Andriessen, Louis
Year: 1977
Complete Citation:
Andriessen, Louis, “Anachrony and Charles Ives.” In An Ives Celebration: Papers and Panels of the Charles Ives Centennial Festival-Conference, edited by H. Wiley Hitchock and Vivan Perlis, 227. Urbana, IL: University of Illinois Press, 1977.Source: Chapter in Book
VI. Topical Studies
B. Musical Quotation or Borrowing
Archibald, Bruce
Year: 1966
Complete Citation:
Archibald, Bruce. “Reviewed Works: The Orchestra Song by William Schuman; Variations on “America” (Charles Ives, for organ, 1891; William Schuman, for orch., 1963) by Charles Ives.” Notes, vol. 23, no. 1 (September 1966): 157.Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
Bales, Richard
Year: 1948
Complete Citation:
Bales, Richard. “Charles Ives: Third Symphony. [Review of Symphony No. 3 by Charles Ives.]” Notes 5/3 (June 1948): 413.Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
Ballantine, Christopher
Year: 1979
Complete Citation:
Ballantine, Christopher. “Charles Ives and the Meaning of Quotation in Music.” Musical Quarterly 65, Vol. 2 (April 1979): 167.VI. Topical Studies
B. Musical Quotation or Borrowing
Ballentine, Christopher
Year: 1979
Complete Citation:
Ballentine, Christopher. “Charles Ives and the Meaning of Quotation in Music.” The Musical Quarterly 65 (1979): 167-184.Source: Journal
VI. Topical Studies
B. Musical Quotation or Borrowing
Baron, Carol K.
Year: 1991
Complete Citation:
Baron, Carol K. “Ives and the Concord Transcendentalists.” Paper presented at Charles Ives: A Yankee Genius or Musical Fraud. Charles Ives Center, Danbury, Connecticut, October 1991.Source: Conference paper
VI. Topical Studies
A. Transcendentalism or Philosophy
Year: 1992
Complete Citation:
Baron, Carol K. “Review of Symphony No. 3 (The Camp Meeting) by Charles Ives.” Notes 48/4 (June 1992): 1436-1438.Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
Becker, Dr. John H.
Year: 1933
Complete Citation:
Becker, John H. “Charles E. Ives: Musical Philosopher.” Northwest Musical Herald (January 1933): 5-6.Notes: Available at the Yale University Music Library Archival Collection. “Charles Ives Papers” Mss. 14/41; 14/56/2; 41/112.
Source: Journal
VI. Topical Studies
A. Transcendentalism or Philosophy
Bellamann, Henry
Year: 1921
Complete Citation:
Bellamann, Henry. “Reviews: ‘Concord, Mass., 1840-1860’ (A Piano Sonata by Charles E. Ives.).” Double Dealer 2 (October 1921): 166-169.Source: Journal
Reprints: Reprinted in <i>Charles Ives and His World</i>, 280-284.
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
Berger, Arthur V.
Year: 1949
Complete Citation:
Berger, Arthur V. “The Musical Scene: Ives is Prominent on Current Lists of Publishers After Long Neglect.” New York Herald Tribune, 1949, C5.Source: Newspaper
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
Berlin, Edward
Year: 2002
Complete Citation:
Edward Berlin. “Maple Leaf Rag and Its Origins.” Paper read at a Sym-posium during the Scott Joplin Ragtime Festival (June 7: Sedalia, MO; First United Methodist Church).Notes: Includes references to Ives’s ragtime pieces.
Source: Festival
VI. Topical Studies
B. Musical Quotation or Borrowing
Berlin, Edward A.
Year: 1980
Complete Citation:
Berlin, Edward A.. Ragtime: A Musical and Cultural History. Berkeley, CA: University of California Press, 1980.Notes: References are taken primarily from the Memos (23) and Essays Before a Sonata (49).
Source: Book
VI. Topical Studies
B. Musical Quotation or Borrowing
Black, Phillip C.
Year: 2012
Complete Citation:
Black, Phillip C. “Reviews - Tuba Ensemble: “Variations on ‘America’,” by Charles Ives, arranged for tuba quartet by Tim Ott and Bryan Doughty.” ITEA Journal, Vol. 39, No. 2 (2012).Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
Blanding, Thomas
Year: 1994
Complete Citation:
Blanding, Thomas. “Music of the Higher Spheres: The Philoso-phy and Influence of New England Transcendentalists.” In American Transcendentalists [Program Booklet]. Brooklyn Philharmonic Orchestra, Brooklyn Academy of Music, Brooklyn, New York, November 11-13, 1994. Da Camera of Houston, The Menil Collection, Houston, Texas, November 21-22, 1994.Source: Program Booklet
VI. Topical Studies
A. Transcendentalism or Philosophy
Block, Geoffrey
Year: 2000
Complete Citation:
Block, Geoffrey. “Music Reviews: Charles E. Ives, Symphony No. 1, Critical Edition Edited by James B. Sinclair.” Notes 57, no. 2, (December 2000): 461-464.Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
Year: 2000
Complete Citation:
Block, Geoffrey. Review of Charles E. Ives, “Symphony No. 1,” edited by James B. Sinclair. Notes 57, no. 2 (December 2000): 461.Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
Year: 2000
Complete Citation:
Block, Geoffrey. “Review of Symphony No. 1 by Charles Ives.” Notes 57/2 (December 2000): 461-64.Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
Bloom, Harold
Complete Citation:
Bloom, Harold. A Map of Misreading. New York: Oxford University Press, 1975: 162.Notes: Only one reference to Ives: "The war of American poets against influence is part of our Emersonian heritage, manifested first in the great triad of 'The Divinity School Address,' 'The American Schol-ar,' and ‘Self--Reliance.' This heritage can be traced in Thoreau, Whit-man, Dickinson and quite directly again in Robinson and Frost, in the architectural writings of Sullivan and Wright, in the Essays Before a Sonata of Charles Ives. The less direct heritage is more relevant to any brooding on the negative aspects of poetic influence, centering partly on Pound and Williams (where it is refracted through Whitman) and partly on Stevens, who disliked the very idea of influence."
Source: Chapter in Book
VI. Topical Studies
A. Transcendentalism or Philosophy
Boatwright, Howard
Year: 1979
Complete Citation:
Boatwright, Howard. “Reviewed Work: Sunrise, for Voice, Violin and Piano by Charles Ives, John Kirkpatrick.” Notes 35, no. 3 (March 1979): 729-730.Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
Year: 1979
Complete Citation:
Boatwright, Howard. “Vocal and Choral Music by C. Ives.” Notes 35, no. 3 (March 1979).Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
