Image
Complete Citation:
Gibbons, William. “‘Yankee Doodle’ and Nationalism, 1780-1920.” American Music 26/2 (2008): 246-274.
Bibliography
Genres
Gibbons, William
Year: 2008
Source: Journal
VI. Topical Studies
B. Musical Quotation or Borrowing
B. Musical Quotation or Borrowing
Gilmore, Bob
Year: 2014
Complete Citation:
Gilmore, Bob. “Five Maps of the Experimental World.” In Artistic Experimentation in Music: An Anthology, edited by Bob Gilmore and Darla Crispin, 23-30. Leuven, Belgium: Leuven University Press, 2014.Source: Chapter in Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
H. Ives, 20th Century Music, and Experimental Styles
Glinsky, Albert
Year: 2001
Complete Citation:
Glinsky, Albert. Theremin: Ether Music and Espionage. Urbana, IL: University of Illinois Press, 2001.Notes:
Mentions Ives's financial support for the Rhythmicon (140-141) and of Pan American Association of Com- posers (158).
Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
H. Ives, 20th Century Music, and Experimental Styles
Harrison, Lou
Year: 1946
Complete Citation:
Harrison, Lou. “On Quotation,” Modern Music, Vol. 23, No. 3 (Summer 1946).Source: Journal
VI. Topical Studies
B. Musical Quotation or Borrowing
B. Musical Quotation or Borrowing
Henderson, Clayton W.
Year: 1974
Complete Citation:
Henderson, Clayton W. “Ives’ Use of Quotation.” Music Educators Journal 61/2 (October 1974): 24-28.Source: Journal
VI. Topical Studies
B. Musical Quotation or Borrowing
B. Musical Quotation or Borrowing
Henerson, Clayton Wilson
Year: 1974
Complete Citation:
Henerson, Clayton Wilson. “Structural Importance of Borrowed Music in the Works of Charles Ives: A Preliminary Assessment.” In Report of the Eleventh Congress of the International Musicological Society held at Copenhagen, 1972, ed. Henrik Glahn et al., Vol. 1, 437-46. Copenhagen: Edition W. Hansen, 1974.Source: Chapter in Book
VI. Topical Studies
B. Musical Quotation or Borrowing
B. Musical Quotation or Borrowing
Herzfeld, Gregor
Year: 2007
Complete Citation:
Herzfeld, Gregor. Zeit als Prozess und Epiphanie in der experimentellen amerikanischen Musik: Charles Ives bis La Monte Young. Stuttgart, Germany: Franz Steiner Verlag, 2007.Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
H. Ives, 20th Century Music, and Experimental Styles
Hesselink, Paul and Frieda Myers
Year: 1991
Complete Citation:
Hesselink, Paul and Frieda Myers. “Ives and Quarter Tones.” Paper presented at Contemporary Music Festival: The Life and Works of Charles Ives. Longwood College, Department of Music, Farmville, Virginia, October 24-25, 1991.Source: Conference paper
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
H. Ives, 20th Century Music, and Experimental Styles
Heyman, Katherine
Year: 1928
Complete Citation:
Heyman, Katherine. “Do You Like Modern Music?” Radio Speech-Sorbonne (Paris) (March 8, 1928).Source: Radio Speech
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
H. Ives, 20th Century Music, and Experimental Styles
Highet, Gilbert
Year: 1957
Complete Citation:
Highet, Gilbert. “The Fascination of What’s Difficult.” In Talents and Geniuses: The Pleasures of Appreciation. New York, NY: Oxford University Press: 48-55.Source: Chapter in Book
Reprints:
Highet, Gilbert. “The Fascination of What Is Difficult.” Guil-ford, CT: Jeffrey Norton Publishers, 1970.
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
H. Ives, 20th Century Music, and Experimental Styles
Hitchcock, H. Wiley
Year: 1987
Complete Citation:
Hitchcock, H. Wiley. “Charles Ives und seine Zeit.” In Amerikanische Musik seit Charles Ives: Interpretationen, Quellentexte, Komponistenmonographien. Laaber, Germany: Lauber-Verlag (1987): 21-29.Source: Chapter in Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
H. Ives, 20th Century Music, and Experimental Styles
Year: 1992
Complete Citation:
Hitchcock, H. Wiley. “Charles Ives and the spiritual “In the morning”/Give me Jesus.” In New Perspectives on Music: Essays in Honor of Eileen Southern, edited by Josephine Wright with Samuel Floyd, Jr. Warren MI: Harmonie Park Press, 1992, 163-71.VI. Topical Studies
B. Musical Quotation or Borrowing
B. Musical Quotation or Borrowing
Howard, John Tasker
Year: 1942
Complete Citation:
Howard, John Tasker. This Modern Music: A Guide for the Bewildered Listener, 131-133, 179, 194. New York, NY: Crowell, 1942.Notes:
Ives is treated super-ficially in a chapter on polytonality, with Psalm 67 used as an example Howard comments on the polyrhythms of “Washington's Birthday” and Ives's use of tone clusters.
Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
H. Ives, 20th Century Music, and Experimental Styles
Ivashkin, Alexander
Year: 2016
Complete Citation:
Ivashkin, Alexander. “Symbols, Metaphors and Irrationalities in Twentieth-Century Music.” In Facets of Russian Irrationalism between Art and Life, 415-432. Amsterdam, Netherlands: Rodopi, 2016.Source: Chapter in Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
H. Ives, 20th Century Music, and Experimental Styles
Iverson, Jennifer
Year: 2011
Complete Citation:
Iverson, Jennifer. “Creating Space: Perception and Structure in Charles Ives’s Collages.” Music Theory Online 17.2 (July 2011).Source: Journal
VI. Topical Studies
B. Musical Quotation or Borrowing
B. Musical Quotation or Borrowing
Iwaschkin, Aleksandr
Year: 1987
Complete Citation:
Iwaschkin, Aleksandr. “Das Paradoxon des Traditionellen in der Musik von Charles Ives.” Kunst und Literaturrichtung 35 (1987): 812-837.Source: Journal
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
H. Ives, 20th Century Music, and Experimental Styles
Jensen, Jørgen I.
Year: 1969
Complete Citation:
Jensen, Jørgen I. “Charles Ives—En Musikalsk Modernist.” Dansk Musik Tidsskrift (1969): 13--19.Source: Journal
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
H. Ives, 20th Century Music, and Experimental Styles
Johnson, Russell, I.
Year: 1970
Complete Citation:
Johnson, Russell I. “A View of Twentieth- Century Expression.” Journal of Aesthet-ics and Art Criticism 28 (Spring 1970): 361-368.Source: Journal
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
H. Ives, 20th Century Music, and Experimental Styles
Johnson, Russell I.
Year: 1970
Complete Citation:
Johnson, Russell I. “A View of 20th-century Expression.” Journal of Aes-thetics and Art Criticism 28/3 (Spring 1970): 361-368.Source: Journal
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
H. Ives, 20th Century Music, and Experimental Styles
Year: 1970
Complete Citation:
Johnson, Russell I. “A View of Twentieth-Century Expression.” Journal of Aesthetics and Art Criticism 28 (1970): 361-368.Source: Journal
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
H. Ives, 20th Century Music, and Experimental Styles