Ostendorf, Berndt
Year: 1998
Complete Citation:
Ostendorf, Berndt. “Das amerikanische Folksong Revival: Ein Rückblick.” Jahrbuch für Volksliedforschung 43 (1998): 93-99.Source: Journal
VI. Topical Studies
B. Musical Quotation or Borrowing
Owens, Tom C.
Year: 2009
Complete Citation:
Owens, Tom C. “Charles Ives and His Tunes.” American Music Review, vol. XXXVIII, no. 2 (2009): 12.Source: Journal
VI. Topical Studies
B. Musical Quotation or Borrowing
Rasmussen, Karl Aagi
Year: 1975
Complete Citation:
Rasmussen, Karl Aagi. “Music on Music — a study of quotation and college.” Lecture, First American Music Conference, Keene University, England, April 18-21, 1975.Source: Lecture
VI. Topical Studies
B. Musical Quotation or Borrowing
Riegger, Wallingford
Year: 1939
Complete Citation:
Riegger, Wallingford. “To the New Through the Old.” Magazine of AH 32, 8 (August 1939): 491-492.Source: Magazine
VI. Topical Studies
B. Musical Quotation or Borrowing
Ringer, Alexander L.
Year: 1990
Complete Citation:
Ringer, Alexander L. “Amerikanische Musik im Zeitalter des Jazz.” In Bericht über das Internationale Symposion 'Charles Ives und die amerikanische Musiktradition bis zur Gegenwart' Köln 1988, edited by Klaus Wolfgang Niemoller, 73-87. Kölner Beitrüge zur Musikforschung No. 164. Regensburg, Germany: Gustav Bosse Verlag, 1990.Source: Chapter in Book
VI. Topical Studies
B. Musical Quotation or Borrowing
Routh, Francis
Year: 1968
Complete Citation:
Routh, Francis. “Contemporary music: an introduction.” London, United Kingdom: English Universities Press, 1968.VII. Entries in Larger Volumes
A. Textbook Accounts
Sadie, Stanley, and Alison Latham, ed.
Year: 1986
Complete Citation:
Sadie, Stanley, and Alison Latham, ed. Stanley Sadie’s Music Guide: An Introduction, 458-463. Englewood Cliffs, NJ: Prentice-Hall, 1986.Notes: The main entry includes some biography and a list of works and uses Three Places in New England for study: “Putnam’s Camp,” No. 2. “Charles Ives was composing pieces of irrational juxtaposition of musi-cal ideas and deliberately distorted harmonies” (423).
Source: Book
VII. Entries in Larger Volumes
A. Textbook Accounts
Sales, Grover
Year: 1984
Complete Citation:
Sales, Grover. “The Strange Case of Charles Ives, or Why is Jazz Not Gay Music.” Gene Lees Jazzleiter 4, no. 5 (December 1984): 1-8.Source: Magazine
VI. Topical Studies
B. Musical Quotation or Borrowing
Salzman, Eric
Year: 1967
Complete Citation:
Salzman, Eric. “Ives.” In 20th-century Music: An Introduction, 143-147. Englewood Cliffs, NJ: Prentice Hall, 1967.Source: Chapter in Book
Reprints: Salzman, Eric. “Ives.” In <i>20th-century Music: An Introduction</i>, 128-131. Englewood Cliffs, NJ: Prentice Hall, 1974.
VII. Entries in Larger Volumes
A. Textbook Accounts
Year: 1967
Complete Citation:
Salzman, Eric. Twentieth -Century Music: An Introduction, 61, 64, 97, 143--148, 152, 164. Englewood Cliffs, NJ: Prentice- Hall, 1967.Source: Book
Reprints: Salzman, Eric. <i>Twentieth -Century Music: An Introduction</i>, 128--131.<i> </i>Second Edition. Englewood Cliffs, NJ: Prentice- Hall,. 1974. * Third Edition, 1988. * Fourth Edition, 2002: 136--139.
VII. Entries in Larger Volumes
A. Textbook Accounts
Saminsky, Lazare
Year: 1949
Complete Citation:
Saminsky, Lazare. Living Music of the Americas, 43, 149-152. New York, NY: Howell, Soskin and Crown, 1949.Source: Book
VII. Entries in Larger Volumes
A. Textbook Accounts
Simms, Bryan R.
Year: 1996
Complete Citation:
Simms, Bryan R. Music in the Twentieth Century: An Anthology. New York, NY: Schirmer, 1996.Notes: Accompanying CD includes Charlie Rutlage and from Paracelsus.
Source: Book
VII. Entries in Larger Volumes
A. Textbook Accounts
Slominsky, Nicolas
Year: 1937
Complete Citation:
Slominsky, Nicolas. Music since 1900. New York, New York: W.W. Norton, 1937.Source: Book
Reprints: Second Edition, 1938. Third Edition, 1949. Fourth Edition, 1971. Fifth Edition, 1994.
VII. Entries in Larger Volumes
A. Textbook Accounts
Starr, Larry
Year: 1983
Complete Citation:
Starr, Larry. “The Early Styles of Charles Ives.” 19th-Century Music Vol. 7 (Summer 1983): 71-80.Source: Journal
VI. Topical Studies
B. Musical Quotation or Borrowing
Sterne, Colin
Year: 1971
Complete Citation:
Sterne, Colin. “The Quotations in Charles Ives’s Second Symphony.” Music and Letters 52 (1971): 39-45.Source: Journal
VI. Topical Studies
B. Musical Quotation or Borrowing
Stolba, K. Marie
Year: 1990
Complete Citation:
Stolba, K. Marie. “Late Nineteenth-Century—Early Twentieth-Century Music.” In The Development of Western Music: An History, 789-793. Madison, WI: Brown and Benchmark, 1990.Notes: Discusses "The Alcotts" from the Concord Sonata, which is supplied with the supplementary recordings {D101}.
Source: Chapter in Book
VII. Entries in Larger Volumes
A. Textbook Accounts
Streller, Friedbert
Year: 1997
Complete Citation:
Streller, Friedbert. “Besprechungen: “‘Jazz’ in der Kunstmusik. Studien zur Funktion afro-amerikansicher Muisk in Kompositionen des 20. Jahrhunderts,” von Peter W. Schatt.” Die Musikforschung, Vol. 50, No. 2 (1997): 256-257.Source: Journal
VI. Topical Studies
B. Musical Quotation or Borrowing
Taruskin, Richard
Year: 2005
Complete Citation:
Taruskin, Richard. The Oxford History of Western Music: The Early Twentieth Century, 245-292. Vol. 4 of The Oxford History of Western Music. Oxford, United Kingdom: Ox-ford University Press, 2005.Source: Book
VII. Entries in Larger Volumes
A. Textbook Accounts
Year: 2010
Complete Citation:
Taruskin, Richard. Music in the Early Twentieth Century, 243-302. Volume 4 of Oxford History of Western Music. New York, NY: Oxford University Press, 2010.Source: Chapter in Book
VII. Entries in Larger Volumes
A. Textbook Accounts
Thomson, Virgil
Year: 1971
Complete Citation:
Thomson, Virgil. American Music since 1910. New York, New York: Holt, Rinehart and Winston, 1971.Source: Book
VII. Entries in Larger Volumes
A. Textbook Accounts