Bibliography

Patterson, Frank

Year: 1922

Complete Citation:

Patterson, Frank. “The Perfect Modernist: A Little Primer of Basic Principles (Twelfth Installment).” Musical Courier, February 16, 1922, 7.

Source: Magazine/Journal

VI. Topical Studies
I. Compositional Process

Rasmussen, Karl Aagi

Year: 1975

Complete Citation:

Rasmussen, Karl Aagi. “Music on Music — a study of quotation and college.” Lecture, First American Music Conference, Keene University, England, April 18-21, 1975.

Source: Lecture

VI. Topical Studies
B. Musical Quotation or Borrowing

Rathert, Wolfgang

Year: 1997

Complete Citation:

Rathert, Wolfgang. “The idea of potentiality in the music of Charles Ives.” In Ives Studies, edited by Philip Lambert, 105-132. Cambridge, United Kingdom: Cambridge University Press, 1997.

Source: Chapter in Book

VI. Topical Studies
I. Compositional Process

Riegger, Wallingford

Year: 1939

Complete Citation:

Riegger, Wallingford. “To the New Through the Old.” Magazine of AH 32, 8 (August 1939): 491-492.

Source: Magazine

VI. Topical Studies
B. Musical Quotation or Borrowing

Ringer, Alexander L.

Year: 1990

Complete Citation:

Ringer, Alexander L. “Amerikanische Musik im Zeitalter des Jazz.” In Bericht über das Internationale Symposion 'Charles Ives und die amerikanische Musiktradition bis zur Gegenwart' Köln 1988, edited by Klaus Wolfgang Niemoller, 73-87. Kölner Beitrüge zur Musikforschung No. 164. Regensburg, Germany: Gustav Bosse Verlag, 1990.

Source: Chapter in Book

VI. Topical Studies
B. Musical Quotation or Borrowing

Sales, Grover

Year: 1984

Complete Citation:

Sales, Grover. “The Strange Case of Charles Ives, or Why is Jazz Not Gay Music.” Gene Lees Jazzleiter 4, no. 5 (December 1984): 1-8.

Source: Magazine

VI. Topical Studies
B. Musical Quotation or Borrowing

Starr, Larry

Year: 1983

Complete Citation:

Starr, Larry. “The Early Styles of Charles Ives.” 19th-Century Music Vol. 7 (Summer 1983): 71-80.

Source: Journal

VI. Topical Studies
B. Musical Quotation or Borrowing

Sterne, Colin

Year: 1971

Complete Citation:

Sterne, Colin. “The Quotations in Charles Ives’s Second Symphony.” Music and Letters 52 (1971): 39-45.

Source: Journal

VI. Topical Studies
B. Musical Quotation or Borrowing

Streller, Friedbert

Year: 1997

Complete Citation:

Streller, Friedbert. “Besprechungen: “‘Jazz’ in der Kunstmusik. Studien zur Funktion afro-amerikansicher Muisk in Kompositionen des 20. Jahrhunderts,” von Peter W. Schatt.” Die Musikforschung, Vol. 50, No. 2 (1997): 256-257.

Source: Journal

VI. Topical Studies
B. Musical Quotation or Borrowing

Swados, Elizabeth

Year: 1988

Complete Citation:

Swados, Elizabeth. Listening Out Loud: Becoming a Composer, 23, 40-42, 102. New York, NY: Harper and Row, 1988.

Notes:

Several mentions of Ives, especially regarding The Unanswered Question that her teacher, Henry Brant, introduced to her.

Source: Book

VI. Topical Studies
I. Compositional Process

Thurmaier, David

Year: 2014

Complete Citation:

Thurmaier, David. “‘When Borne by the Red, White, and Blue’: Charles Ives and Patriotic Quotation.” American Music 32.1 (Spring 2014): 46-81.

Source: Journal

VI. Topical Studies
B. Musical Quotation or Borrowing

Tick, Judith

Year: 1974

Complete Citation:

Tick, Judith. “Ragtime and the Music of Charles Ives.” Current Musicology 18 (1974): 105-13

Source: Journal

VI. Topical Studies
B. Musical Quotation or Borrowing

Tryon, Winthrop P.

Year: 1924

Complete Citation:

Winthrop P. Tryon. “Folk Song and Hymn Tunes of America.” Christian Science Monitor, November 29, 1924, 18.

Source: Newspaper

VI. Topical Studies
B. Musical Quotation or Borrowing

Warburton, Thomas

Year: 1982

Complete Citation:

Thomas, Warburton,. “Abstract: Ives’s Modular Rags and a Skit for Danbury Fair.” Sonneck Society for American Music Bulletin (Spring) 9: 18.

Notes:

A paper read at the American Musicological Society meeting (November 7: Ann Arbor, MI).

Source: Conference Paper

VI. Topical Studies
B. Musical Quotation or Borrowing

Year: 1999

Complete Citation:

Warburton, Thomas. “Charles Ives and the Ragtime.” Studi Musicali 27/1 (1999): 209-238.

Source: Journal

VI. Topical Studies
B. Musical Quotation or Borrowing

Ward, Charles

Year: 1969

Complete Citation:

Ward, Charles. “The Use of Hymn Tunes as an Expression of ‘Substance’ and ‘Manner’ in the Music of Charles E. Ives.” Master’s Essay, University of Texas at Austin, 1969.

Notes:

Unpublished Master’s Thesis

Source: Master’s Thesis

VI. Topical Studies
B. Musical Quotation or Borrowing

Year: 1974

Complete Citation:

Ward, Charles. “Charles Ives’s Concept of Music.” Current Musicology, no. 18 (1974): 114-19.

Source: Journal

VI. Topical Studies
I. Compositional Process

Zobel, Mark Alan

Year: 2005

Complete Citation:

Zobel, Mark Alan. ““Music close to the soil and deeply felt”: the use of American hymn tunes in Charles Ives's Third symphony.”

Source: Ph.D. dissertation

VI. Topical Studies
B. Musical Quotation or Borrowing

no author listed

Year: 1955

Complete Citation:

“Notes of the Day (Value of Technical Skill in Composing Music).” Monthly Musical Record 85/968 (July-August): 141-144.

Source: Journal

VI. Topical Studies
I. Compositional Process

Year: 1996

Complete Citation:

“Between the Bandstand and the Concert Hall: Ives and His Sources.” In Charles Ives and His World Festival, edited by J. Peter Burkholder, 49-52. Annandale-on-Hudson, New York; Bard College, August 9-11, 16-18, 1996.

Notes:

Selections of marching band music, choral music, and solo songs from turn-of-the-century America (selected works of Ives drawn from these categories).

Source: [Chapter in] Festival Publication

VI. Topical Studies
B. Musical Quotation or Borrowing

Bibliography

Genres

Patterson, Frank

Rasmussen, Karl Aagi

Rathert, Wolfgang

Riegger, Wallingford

Ringer, Alexander L.

Sales, Grover

Starr, Larry

Sterne, Colin

Streller, Friedbert

Swados, Elizabeth

Thurmaier, David

Tick, Judith

Tryon, Winthrop P.

Warburton, Thomas

Ward, Charles

Zobel, Mark Alan

no author listed