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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Riegger, Wallingford

Year: 1939
Complete Citation:
Riegger, Wallingford. “To the New Through the Old.” Magazine of AH 32, 8 (August 1939): 491-492.
Source: Magazine
VI. Topical Studies
B. Musical Quotation or Borrowing

Ringer, Alexander L.

Year: 1990
Complete Citation:
Ringer, Alexander L. “Amerikanische Musik im Zeitalter des Jazz.” In Bericht über das Internationale Symposion 'Charles Ives und die amerikanische Musiktradition bis zur Gegenwart' Köln 1988, edited by Klaus Wolfgang Niemoller, 73-87. Kölner Beitrüge zur Musikforschung No. 164. Regensburg, Germany: Gustav Bosse Verlag, 1990.
Source: Chapter in Book
VI. Topical Studies
B. Musical Quotation or Borrowing

Rothstein, Edward

Year: 1980
Complete Citation:
Rothstein, Edward. “Ives Country.” The New York Times, August 22, 1980, sec. C, 8.
Source: Newspaper
VI. Topical Studies
U. Institutions and Ives’ Legacy

Sales, Grover

Year: 1984
Complete Citation:
Sales, Grover. “The Strange Case of Charles Ives, or Why is Jazz Not Gay Music.” Gene Lees Jazzleiter 4, no. 5 (December 1984): 1-8.
Source: Magazine
VI. Topical Studies
B. Musical Quotation or Borrowing

Sanders, Donald

Year: 1976
Complete Citation:
Sanders, Donald. “Plaques Mark Homes of Ives, Ellington.” Boston Globe, August 17, 1976, 20.
Source: Newspaper
VI. Topical Studies
U. Institutions and Ives’ Legacy

Schuman, William

Year: 1940-1941
Complete Citation:
Schuman, William. “A Brief Study of Music Organizations Founded in the Interest of the Living Composer.” Twice a Year (Fall-Winter 1940 and Spring-Summer 1941) 5-6: 361--367.
Notes:

A brief but worthwhile sur-vey, especially of “The League of Composers” (365): “The Arrow Music Press is a cooperative venture. The composer pays all, or a portion of, the expense of publishing his compositions and in return receives all but a small fraction of the return. A very interesting catalogue has al-ready been issued by the press, which appears to be increasing its acti-vities.” With the Arrow Press imprint and its subsidiary Cos Cob Press, the following works of Ives were published: Sonata [No. 4] for violin and piano; Serenity; Sixty--Seventh Psalm; Charlie Rutlage; Evening; The Greatest Man', Walking; Seven Songs’, Third Symphony (“The Camp Meeting”) [CI 87); Sonata No. 2, “Concord, Mass., 1840--1860,” for piano; and Where the Eagle (in the Cos Cob Song Volume). The Cos Cob Press was later absorbed by the Arrow Music Press that in turn was merged into Associated Music Publishers. Ives and Walter Piston had the most titles in this catalogue. The article re-prints “Prologue” from Essays Before a Sonata.

Source: Journal
VI. Topical Studies
U. Institutions and Ives’ Legacy

Sherman, R.

Year: 1981
Complete Citation:
Sherman, R. “Ives Center Draws Young Composers.” The New York Times, July 26, 1981, CN16.
Source: Newspaper
VI. Topical Studies
U. Institutions and Ives’ Legacy

Starr, Larry

Year: 1983
Complete Citation:
Starr, Larry. “The Early Styles of Charles Ives.” 19th-Century Music Vol. 7 (Summer 1983): 71-80.
Source: Journal
VI. Topical Studies
B. Musical Quotation or Borrowing

Sterne, Colin

Year: 1971
Complete Citation:
Sterne, Colin. “The Quotations in Charles Ives’s Second Symphony.” Music and Letters 52 (1971): 39-45.
Source: Journal
VI. Topical Studies
B. Musical Quotation or Borrowing

Streller, Friedbert

Year: 1997
Complete Citation:
Streller, Friedbert. “Besprechungen: “‘Jazz’ in der Kunstmusik. Studien zur Funktion afro-amerikansicher Muisk in Kompositionen des 20. Jahrhunderts,” von Peter W. Schatt.” Die Musikforschung, Vol. 50, No. 2 (1997): 256-257.
Source: Journal
VI. Topical Studies
B. Musical Quotation or Borrowing

Thurmaier, David

Year: 2014
Complete Citation:
Thurmaier, David. “‘When Borne by the Red, White, and Blue’: Charles Ives and Patriotic Quotation.” American Music 32.1 (Spring 2014): 46-81.
Source: Journal
VI. Topical Studies
B. Musical Quotation or Borrowing

Tick, Judith

Year: 1974
Complete Citation:
Tick, Judith. “Ragtime and the Music of Charles Ives.” Current Musicology 18 (1974): 105-13
Source: Journal
VI. Topical Studies
B. Musical Quotation or Borrowing

Tryon, Winthrop P.

Year: 1924
Complete Citation:
Winthrop P. Tryon. “Folk Song and Hymn Tunes of America.” Christian Science Monitor, November 29, 1924, 18.
Source: Newspaper
VI. Topical Studies
B. Musical Quotation or Borrowing

Warburton, Thomas

Year: 1982
Complete Citation:
Thomas, Warburton,. “Abstract: Ives’s Modular Rags and a Skit for Danbury Fair.” Sonneck Society for American Music Bulletin (Spring) 9: 18.
Notes:

A paper read at the American Musicological Society meeting (November 7: Ann Arbor, MI).

Source: Conference Paper
VI. Topical Studies
B. Musical Quotation or Borrowing
Year: 1999
Complete Citation:
Warburton, Thomas. “Charles Ives and the Ragtime.” Studi Musicali 27/1 (1999): 209-238.
Source: Journal
VI. Topical Studies
B. Musical Quotation or Borrowing

Ward, Charles

Year: 1969
Complete Citation:
Ward, Charles. “The Use of Hymn Tunes as an Expression of ‘Substance’ and ‘Manner’ in the Music of Charles E. Ives.” Master’s Essay, University of Texas at Austin, 1969.
Notes:

Unpublished Master’s Thesis

Source: Master’s Thesis
VI. Topical Studies
B. Musical Quotation or Borrowing

Zobel, Mark Alan

Year: 2005
Complete Citation:
Zobel, Mark Alan. ““Music close to the soil and deeply felt”: the use of American hymn tunes in Charles Ives's Third symphony.”
Source: Ph.D. dissertation
VI. Topical Studies
B. Musical Quotation or Borrowing

no author listed

Year: 1965
Complete Citation:
“Gets Grant.” New York Amsterdam News, February 27, 1965, 16.
Source: Newspaper
VI. Topical Studies
U. Institutions and Ives’ Legacy
Year: 1966
Complete Citation:
“Move Composer's Home.” The Hartford Courant, September 20, 1966, 33D.
Source: Newspaper
VI. Topical Studies
U. Institutions and Ives’ Legacy
Year: 1978
Complete Citation:
“The Charles Ives Society - Past, Present, and Future.” Newsletter - Institute for Studies in American Music 7, no. 2 (Spring 1978): 1, 12.
Source: Journal
VI. Topical Studies
U. Institutions and Ives’ Legacy