Jacobson, Robert
Year: 1973
Complete Citation:
Prf: 1973 January 17: New York; City Center; Alexander Horvath, violin; Howard Baer, piano.
Lar Lubovitch, choreographer. Three Essays (1974); ballet; American Ballet Theater.
Music: Orchestral Set No. 2.
Prf: 1974 January 15: New York; City Center.Source: Performance (ballet)
XII. Interdisciplinary Performances with Ives’s Music
B. Dance
Kaenel, André
Year: 1986
Complete Citation:
Kaenel, André. “Les transcendentalists americaines.” Contrechamps 7 (1986): 99-109.Source: Journal
VI. Topical Studies
A. Transcendentalism or Philosophy
Kerwin, Bud, choreographer
Year: 1974
Complete Citation:
Bud Kerwin, choreographer. The Subjective Man (1974); choreographic setting. Music: From the Swimmers', Like a Sick Eagle', Walt Whitman', The Cage', The Indians. Prf: 1974 October 20: Indianapolis; Clowes Memorial Hall, Butler University; Charles Ives Celebration Program; Dina Korta,
Cheryl Palonis. Gathering: A Choreographic Tribute to Charles Ives (1976). M.F.A.; Department of Ballet and Modern Dance; University of Utah.Source: Performance (ballet)
XII. Interdisciplinary Performances with Ives’s Music
B. Dance
Kirkpatrick, John
Year: 1976
Complete Citation:
Kirkpatrick, John. “Ives as Prophet.” In South Florida's Historic Ives Festival, 1974-1976, 59. Coral Gables, FL: University of Miami, 1976.Source: Chapter in Book
VI. Topical Studies
A. Transcendentalism or Philosophy
Kisselgoff, Anna
Year: 1978
Complete Citation:
Kisselgoff, Anna. “City Ballet Offers ‘Calcium Light Night.’” The New York Times, January 21, 1978, 26.Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
B. Dance
Year: 1999
Complete Citation:
Kisselgoff, Anna. “The Stage Turned into a Circus, with Tricycle.” New York Times. June 19, 1999, sec. B: 15.Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
B. Dance
Year: 1999
Complete Citation:
Kisselgoff, Anna. “The Divergent Progeny of Granddaddy Ives.” The New York Times, June 18, 1999, sec. E, 28.Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
B. Dance
Year: 2000
Complete Citation:
Kisselgoff, Anna. “On Pulling Teeth, and ‘Degenerate Art’ Brought to Life.” The New York Times. January 8, 2000, sec. B, 17.Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
B. Dance
Klemm, Eberhardt
Year: 1977
Complete Citation:
Klemm, Eberhardt. “Musikalischer Neuererund Demokrat: Der Komponist Charles Ives.” Musik und Gesellschaft 27/12 (1977): 731-735.Source: Journal
VI. Topical Studies
A. Transcendentalism or Philosophy
Koch, Gerhard R.
Year: 1973
Complete Citation:
Koch, Gerhard R. “Charles Ives. Musik als reale Utopie.” HiFi-Stereophonie 12/7 (July 1973): 689-698.Source: Journal
VI. Topical Studies
A. Transcendentalism or Philosophy
Lapsley, James N.
Year: 2007
Complete Citation:
Lapsley, James N. “Charles Ives and the Reformed Tradition: A Musical Pilgrimage.” Theology Today, vol. 64, no. 3 (2007): 305-321.Source: Journal
VI. Topical Studies
A. Transcendentalism or Philosophy
LaRocca, David
Year: 2013
Complete Citation:
LaRocca, David. Estimating Emerson: an anthology of criticism from Carlyle to Cavell. New York, NY: Bloomsbury Academic, 2013.Source: Book
VI. Topical Studies
A. Transcendentalism or Philosophy
Lefebure, Leo D.
Year: 2013
Complete Citation:
Lefebure, Leo D. “A Christian Commentary on the “Dhammapada.”” Buddhist-Christian Studies 33, no. 1, (2013): 181-189.Source: Journal
VI. Topical Studies
A. Transcendentalism or Philosophy
Lück, Hartmut
Year: 1980
Complete Citation:
Luck, Hartmut. “Provokation und Utopie: ein Portrat des amerikanischen Komponisten Charles Edward Ives.” Neuland 1 (1980): 3-15.Source: Journal
VI. Topical Studies
A. Transcendentalism or Philosophy
Mackrell, Judith
Year: 2000
Complete Citation:
Mackrell, Judith. “Witching Hour: Black Magic and Slapstick Are an Unlikely Mix for a Night of American-Themed Ballet.” The Guardian, April 15, 2000, 5.Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
B. Dance
Martins, Peter, choreographer
Year: 1978
Complete Citation:
Peter Martins, choreographer. Calcium Light Night (1977); ballet; New York City Ballet.
Music: The See'r, The New River, Incantation-, At Sea, Ann Street; Gyp the Blood or Hearst! Which is Worst?-, Hallowe'en-, Calcium Light Night. Prf: 1977 November 15: Spokane, WA. 1978 January 19: New York.
Source: Performance (ballet)
XII. Interdisciplinary Performances with Ives’s Music
B. Dance
Mauk, David C.
Year: 1999
Complete Citation:
Mauk, David C. “New England Transcendentalism versus Virulent Nationalism: The Evolution of Charles Ives’ Patriotic March Music.” American Studies in Scandinavia 31/1 (1999): 24-33.Notes: Remarks about A Sym-phony: New England Holidays: “Washington'sBirthday"; Orchestral Set No. I: Three Places in New England: "Putnam's Camp”; Sonata No. 2, Concord, Mass., 1840- 1860," for piano: "Hawthorne"; Sym-phonies Nos. 2 and 3, and Symphony No. 4: second and third move-ments.
Source: Journal
VI. Topical Studies
A. Transcendentalism or Philosophy
McClendon, Jr., James Wm.
Year: 1990
Complete Citation:
McClendon, Jr., James William. “Expanding the Theory: Charles Edward Ives — Theologian in Music.” In Biography as theology: how life stories can remake today’s theology. Eugene, OR: Wipf and Stock Publishers, 1990.Source: Chapter in Book
VI. Topical Studies
A. Transcendentalism or Philosophy
McLendon, James Wm., Jr.
Year: 1974
Complete Citation:
McLendon, James William, Jr. “Expanding the Theory: Charles Edward Ives—Theologian in Music.” In Biography as Theology: How Life Stories Can Remake Today’s Theology, 140-169. Nashville, TN: Abingdon Press, 1974.Source: Journal
VI. Topical Studies
A. Transcendentalism or Philosophy
Mehring, Frank
Year: 2002
Complete Citation:
Mehring, Frank. “‘Unpremeditated Music’: Thoreaus Avantgardistische Vorstöße in Eine Neudefinition Von Musik.” Amerikastudien/ American Studies 47/1 (2002): 39-54.Source: Journal
VI. Topical Studies
A. Transcendentalism or Philosophy
