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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Dickinson, Peter

Year: 1989
Complete Citation:
Dickinson, Peter. “Style-Modulation: An Approach to Stylistic Pluralism.” The Musical Times, vol. 130, no. 1754 (1989): 208-211.
Source: Journal
VI. Topical Studies
B. Musical Quotation or Borrowing

Ellison, Mary

Year: 1976
Complete Citation:
Ellison, Mary. “Ives’ Use of American ‘Popular’ Tunes as Thematic Material.” In South Florida’s Historic Ives Festival 1974-1976, edited by F. Warren O’Reilly, 30--34. -Coral Gables, FL: University of Miami at Coral Gables, 1976.
Source: Chapter in Book
VI. Topical Studies
B. Musical Quotation or Borrowing

Feder, Stuart

Complete Citation:
Feder, Stuart. “The Nostalgia of Charles Ives: An Essay in Affects and Music.” The Annual of Psychoanalysis Vol. 10 (1982), pp. 301-332.
Source: Journal
Reprints:

Feder, Stuart. “The Nostalgia of Charles Ives: An Essay in Affects and Music.” In <i>Psychoanalytic Explorations in Music</i>, edited by Stuart Feder, Richard L. Karmel, and George H. Pollock, 233-266. Volume 3 of <i>Applied Psychoanalysis Series</i>. Madison, CT: International Universities Press, 1990.

VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
Year: 1980
Complete Citation:
Feder, Stuart. “Decoration Day: A Boyhood Memory of Charles Ives.” The Musical Quarterly Vol. 66, No. 2 (April 1980): 234-261.
Source: Journal
Reprints:

Feder, Stuart. “Decoration Day: A Boyhood Memory of Charles Ives.” <i>Annual of Psychoanalysis</i> (1981) 9: 265-316.

VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
Year: 2004
Complete Citation:
Feder, Stuart. “Charles Ives’s Simulacrum of Mental Life in Music.” Paper presented at The Society for American Music Conference [Session 8a]. Cleveland, Ohio, March 12, 2004.
Source: Conference
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions

Feldman, Jay

Year: 1991
Complete Citation:
Feldman, Jay. “Sports Were Music to His Ears.” Sports Illustrated 75/15 (October 7, 1991): 106-108.
Source: Magazine
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions

Ferguson, Donald N.

Year: 1960
Complete Citation:
Ferguson, Donald N. Music as Metaphor. Minneapolis, Minnesota: University of Minnesota Press, 1960.
Source: Book
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions

Fisher, Fred

Year: 1976
Complete Citation:
Fisher, Fred. “What’s the Music of Charles Ives All About?” Cimarron Review 37 (October 1976): 58-63.
Source: Journal
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions

Garrett, Charles Hiroshi

Year: 2008
Complete Citation:
Garrett, Charles Hiroshi. “Charles Ives's Four Ragtime Dances and "True American Music.”” In American music and the twentieth century. CA: University of California Press: John Wiley and Sons Ltd., 2008.
Source: Chapter in Book
VI. Topical Studies
B. Musical Quotation or Borrowing
Year: 2008
Complete Citation:
Garrett, Charles Hiroshi. “Chinatown, Whose Chinatown?: Defining America’s Borders with Musical Orientalism.” In Struggling to Define a Nation: American Music and the Twentieth Century, 1st ed., 121-164. Berkeley, CA: University of California Press, 2008.
Source: Chapter in Book
VI. Topical Studies
B. Musical Quotation or Borrowing

Gibbons, William

Year: 2008
Complete Citation:
Gibbons, William. “‘Yankee Doodle’ and Nationalism, 1780-1920.” American Music 26/2 (2008): 246-274.
Source: Journal
VI. Topical Studies
B. Musical Quotation or Borrowing

Gligo, Niksa

Year: 1971
Complete Citation:
Gligo, Niksa. “Prostornost i pokret u imanenciji glazbe.” [Space and Movement in the Immanence of Music.] Zvuk — Jugoslovenska Ruzicka Revija 111-112 (1971): 1-20.
Source: Journal
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions

Gruhn, Wilfried

Year: 1989
Complete Citation:
Gruhn, Wilfried. “Die Bedeutungskonstitution in textgebundener Musik: Ansatze zu einer strukturellen Hermeneutik präsentativer Symbole.” In Wort und Ton im Europaischen Raum: Gedenkschrift fur Robert Scholium, 23-40. Edited by Hartmut Krones. Wien, Austria: Böhlau Verlag, 1989.
Source: Journal
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions

Haefeli, Toni

Year: 1998
Complete Citation:
Haefeli, Toni. “Berichte: Opernbetrieb versus Absolute Musik.” Dissonanz (1998): 30-31.
Source: Journal
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions

Harrison, Lou

Year: 1946
Complete Citation:
Harrison, Lou. “On Quotation,” Modern Music, Vol. 23, No. 3 (Summer 1946).
Source: Journal
VI. Topical Studies
B. Musical Quotation or Borrowing

Helms, Hans G.

Year: 1970
Complete Citation:
Helms, Hans G. “Ives and Politics.” Seminar, Ives at Minnesota, University of Minnesota, Minneapolis, Minnesota, April 24 1970.
Source: Seminar
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
Year: 1978
Complete Citation:
Helms, Hans G. “Berichte: Charles Edward Ives-idealer Amerikaner oder Sozialkritiker? Zum Ives-Jahr.” Beiträge zur Musikwissenschaft, Vol. 20, No. 1 (1978): 16.
Source: Journal
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions

Henderson, Clayton W.

Year: 1974
Complete Citation:
Henderson, Clayton W. “Ives’ Use of Quotation.” Music Educators Journal 61/2 (October 1974): 24-28.
Source: Journal
VI. Topical Studies
B. Musical Quotation or Borrowing

Henerson, Clayton Wilson

Year: 1974
Complete Citation:
Henerson, Clayton Wilson. “Structural Importance of Borrowed Music in the Works of Charles Ives: A Preliminary Assessment.” In Report of the Eleventh Congress of the International Musicological Society held at Copenhagen, 1972, ed. Henrik Glahn et al., Vol. 1, 437-46. Copenhagen: Edition W. Hansen, 1974.
Source: Chapter in Book
VI. Topical Studies
B. Musical Quotation or Borrowing

Hitchcock, H. Wiley

Year: 1992
Complete Citation:
Hitchcock, H. Wiley. “Charles Ives and the spiritual “In the morning”/Give me Jesus.” In New Perspectives on Music: Essays in Honor of Eileen Southern, edited by Josephine Wright with Samuel Floyd, Jr. Warren MI: Harmonie Park Press, 1992, 163-71.
VI. Topical Studies
B. Musical Quotation or Borrowing