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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

von Kager, Erica

Year: 1977
Complete Citation:
von Kager, Erica. Portrait, oil painting, before 1977.
Notes:

Based on a Halley Erskine photograph.

Source: Painting
XVI. Photographs and Artwork
B. Artwork

Ward, Keith C.

Year: 1984
Complete Citation:
Ward, Keith C. “Abstract: Charles Ives and the Over-Soul.” Sonneck Society for American Music Bulletin (Fall) 10: 63.
Notes:

Compares Ives to Emerson.

Source: Journal
VI. Topical Studies
A. Transcendentalism or Philosophy

Ward, Keither

Year: 1985
Complete Citation:
Ward, Keith. “Charles Ives and the Oversoul.” Paper presented at the Mid-Atlantic Chapter Meeting of the American Musicological Society, February 3, 1985.
Source: Conference paper
VI. Topical Studies
A. Transcendentalism or Philosophy

Watson, Leda

Year: 1976
Complete Citation:
Watson, Leda. “Homage to Charles Ives,” collage made up of photographs, music pages from the Concord Sonata, “American Music” postage stamp, and other items, ca. 1976.
Notes:

Part of a set of 4; 50 numbered, color photograph prints made of each one. The other collages were devoted to Emerson, Hawthorne, and Thoreau [i.e., Concord Sonata, movements].

Source: Collage
XVI. Photographs and Artwork
B. Artwork

Weyer, Waldo, and Bertha Spies

Year: 2007
Complete Citation:
Weyer, Waldo, and Bertha Spies. “‘Music is Life’ – the Influence of Transcendentalist Philosophy on Ives’s Concord Sonata.” The Journal for Transdisciplinary Research in Southern Africa, vol. 3, no. 2 (2007): e1-e40.
Source: Journal
VI. Topical Studies
A. Transcendentalism or Philosophy

Wolfgang Rathert, Hans G. Helms, Christian Wolff, Malcolm Goldstein, and Frederic Rzewski

Year: 2004
Complete Citation:
Wolfgang Rathert, Hans G. Helms, Christian Wolff, Malcolm Goldstein, and Frederic Rzewski. “Politics and Aesthetics.” Panel presented at Symposium at MarzMusik Festival: Festival fur aktuelle Musik. Berlin, Germany, March 18-28, 2004.
Source: Festival
VI. Topical Studies
A. Transcendentalism or Philosophy

Woodson, Susan Carol

Year: 1991
Complete Citation:
Woodson, Susan Carol. “The Spirit of Charles Ives—Emersonian Thought Revisited.” In American Literature and the Arts, edited by Johan Callens, 23-40. Brussels, Belgium: VUB Press, 1991.
Source: Chapter in Book
VI. Topical Studies
A. Transcendentalism or Philosophy

Yates, Peter

Year: 1961
Complete Citation:
Yates, Peter. 1961. “Charles Ives: The Transcendental American Venture.” Parts 1--3. Arts and Architecture 78, no.2 (February): 6-8; no.3 (March): 4, 8, 10--1; no.5 (May): 6--8, 30-31.
Source: Journal
VI. Topical Studies
A. Transcendentalism or Philosophy

Zimmerman, Walter

Year: 1980
Complete Citation:
Zimmermann, Walter. “Self-Reliance.” Neuland 1 (1980): 54-58.
Source: Journal
VI. Topical Studies
A. Transcendentalism or Philosophy

Zimmermann, Walter

Year: 1980
Complete Citation:
Zimmermann, Walter. “‘Self-Reliance’ —Eigenstandigke in Charles Ives’ Charakter und Werk.” In Neuland: Ansatze zur Musik der Gegenwart, 54-58. Vol. 1. Cologne, Germany: Neuland Musikverlag Herbert Henck, 1980.
Source: Journal
Reprints:

Reprint: Insel-Musik. Koln: Beginner Press, 1981: 213-217.

VI. Topical Studies
A. Transcendentalism or Philosophy

no author listed

Complete Citation:
Drawing. National Portrait Gallery, Smithsonian Institution, Washington, DC.
Notes:

Based on the (double exposure) snapshot of Ives and Mandeville Mullally in their room at Yale University, 76 South Middle Street. The photograph is held in the Charles Ives Papers, Yale University.

Source: Drawing
XVI. Photographs and Artwork
B. Artwork
Complete Citation:
W. L. Sketch. Milwaukee Journal Green Sheet. June 23, 1948.
Source: Sketch
XVI. Photographs and Artwork
B. Artwork
Year: 1926
Complete Citation:
“Mysticism and Modern Music: The Future Evolution of Music in the Light of Anthroposophy.” Threefold Commonwealth 51 (April 1926): 2-3.
Source: Journal
VI. Topical Studies
A. Transcendentalism or Philosophy
Year: 1954
Complete Citation:
Death Mask. Sculptrue, 1954. Danbury, CT: Danbury Museum and Historical Society (formerly Scott--Fanton Museum).
Source: Sculpture
Reprints:

In <i>A Charles Ives Omnibus</i>, by James Mack Burk and Michael J. Budds, 59. Hillsdale, New York: Pendragon Press, 2008.

XVI. Photographs and Artwork
B. Artwork
Year: 1965
Complete Citation:
“The Transcendentalist.” Newsweek 65, May 10, 1965, 101-102.
Source: Magazine
VI. Topical Studies
A. Transcendentalism or Philosophy
Year: 1997
Complete Citation:
Various drawings and sketches, 1997. United States Post Office, September 12, 1997.
Notes:

Designed for special first- day covers for the United States postage stamp.

Source: Sketches/Drawings
XVI. Photographs and Artwork
B. Artwork