Abott, Reverend Jacob
    Year: 1834-1858
Complete Citation: 
Reverend Abbott, Jacob. Rollo at Play, Rollo at School; Rollo at  Work', Rollo Learning to Read; Rollo Learning to Talk; Rollo's  Correspondence; Rollo's Experiments', Rollo's  Museums', Rollo's Philosophy, Rollo's Vacations', and  Rollo's Travels. Another group was devoted to Rollo's tours of  Europe: Rollo on the Atlantic, Rollo in Holland', Rollo in  London', Rollo in Naples; Rollo in Paris', Rollo in  Scot-land', Rollo in Switzerland', Rollo on the Rhine',  and Rollo in Genoa.Source: Literary References
Reprints: "Rollo," the name Ives called musicians unwilling to listen  to advanced dissonances and other techniques found in modern music,  was derived from a character in books (1834--1858) by Reverend Jacob  Abbott. Rollo could understand only the simplest of situations that  had been taught or had been explained to him in great detail. Original  publishers include Boston, MA: Weeks, Jordan, and Company;  Philadelphia, PA: Hogan & Thompson; Boston, MA: Gould, Kendall  & Lincoln.
 XIII. Ives in Literature
B. Fiction
Addiego, J.
    Year: 1982
Complete Citation: 
Addiego, J. “Charles Ives.” Epoch 31/2 (1982): 127.Source: Journal
XIII. Ives in Literature
A. Poetry
Addiego, John
    Year: 1982
Complete Citation: 
Addiego, John. “Charles Ives.” Epoch 31/2 (Spring 1982): 127.Source: Poem
XIII. Ives in Literature
A. Poetry
Andriessen, Louis
    Year: 1977
Complete Citation: 
Andriessen, Louis, “Anachrony and Charles Ives.” In An Ives Celebration: Papers and Panels of the Charles Ives Centennial Festival-Conference, edited by H. Wiley Hitchock and Vivan Perlis, 227. Urbana, IL: University of Illinois Press, 1977.Source: Chapter in Book
VI. Topical Studies
B. Musical Quotation or Borrowing
Axelrod, Alan
    Year: 1976
Complete Citation: 
Axelrod, Alan. “A Song by Charles Ives.” Brilliant Corners 5 (Spring 1977): 20--25.Notes: An essay with a poetic tone. Dated 1976.
 Source: Poem
XIII. Ives in Literature
A. Poetry
Ballantine, Christopher
    Year: 1979
Complete Citation: 
Ballantine, Christopher. “Charles Ives and the Meaning of Quotation in Music.” Musical Quarterly 65, Vol. 2 (April 1979): 167.VI. Topical Studies
B. Musical Quotation or Borrowing
Ballentine, Christopher
    Year: 1979
Complete Citation: 
Ballentine, Christopher. “Charles Ives and the Meaning of Quotation in Music.” The Musical Quarterly 65 (1979): 167-184.Source: Journal
VI. Topical Studies
B. Musical Quotation or Borrowing
Baron, Carol K.
    Year: 1998
Complete Citation: 
Baron, Carol K. “Some Theoretical Premises in Charles Ives's  Music.” Lecture, University of Nevada, Reno, Nevada, February 1998.Source: Lecture
VI. Topical Studies
G. Music Theory Analyses
Bellamann, Henry
    Year: 1923
Complete Citation: 
Bellamann, Henry. “Notes on the New Aesthetic of Poetry and Music.” Musical Quar-terly 9, no.2 (April 1923): 260-270.Source: Journal
XIII. Ives in Literature
A. Poetry
Bemlef, J.
    Year: 1977
Complete Citation: 
Bemlef, J. “On Charles Ives and Wild Gardening.” In An Ives Celebration: Papers and Panels of the Charles Ives Centennial Festival-Conference, edited by H. Wiley Hitchock and Vivan Perlis, 232-238. Urbana, IL: University of Illinois Press, 1977.Source: Chapter in Book
XIII. Ives in Literature
A. Poetry
Berlin, Edward
    Year: 2002
Complete Citation: 
Edward Berlin. “Maple Leaf Rag and Its Origins.” Paper read at a  Sym-posium during the Scott Joplin Ragtime Festival (June 7: Sedalia,  MO; First United Methodist Church).Notes: Includes references to Ives’s ragtime pieces.
 Source: Festival
VI. Topical Studies
B. Musical Quotation or Borrowing
Berlin, Edward A.
    Year: 1980
Complete Citation: 
Berlin, Edward A.. Ragtime: A Musical and Cultural History. Berkeley, CA: University of California Press, 1980.Notes: References are taken primarily from the Memos (23) and Essays Before a  Sonata (49).
 Source: Book
VI. Topical Studies
B. Musical Quotation or Borrowing
Bernlef, Jan
    Year: 1966
Complete Citation: 
Bernlef, Jan. “Wild Gardening.” In An Ives Celebration: Papers and Panels of the Charles Ives Centennial Festival-Conference, edited by H. Wiley Hitchock and Vivan Perlis, 233-238. Urbana, IL: University of Illinois Press, 1977.Source: Poem in Book
XIII. Ives in Literature
A. Poetry
Bond, Bruce
    Year: 1989
Complete Citation: 
Bond, Bruce. “Ives.” In The Ivory Hours. Amherst, MA: Heatherstone Press, 1989.
Source: Poem
Reprints: Bond, Bruce. “Ives.” <i>Sonneck Society for American Music Bul-letin</i> 15/3 (1989): 111.
 XIII. Ives in Literature
A. Poetry
Burger, Peter
    Year: 1974
Complete Citation: 
Burger, Peter. Theorie der Avantgarde. Frankfurt am Main: Suhrkamp, 1974.Source: Book
Reprints: Burger, Peter. <i>Theorie der Avantgarde</i>. Frankfurt am Main: Suhrkamp, 2013.
 VI. Topical Studies
G. Music Theory Analyses
Burkholder, J. Peter
    Year: 1985
Complete Citation: 
Burkholder, J. Peter. “‘Quotation’ and Emulation: Charles Ives’s Uses of His Models.” The Musical Quarterly Vol. 71, No. 1 (January 1985): 1-26.Source: Journal
VI. Topical Studies
B. Musical Quotation or Borrowing
Year: 1990
Complete Citation: 
Burkholder, J. Peter. “The Critique of Tonality in the Early Experimental Music of Charles Ives.” Music Theory Spectrum 12/2 (Fall 1990): 203-223.Source: Journal
VI. Topical Studies
G. Music Theory Analyses
Year: 1994
Complete Citation: 
Burkholder, J. Peter. “The Uses of Existing Music: Musical Borrowing as a Field.” Notes 50 (March 1994): 852--859.Source: Journal
VI. Topical Studies
B. Musical Quotation or Borrowing
Year: 1995
Complete Citation: 
Burkholder, J. Peter. All Made of Tunes. New Haven, CT: Yale University Press, 1995.Source: Book
VI. Topical Studies
B. Musical Quotation or Borrowing
Year: 1995
Complete Citation: 
Burkholder, J. Peter. “Rule-Breaking as a Rhetorical Sign.” In Festa Musicologica: Essays in Honor of George J. Buelow, edited by Thomas J. Mathiesen and Benito V. Rivera. Stuyvesant, NY: Pendragon, 1995.Source: Chapter in Book
VI. Topical Studies
G. Music Theory Analyses