Mellers, Wilfrid
Year: 1965
Complete Citation:
Mellers, Wilfrid. "Realism and transcendentalism: Charles Ives as American hero.” In Music in a new found land; themes and developments in the history of American music. New York, NY: A.A. Knopf, 1965.Source: Chapter in Book
VI. Topical Studies
A. Transcendentalism or Philosophy
Mellers, Wilfrid H.
Year: 1964
Complete Citation:
Mellers, Wilfrid H. “Realism and Transcendentalism: Charles Ives American Hero.” In Music in a New Found Land: Themes and Develop merits in the History of American Music. London, United Kingdom: Barrie and Rockliff, 1964.Notes: See also Appendix I.
Source: Chapter in Book
Reprints: Mellers, Wilfrid H. “Realism and Transcendentalism: Charles Ives American Hero.” In <i>Music in a New Found Land: Themes and Develop merits in the History of American Music</i>, 38--64. New York, NY: Alfred A. Knopf, 1965.
VI. Topical Studies
A. Transcendentalism or Philosophy
Mogill, Kenneth M.
Year: 1987
Complete Citation:
Mogill, Kenneth M. “Some reflections on the relationship between the jury system, truth and Charles Ives.” Cooley Law Review (September 1, 1987).Source: Journal
VI. Topical Studies
A. Transcendentalism or Philosophy
Ogden, Gail
Year: 1998
Complete Citation:
Ogden, Gail. “Dansers Studio Offers all Ives’ Colors: City Edition.” Lincoln Journal Star, April 11, 1998.Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews
Permoser, Manfred, editor
Year: 2011
Complete Citation:
Permoser, Manfred, editor. “Form Und Sinn: Philosophische Und Kunsttheoretische Positionen.” In Zur Kategorie Der Form in Neuer Musik, by Andreas Holzer, vol. 5, Hollitzer Verlag, Wien (2011): 61-112.Source: Journal
VI. Topical Studies
A. Transcendentalism or Philosophy
Rathert, Wolfgang
Year: 1987
Complete Citation:
Rathert, Wolfgang. “Philosophische Grundlagen der Musik von Charles Ives.” In Entgrenzungen in der Musik, edited by Otto Kolleritsch, 123-137. Studien zur Wertungsforschung, Vol. 18. Vienna, Austria: Universal Edition, 1983.Source: Journal
VI. Topical Studies
A. Transcendentalism or Philosophy
Year: 1995
Complete Citation:
Rathert, Wolfgang. Der Amerikanische Transzendentalismus. In Musik und Religion, edited by Helga de la Motte-Haber, 189-214. Lilienthal, Germany. Laaber-Verlag, 1995.Source: Book
VI. Topical Studies
A. Transcendentalism or Philosophy
Regner, Otto Friedrich
Year: 1972
Complete Citation:
Hartmut Regitz, Otto Friedrich Regner, and Heinz-Ludwig Schneiders. Reclams Ballet- führer. Stuttgart, Germany: Stuttgart Reclams, 1972.Source: Book
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews
Riedel, Johannes
Year: 1975
Complete Citation:
Riedel, Johannes. “The Ives Liturgy: A Mass of the Com-mon Man.” Student Musicologists at Minnesota 6 (1975): 225--236.Source: Journal
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews
Rodgers, Harold A.
Year: 1975
Complete Citation:
Rodgers, Harold A. “Lenox Art Center. ‘Ives’ Meeting Mr. Ives.” High Fidelity/Musical America 25/12 (December 1975): 26--27.Source: Magazine
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews
Rudhyar, Dane
Year: 1938
Complete Citation:
Rudhyar, Dane. “The Birth of the Transcendental Movement and Its Manifestations in Music and the Modern Dance.” New Mexico Daily Examiner (August 21, 1938).Source: Journal
VI. Topical Studies
A. Transcendentalism or Philosophy
Schulman, Jennie
Year: 2000
Complete Citation:
Schulman, Jennie. “Eliot Feld brings provocation to NYC ballet.” Back Stage 41, no. 7 (February 2000).Source: Magazine
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews
Year: 2000
Complete Citation:
Schulman, Jennie. “Eliot Feld Brings Provocation to NYC Ballet.” Back Stage 41, no.7 (February 2000).Source: Magazine
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews
Year: 2004
Complete Citation:
Schulman, Jennie. “NYC ballet in Balanchine American Fest.” Back Stage 45, no. 25 (June 2004).Source: Magazine
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews
Schwarz, K.R.
Year: 1988
Complete Citation:
Schwarz, K.R. “Dance; As American as Robbins & Ives.(Arts and Leisure Desk).” The New York Times, January 31, 1988.Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews
Sloat, Susanna
Year: 1997
Complete Citation:
Sloat, Susanna. “Review of Charles Ives Trilogy (1993); ballet, Volume 1.” Attitude Brooklyn (Fall 1997): 82--83.Notes: Review of Volume 1 Performance: 1997 June 6: New York; St. Mark's Church; Dance Studio.
Source: Journal
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews
Sokolow, Anna, choreographer
Year: 1988
Complete Citation:
Anna Sokolow, choreographer. Scenes from the Music of Charles Ives (1988); ballet; Anna Sokolow Company.
Source: Performance (ballet)
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews
Specq, François
Year: 2008
Complete Citation:
Specq, François. “« God's Alphabet »: Le Transcendantalisme Musical De John Sullivan Dwight.” Revue Française D'études Américaines, no. 117, (2008): 6-25.Source: Magazine
VI. Topical Studies
A. Transcendentalism or Philosophy
Spies, B., and W. Weyer
Year: 2007
Complete Citation:
Spies, B., and W. Weyer. “‘Music is Life’ - the Influence of Transcendentalist Philosophy on Ives’s Concord Sonata.” TD: The Journal for Transdisciplinary Research in Southern Africa, vol. 3, No. 2 (2007): 239-278.Source: Journal
VI. Topical Studies
A. Transcendentalism or Philosophy
Spurling, Christina
Year: 2016
Complete Citation:
Spurling, Christina. “Spirituality, creativity and human progress in the work of Charles Ives.” Research & Materials, Longy School of Music, 2016.Source: Academic paper
VI. Topical Studies
A. Transcendentalism or Philosophy