Image
Complete Citation:
Treybig, Joel. “The Life of George Edward Ives: Cornetist and Bandmaster.” ITG Journal: The International Trumpet Guild, Vol. 25, No. 3 (2001): 33-37.
Bibliography
Genres
Treybig, Joel
Year: 2001
Source: Journal
VI. Topical Studies
N. Ives’ Childhood
N. Ives’ Childhood
Tryon, Winthrop P.
Year: 1924
Complete Citation:
Winthrop P. Tryon. “Folk Song and Hymn Tunes of America.” Christian Science Monitor, November 29, 1924, 18.Source: Newspaper
VI. Topical Studies
B. Musical Quotation or Borrowing
B. Musical Quotation or Borrowing
Warburton, Thomas
Year: 1982
Complete Citation:
Thomas, Warburton,. “Abstract: Ives’s Modular Rags and a Skit for Danbury Fair.” Sonneck Society for American Music Bulletin (Spring) 9: 18.Notes:
A paper read at the American Musicological Society meeting (November 7: Ann Arbor, MI).
Source: Conference Paper
VI. Topical Studies
B. Musical Quotation or Borrowing
B. Musical Quotation or Borrowing
Year: 1999
Complete Citation:
Warburton, Thomas. “Charles Ives and the Ragtime.” Studi Musicali 27/1 (1999): 209-238.Source: Journal
VI. Topical Studies
B. Musical Quotation or Borrowing
B. Musical Quotation or Borrowing
Ward, Charles
Year: 1969
Complete Citation:
Ward, Charles. “The Use of Hymn Tunes as an Expression of ‘Substance’ and ‘Manner’ in the Music of Charles E. Ives.” Master’s Essay, University of Texas at Austin, 1969.Notes:
Unpublished Master’s Thesis
Source: Master’s Thesis
VI. Topical Studies
B. Musical Quotation or Borrowing
B. Musical Quotation or Borrowing
Weschler, Lawrence
Year: 1986
Complete Citation:
Weschler, Lawrence. “Profiles: Boy Wonder—I.” New Yorker 62/39 (Novem-ber 17, 1986): 54-56, 61, 64-65, 68-70, 72-73, 76-78, 87-89, 91-93. “Boy Wonder—II.” New Yorker (November 24) 62/40: 52-54, 57- 58, 60, 63-64, 67-74.Notes:
Nicolas Slonimsky is the subject of this pro-file. Includes his reminiscences of his early, pioneering conducting (November 17: 88-89, 91-92) of Ives’s compositions (esp. Orchestral Set No. 1: Three Places in New England). Uses quotations from Slo-nimsky’s autobiography.
Source: Magazine
VI. Topical Studies
N. Ives’ Childhood
N. Ives’ Childhood
Zobel, Mark Alan
Year: 2005
Complete Citation:
Zobel, Mark Alan. ““Music close to the soil and deeply felt”: the use of American hymn tunes in Charles Ives's Third symphony.”Source: Ph.D. dissertation
VI. Topical Studies
B. Musical Quotation or Borrowing
B. Musical Quotation or Borrowing
no author listed
Year: 1874
Complete Citation:
“City News [Announcement of Charles Ives’s birth].” Danbury Evening News (October 28, 1874): 4.Notes:
“Ives’ Brass Band has included among its soloists an infantile performer on the <i>vox humana.</i>”
Source: Newspaper
VI. Topical Studies
N. Ives’ Childhood
N. Ives’ Childhood
Year: 1888
Complete Citation:
“Charles Ives, a young son of George E. Ives…” Danbury Evening News, February 9, 1888.Notes:
Charles Ives, a young son of George E. Ives, is to take charge of the organ of the West street church, and will enter upon the duties of organist tomorrow. Charlie has inher-ited a generous supply of his father's musical genius.
Source: Newspaper
VI. Topical Studies
N. Ives’ Childhood
N. Ives’ Childhood
Year: 1888
Complete Citation:
“Home News and Gossip.” Danbury Evening News, October 21, 1888.Notes:
Charles Ives presided at the organ at the Baptist church yesterday. He is the youngest organist in the state.
Source: Newspaper
VI. Topical Studies
N. Ives’ Childhood
N. Ives’ Childhood
Year: 1939
Complete Citation:
“Danbury Fifty Years Ago.” Danbury Evening News. February 9, 1939, 3.Source: Newspaper
VI. Topical Studies
N. Ives’ Childhood
N. Ives’ Childhood
Year: 1993
Complete Citation:
“Local Boy Makes Polyrhythms.” Village Voice 38/34, August 24, 1993, 85.Source: Newspaper
VI. Topical Studies
N. Ives’ Childhood
N. Ives’ Childhood
Year: 1996
Complete Citation:
“Between the Bandstand and the Concert Hall: Ives and His Sources.” In Charles Ives and His World Festival, edited by J. Peter Burkholder, 49-52. Annandale-on-Hudson, New York; Bard College, August 9-11, 16-18, 1996.Notes:
Selections of marching band music, choral music, and solo songs from turn-of-the-century America (selected works of Ives drawn from these categories).
Source: [Chapter in] Festival Publication
VI. Topical Studies
B. Musical Quotation or Borrowing
B. Musical Quotation or Borrowing