Andriessen, Louis
Year: 1977
Complete Citation:
Andriessen, Louis, “Anachrony and Charles Ives.” In An Ives Celebration: Papers and Panels of the Charles Ives Centennial Festival-Conference, edited by H. Wiley Hitchock and Vivan Perlis, 227. Urbana, IL: University of Illinois Press, 1977.Source: Chapter in Book
VI. Topical Studies
B. Musical Quotation or Borrowing
Avila, Joseph D.
Year: 2012
Complete Citation:
Avila, Joseph D. “Property: Sale of Ives Home Ends on Sad Note for Fans --- Grandson of Famed Composer in Handshake Deal with Private Buyer; Plans to Preserve Connecticut Property are Stymied.” The Wall Street Journal, September 18, 2012.Source: Newspaper
VI. Topical Studies
U. Institutions and Ives’ Legacy
Year: 2012
Complete Citation:
Avila, Joseph D. “Seeking to Save Composer’s Retreat.” The Wall Street Journal, August 31, 2012.Source: Newspaper
VI. Topical Studies
U. Institutions and Ives’ Legacy
Ballantine, Christopher
Year: 1979
Complete Citation:
Ballantine, Christopher. “Charles Ives and the Meaning of Quotation in Music.” Musical Quarterly 65, Vol. 2 (April 1979): 167.VI. Topical Studies
B. Musical Quotation or Borrowing
Ballentine, Christopher
Year: 1979
Complete Citation:
Ballentine, Christopher. “Charles Ives and the Meaning of Quotation in Music.” The Musical Quarterly 65 (1979): 167-184.Source: Journal
VI. Topical Studies
B. Musical Quotation or Borrowing
Berlin, Edward
Year: 2002
Complete Citation:
Edward Berlin. “Maple Leaf Rag and Its Origins.” Paper read at a Sym-posium during the Scott Joplin Ragtime Festival (June 7: Sedalia, MO; First United Methodist Church).Notes: Includes references to Ives’s ragtime pieces.
Source: Festival
VI. Topical Studies
B. Musical Quotation or Borrowing
Berlin, Edward A.
Year: 1980
Complete Citation:
Berlin, Edward A.. Ragtime: A Musical and Cultural History. Berkeley, CA: University of California Press, 1980.Notes: References are taken primarily from the Memos (23) and Essays Before a Sonata (49).
Source: Book
VI. Topical Studies
B. Musical Quotation or Borrowing
Burkholder, J. Peter
Year: 1985
Complete Citation:
Burkholder, J. Peter. “‘Quotation’ and Emulation: Charles Ives’s Uses of His Models.” The Musical Quarterly Vol. 71, No. 1 (January 1985): 1-26.Source: Journal
VI. Topical Studies
B. Musical Quotation or Borrowing
Year: 1994
Complete Citation:
Burkholder, J. Peter. “The Uses of Existing Music: Musical Borrowing as a Field.” Notes 50 (March 1994): 852--859.Source: Journal
VI. Topical Studies
B. Musical Quotation or Borrowing
Year: 1995
Complete Citation:
Burkholder, J. Peter. All Made of Tunes. New Haven, CT: Yale University Press, 1995.Source: Book
VI. Topical Studies
B. Musical Quotation or Borrowing
Burkholder, Peter
Year: 1985
Complete Citation:
Burkholder, Peter. “Quotation and Emulation: Charles Ives's Use of His Models.” Musical Quarterly 71, no. 1 (1985): 1--26.Source: Journal
VI. Topical Studies
B. Musical Quotation or Borrowing
Cahill, Greg
Year: 2012
Complete Citation:
Cahill, Greg. “Matheson Awarded Ives Composer Prize.” Strings, Vol. 26, No. 9 (2012): 13.Source: Magazine
VI. Topical Studies
U. Institutions and Ives’ Legacy
Charles, Eleanor
Year: 1979
Complete Citation:
Charles, Eleanor. “Connecticut Guide: School Finance Forum A Charles Ives Center.” The New York Times, March 11, 1979, 7.Source: Newspaper
VI. Topical Studies
U. Institutions and Ives’ Legacy
de Leeuw, Reinbert
Year: 1975-76
Complete Citation:
de Leeuw, Reinbert. “Charles Ives, Zijn Muziek: Inleidung, Ives’ Gebruik van Muzikaal Materiaal.” [From J. Bernlef and Reinbert de Leeuw, Charles Ives.] Translated by Bertus Polman. Student Musicologists at Minnesota 6 (1975-76): 128-191.Source: Journal
VI. Topical Studies
B. Musical Quotation or Borrowing
Dickinson, Peter
Year: 1979
Complete Citation:
Dickinson, Peter. “The Achievement of Ragtime: An Introductory Study with Some Implications for British Research in Popular Music.” In Proceedings of the Royal Music Association 105, 63-76. Oxford, United Kingdom: Oxford University Press, 1979.Notes: Ives is in-cluded in list of composers influenced by ragtime.
Source: Chapter in Book
VI. Topical Studies
B. Musical Quotation or Borrowing
Year: 1989
Complete Citation:
Dickinson, Peter. “Style-Modulation: An Approach to Stylistic Pluralism.” The Musical Times, vol. 130, no. 1754 (1989): 208-211.Source: Journal
VI. Topical Studies
B. Musical Quotation or Borrowing
Eichler, Jeremy
Year: 2012
Complete Citation:
Eichler, Jeremy. “Losing the Home of America’s Great Composer: Third Ear.” The Boston Globe, September 30, 2012.Source: Newspaper
VI. Topical Studies
U. Institutions and Ives’ Legacy
Ellison, Mary
Year: 1976
Complete Citation:
Ellison, Mary. “Ives’ Use of American ‘Popular’ Tunes as Thematic Material.” In South Florida’s Historic Ives Festival 1974-1976, edited by F. Warren O’Reilly, 30--34. -Coral Gables, FL: University of Miami at Coral Gables, 1976.Source: Chapter in Book
VI. Topical Studies
B. Musical Quotation or Borrowing
Garrett, Charles Hiroshi
Year: 2008
Complete Citation:
Garrett, Charles Hiroshi. “Charles Ives's Four Ragtime Dances and "True American Music.”” In American music and the twentieth century. CA: University of California Press: John Wiley and Sons Ltd., 2008.Source: Chapter in Book
VI. Topical Studies
B. Musical Quotation or Borrowing
Year: 2008
Complete Citation:
Garrett, Charles Hiroshi. “Chinatown, Whose Chinatown?: Defining America’s Borders with Musical Orientalism.” In Struggling to Define a Nation: American Music and the Twentieth Century, 1st ed., 121-164. Berkeley, CA: University of California Press, 2008.Source: Chapter in Book
VI. Topical Studies
B. Musical Quotation or Borrowing
