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Bohlman, Philip V.

Year: 2005
Complete Citation:
Bohlman, Philip V. “Introduction.” In Music in American Religious Experience, edited by Bohlman, Philip V., Edith L. Blumhofer, and Maria M. Chow. Oxford, United Kingdom: Oxford University Press, 2005.
Source: Newsletter
VI. Topical Studies
A. Transcendentalism or Philosophy

Bolle, Sonja

Year: 2003
Complete Citation:
Bolle, Sonja. “Children’s Books/Inspiring Lives: All Editions.” Newsday, January 26, 2003.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Bowen, Meirion

Year: 1972
Complete Citation:
Bowen, Meirion. “Concerts: Contemporary.” Music and Musicians 20, no. 7 (March 1972): 66.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Braid, Andrew

Year: 2004
Complete Citation:
Braid, Andrew. “Charles Ives, American Original, at Last Gets a Full Tribute: All Editions. Sunday.” The Record, May 9, 2004.
Notes:

Special to the Record

Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances