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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Goldstein, Malcolm

Year: 2008
Complete Citation:
Goldstein, Malcolm. “Some Anecdotal Evidence.” American Music 26, no. 4 (Winter 2008): 499-513.
Source: Journal
VI. Topical Studies
R. Performance Approaches

Harrison, Lou

Year: 1946
Complete Citation:
Harrison, Lou. “On Quotation,” Modern Music, Vol. 23, No. 3 (Summer 1946).
Source: Journal
VI. Topical Studies
B. Musical Quotation or Borrowing

Haylock, Julian

Year: 2004
Complete Citation:
Haylock, Julian. “Has Cello, Will Travel.” The Strad, Vol. 115, (2004): 1282-1283, 1285-1286.
Source: Magazine
VI. Topical Studies
R. Performance Approaches

Henck, Herbert

Year: 2004
Complete Citation:
Henck, Herbert. “Do whatever seems natural or best to you.” In Charles Ives, 1874-1954. Amerikanischer Pionier der Neuen Musik, edited by Haans-Werner Meister, 116-122. Trier, Germany: Wissenschaftlicher Verlag Trier, 2004.
Source: Book
VI. Topical Studies
R. Performance Approaches

Henderson, Clayton W.

Year: 1974
Complete Citation:
Henderson, Clayton W. “Ives’ Use of Quotation.” Music Educators Journal 61/2 (October 1974): 24-28.
Source: Journal
VI. Topical Studies
B. Musical Quotation or Borrowing

Henerson, Clayton Wilson

Year: 1974
Complete Citation:
Henerson, Clayton Wilson. “Structural Importance of Borrowed Music in the Works of Charles Ives: A Preliminary Assessment.” In Report of the Eleventh Congress of the International Musicological Society held at Copenhagen, 1972, ed. Henrik Glahn et al., Vol. 1, 437-46. Copenhagen: Edition W. Hansen, 1974.
Source: Chapter in Book
VI. Topical Studies
B. Musical Quotation or Borrowing

Hitchcock, H. Wiley

Year: 1992
Complete Citation:
Hitchcock, H. Wiley. “Charles Ives and the spiritual “In the morning”/Give me Jesus.” In New Perspectives on Music: Essays in Honor of Eileen Southern, edited by Josephine Wright with Samuel Floyd, Jr. Warren MI: Harmonie Park Press, 1992, 163-71.
VI. Topical Studies
B. Musical Quotation or Borrowing

Iverson, Jennifer

Year: 2011
Complete Citation:
Iverson, Jennifer. “Creating Space: Perception and Structure in Charles Ives’s Collages.” Music Theory Online 17.2 (July 2011).
Source: Journal
VI. Topical Studies
B. Musical Quotation or Borrowing

Keough, James

Year: 2004
Complete Citation:
Keough, James. “Are My Ears on Wrong?” Strings, vol. 19, no. 3 (October 2004): 122.
Notes:

<a target="_blank" href="http://www.stringsmagazine.com/issues">A look at the Ives legacy, especially in “Decoration Day.” Available online at www.stringsmagazine.com/issues.</a&gt;

Source: Magazine
VI. Topical Studies
R. Performance Approaches

MacLeod, Lynne L.

Year: 1993
Complete Citation:
MacLeod, Lynne L. “Ragtime and Classical Keyboard.” Mississippi Rag 20 (October 1993): 10-11.
Notes:

Discusses works by Ives, Debussy, Gruen- berg, Hindemith, Satie, Sousa, and Stravinsky.

Source: Journal
VI. Topical Studies
B. Musical Quotation or Borrowing

Malone, Andrew Lindemann

Year: 2005
Complete Citation:
Malone, Andrew Lindemann. “Opening Chorus: Hearsay - Jamie Baum.” JazzTimes: America’s Jazz Magazine, Vol. 35, No. 1 (2005): 37.
Source: Magazine
VI. Topical Studies
B. Musical Quotation or Borrowing

Marshall, Dennis

Complete Citation:
Boatwright, Howard. “Charles Ives' Quotations: Manner or Substance?.” In Perspectives on American Composers, edited by Benjamin Boretz and Edward T. Cone, 13-24. New York, NY: W.W. Norton, 1971.
VI. Topical Studies
B. Musical Quotation or Borrowing
Year: 1971
Complete Citation:
Marshall, Dennis. “Charles Ives’ Quotations: Manner or Substance?” In Perspectives on American Composers, edited by Benjamin Boretz and Edward T. Cone. New York, NY: W.W. Norton, 1971.
Source: Chapter in Book
VI. Topical Studies
B. Musical Quotation or Borrowing

Mauceri, John, moderator

Year: 1977
Complete Citation:
Mauceri, John, moderator. “Conductors’ Experiences (Discussion with John Mauceri, Gunther Schuller, Lehman Engel, Nicolas Slonimsky, Arthur Weisberg, James Sinclair, Gregg Smith, Roque Cordero.” In An Ives Celebration. Papers and Panels of the Charles Ives Centennial Festival Conference. Music in American Life. Urbana, Illinois: University of Illinois Press, 113-126.
Source: Chapter in Book
VI. Topical Studies
R. Performance Approaches

Mead, Andrew

Year: 2007
Complete Citation:
Mead, Andrew. “On Tempo Relations.” Perspectives of New Music 45, no. 1 (Winter 2007): 64-108.
Source: Journal
VI. Topical Studies
R. Performance Approaches

Metzer, David Joel

Year: 2007
Complete Citation:
Metzer, David Joel. Quotation and cultural meaning in twentieth-century music. Cambridge, United Kingdom: Cambridge University Press, 2007.
Source: Book
VI. Topical Studies
B. Musical Quotation or Borrowing

Morgan, Robert P.

Year: 1976
Complete Citation:
Morgan, Robert P. “American Music and the Hand-Me-Down Habit.” High Fidel-ity, June 1976, 70-72.
Source: Magazine
VI. Topical Studies
B. Musical Quotation or Borrowing

Nancy Mandel, Alan Mandel, Eugene Gratovich, Regis Benoit, Daniel Stepner, and John Kirkpatrick

Year: 1977
Complete Citation:
“On performing the Violin Sonatas (Diskussion with Nancy Mandel, Alan Mandel, Eugene Gratovich, Regis Benoit, Daniel Stepner, John Kirkpatrick).” In An Ives Celebration: Papers and Panels of the Charles Ives Centennial Festival-Conference, edited by H. Wiley Hitchcock and Vivian Perlis, 127-140. Music in American Life. Urbana, Illinois: University of Illinois Press, 1977.
Source: Chapter in Book
VI. Topical Studies
B. Musical Quotation or Borrowing

Nardi, Gregorio

Year: 2004
Complete Citation:
Nardi, Gregorio. “Interpretare Ie Interpretazione.” Musica 21/60 (October 2004): 39--42.
Source: Journal
VI. Topical Studies
R. Performance Approaches

Newman, Ron

Year: 1985
Complete Citation:
Newman, Ron. “Ragtime Influences in the Music of Charles Ives.” Jazz Research Papers 5 (1985): 145-156.
Source: Journal
VI. Topical Studies
B. Musical Quotation or Borrowing