Image
Complete Citation:
Copland, Aaron. “The Composer in America, 1923-1933.” Modern Music X, 1 (November-December 1932): 91.
Bibliography
Genres
Copland, Aaron
Year: 1932
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1933
Complete Citation:
Copland, Aaron. “The Composer in America, 1923-1933.” Modern Music X. 2 (January-February 1933): 87-92.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1941
Complete Citation:
Copland, Aaron. “The Ives Case.” In Our New Music, New York, 149-161. New York, NY: Whittlesey House, 1941.Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1945
Complete Citation:
Copland, Aaron. Música y músicos contemporáneos. Buenos Aires, Argentina: Losada, 1945.Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1951
Complete Citation:
Copland, Aaron. Charles Eliot Norton Lectures at Harvard University, 1951-1952.VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1952
Complete Citation:
Copland, Aaron. Music and Imagination: The Charles Eliot Norton Lectures at Harvard University, 1951-1952, 99, 111-114. Cambridge, MA: Harvard University Press, 1952.Source: Book
Reprints:
Copland, Aaron. <i>Music and Imagination: The Charles Eliot Norton Lectures at Harvard University, 1951-1952</i>.<i> </i>New York, NY: New American Library Mentor Book, 1959. * Copland, Aaron. <i>Music and Imagination </i>[Musica e Imaginación]. Buenos Aires, Argentina: Emecé Editores, 1955.
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1955
Complete Citation:
Copland, Aaron. “Modern Music: Fresh and Different.” New York Times Magazine (March 13, 1955): 15, 60, 62.Source: Magazine
Reprints:
Copland, Aaron. “‘Are My Ears on Wrong?’ A Polemic.” In <i>Copland on Music</i>, 253-260. New York, NY: Doubleday, 1960. New York: W. W. Norton, 1963.
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Copland, Aaron and Vivian Perlis
Year: 1984
Complete Citation:
Copland, Aaron, and Vivian Perlis. Copland: 1900 through 1942. New York, NY: St. Mar-tin’s Griffin, 1984.Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1989
Complete Citation:
Copland, Aaron and Vivian Perlis. Copland Since 1943. New York, NY: St. Martin's Press, 1989.Notes:
Several Citations for Ives.
Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Cordes, Joan Kunselman
Year: 1976
Complete Citation:
Cordes, Joan Kunselman. “A new American development in music: some characteristic features extending from the legacy of Charles Ives.” Ph.D Dissertation, The Louisiana State University and Agricultural and Mechanical College, 1976.Source: Ph.D Dissertation
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Corner, Philip
Year: 1972
Complete Citation:
Corner, Philip. “Thoreau, Charles Ives, and contemporary music.” In Henry David Thoreau: Studies and Commentaries, edited by George Brenner, Paul A. Doyle, and Walter Harding.Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1974
Complete Citation:
Corner, Philip. “Charles Ives.” Soundings: Ives. Ruggles, Varèse (Spring 1974): 135-197.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Corre, Christian
Year: 1988
Complete Citation:
Corre, Christian. “Ives selon Cage: ou, De la citation a l’indetermination.” Revue d’Esthetique 13-15 (1988): 141.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Courrier, Kevin
Year: 2002
Complete Citation:
Courrier, Kevin. Dangerous kitchen: the subversive world of Zappa. Toronto, Canada: ECW Press, 2002.Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Cowell, Henry
Complete Citation:
Cowell, Henry. “American Composers.” Ohio State University Bulletin 36/3 (September 15, 1931).Source: Essay in Conference Proceedings
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1928
Complete Citation:
Cowell, Henry. “New Terms for New Music.” Modern Music 5/4 (May--June 1928): 21--27.Notes:
Uses chords in <i>Premonitions </i>as examples of poly--harmonic succession.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1928
Complete Citation:
Cowell, Henry. “Four Little Known Modern Composers.” Aesthete Magazine, August 1928, p. 1, 19-20.Source: Magazine
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1928
Complete Citation:
Cowell, Henry. “Compositores Modernos de los Estados Unidos.” Musical Havana 1 (November-December 1928): 124-127.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1929
Complete Citation:
Cowell, Henry. “Who Are the Composers in America.” Musvkai Revoliutsiia [Music and Revolution, Moscow] (1929).Source: Journal
Reprints:
Cowell, Henry. “Who Are the Composers in America?” <i>Russkv <br></i><i>Golos New York </i>(February 23, 1930).
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1930
Complete Citation:
Cowell, Henry. “Bericht aus Amerika. 2. Die beiden wirklichen Amerikaner: Ives and Ruggles.” Melos 9 (October 1930): 417-420.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers