Tommasini, Anthony
Year: 1996
Complete Citation:
Tommasini, Anthony. “Ives Upon a Breeze, Unplugged.” The New York Times. August 2, 1996, sec. C: 27.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 2001
Complete Citation:
Tommasini, Anthony. “Revisiting A Homage to American Composers.” The New York Times, January 23, 2001.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 2004
Complete Citation:
Tommasini, Anthony. “Finding Iconoclastic Playmates for Ives, that Musical Loner: Review.” The New York Times, May 13, 2004.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Toncitch, Voya
Year: 1969
Complete Citation:
Toncitch, Voya. “Charles Ives: Three-Sonata [sic] Pour Piano.” Revue Musical de Suisse Romande 22, no. 3 (1969): 3+.Source: Journal
Reprints: Toncitch, Voya. “Three Page Sonata' by Charles Ives.” Translated into German. <i>Melos: Zeitschrift für Neue Musik</i> 39, no. 5 (August-September 1972): 277-279.
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Trimble, Lester
Year: 1957
Complete Citation:
Trimble, Lester. “Review of the Premiere Performance of Ives's First String Quartet, April 24, 1957, Museum of Modern Art, New York City, Kohon String Quartet.” New York Herald Tribune, April 25, 1957.Source: Newspaper
Reprints: Trimble, Lester. “Review of the Premiere Performance of Ives's First String Quartet, April 24, 1957, Museum of Modern Art, New York City, Kohon String Quartet.” <i>American Composers Alliance Bulletin</i> 6, no. 1 (1957): 23-24.
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1958
Complete Citation:
Trimble, Lester. “Music: Opening Program of New York Philharmonic.” The Nation 187 (October 25, 1958): 299-300.Source: Journal/Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Tryon, Winthrop P.
Year: 1924
Complete Citation:
Winthrop P. Tryon. “Freischutz at the Metropolitan-Other Music of a New York Week: A Business Man Who Composes.” Christian Science Monitor (March 24, 1924): 10.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Tucker, Marilyn
Year: 2000
Complete Citation:
Tucker, Marilyn. “Concerts Everywhere: San Francisco-San Francisco Symphony: Thomas Song Cycle [Premiere].” American Record Guide, Vol. 63, No. 1, (2000): 42.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Tumelty, Michael
Year: 2016
Complete Citation:
Tumelty, Michael. “Heading here.” The Herald [Glasgow, Scotland], February 12, 2016, 15.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Tyler, Charles Ives
Year: 1997
Complete Citation:
Tyler, Charles Ives. “American Transcendalists: Two Composers in the Pioneer Tradition-Charles Ives.” Piano Today, Vol. 17, No. 3 (1997): 8, 10, 54.Source: Magazine
VI. Topical Studies
A. Transcendentalism or Philosophy
Ulrich, Allan
Year: 2000
Complete Citation:
Ulrich, Allan. “An Ives Fourth for this Generation Tilson Thomas again Illuminates an American Classic: First Edition.” The San Francisco Examiner, 2000.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Valdes, Lesley
Year: 1969
Complete Citation:
Valdes, Lesley. “Dutch Troupe, Relache Offer Tribute to Charles Ives’ Music.” The Philadelphia Inquirer, May 31, 1997.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1990
Complete Citation:
Lesley Valdes. “Charles Ives Presents Pleasing Mix of Music: 3 Star Edition.” The Orlando Sentinel, November 18, 1990.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Vance, David
Year: 2000
Complete Citation:
Vance, David. “Gloves Come Off for a Lively Round with Ives and Co: Late Edition.” Sydney Morning Herald, August 11, 2000.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Vuillermoz, Émile
Year: 1931
Complete Citation:
Vuillermoz, Émile. “La Musique.” Translated by Frank R. Rossiter. La Musique, Excelsior (Paris), June 8, 1931, 3.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Wallace, Weldon
Year: 1962
Complete Citation:
Wallace, Weldon. “Music Notes: Baltimore Symphony.” The Sun, January 3, 1962, 11.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Ward, Charles
Year: 2000
Complete Citation:
Ward, Charles. “Symphony, Lin Find Baltic Tone, Deliver Moving Sibelius Concerto.” Houston Chronicle, September 18, 2000, 4.Source: Newspaper
A. Reviews and Announcements of Premieres and Significant Performances
A. Reviews and Announcements of Premieres and Significant Performances
Year: 2001
Complete Citation:
Ward, Charles. “Sound Thinking. Da Camera Explores Musical ‘Land-scapes.’” Houston Chronicle, March 1, 2001, sec. D, 1.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 2001
Complete Citation:
Ward, Charles. “Two Composers Set Themselves Apart in ‘American Orig-inals.’” Houston Chronicle, January 23, 2001, 7.Source: Newspaper
A. Reviews and Announcements of Premieres and Significant Performances
Ward, Keith C.
Year: 1984
Complete Citation:
Ward, Keith C. “Abstract: Charles Ives and the Over-Soul.” Sonneck Society for American Music Bulletin (Fall) 10: 63.Notes: Compares Ives to Emerson.
Source: Journal
VI. Topical Studies
A. Transcendentalism or Philosophy