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Complete Citation:
Hammel, Alice M. Review of Charles Ives: Variations on “America,” for Flute and Piano, by Daniel Dorff. American Music Teacher (2007): 99-100.
Bibliography
Genres
Hammel, Alice M.
Year: 2007
Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
B. Reviews and Announcements of Published Editions
Harrison, Lou
Year: 1946
Complete Citation:
Harrison, Lou. “On Quotation,” Modern Music, Vol. 23, No. 3 (Summer 1946).Source: Journal
VI. Topical Studies
B. Musical Quotation or Borrowing
B. Musical Quotation or Borrowing
Hebb, Furman
Year: 1963
Complete Citation:
Hebb, Furman. “Editorially Speaking.” HiFi/Stereo Review 13/3 (Sep-tember 1963): 4.Source: Magazine
X. Editing Practices and Articles Regarding Published Editions
A. Editing Practices
A. Editing Practices
Henck, Herbert
Year: 1980
Complete Citation:
Henck, Herbert. “‘Waltz-Rondo’ und andere Klavierstucke von Charles Ives. [Review of Waltz-Rondo by Charles Ives.]” Neuland 1 (1980): 44-46.Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
B. Reviews and Announcements of Published Editions
Year: 1982-1983
Complete Citation:
Henck, Herbert. “Aus zweiter Hand: Charles E. Ives’ ‘Study No. 20.’ Review of Study No. 20 by Charles Ives.]” Neuland 3 (1982-83): 242.Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
B. Reviews and Announcements of Published Editions
Henderson, Clayton W.
Year: 1974
Complete Citation:
Henderson, Clayton W. “Ives’ Use of Quotation.” Music Educators Journal 61/2 (October 1974): 24-28.Source: Journal
VI. Topical Studies
B. Musical Quotation or Borrowing
B. Musical Quotation or Borrowing
Henerson, Clayton Wilson
Year: 1974
Complete Citation:
Henerson, Clayton Wilson. “Structural Importance of Borrowed Music in the Works of Charles Ives: A Preliminary Assessment.” In Report of the Eleventh Congress of the International Musicological Society held at Copenhagen, 1972, ed. Henrik Glahn et al., Vol. 1, 437-46. Copenhagen: Edition W. Hansen, 1974.Source: Chapter in Book
VI. Topical Studies
B. Musical Quotation or Borrowing
B. Musical Quotation or Borrowing
Hitchcock, H. Wiley
Year: 1992
Complete Citation:
Hitchcock, H. Wiley. “Charles Ives and the spiritual “In the morning”/Give me Jesus.” In New Perspectives on Music: Essays in Honor of Eileen Southern, edited by Josephine Wright with Samuel Floyd, Jr. Warren MI: Harmonie Park Press, 1992, 163-71.VI. Topical Studies
B. Musical Quotation or Borrowing
B. Musical Quotation or Borrowing
Year: 1997
Complete Citation:
Hitchcock, H. Wiley. “Editing Ives's 129 Songs.” In Ives Studies, 51-76. Lambert, Philip, ed. Ives Studies. Cambridge, UK: Cambridge University Press, 1997. Source: Chapter in Book
X. Editing Practices and Articles Regarding Published Editions
A. Editing Practices
A. Editing Practices
Hitchcock, H. Wiley and Vivian Perlis
Year: 1977
Complete Citation:
Hitchcock, H. Wiley and Vivian Perlis. “Editors’ Experiences.” In An Ives Celebration: Papers and Panels of the Charles Ives, edited by H. Wiley Hitchcock and Vivian Perlis. Urbana, Illinois: University of Illinois Press, 1977.Source: Chapter in Book
X. Editing Practices and Articles Regarding Published Editions
A. Editing Practices
A. Editing Practices
Hume, Paul
Year: 1954
Complete Citation:
Hume, Paul. “Ten Songs.” Notes 11, no. 3 (June 1954): 449-450.Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
B. Reviews and Announcements of Published Editions
Year: 1954
Complete Citation:
Hume, Paul. “Reviewed Work: Ten Songs for Voice and Piano by Charles Ives.” Notes, vol. 11, no. 3 (June 1954): 449-450.Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
B. Reviews and Announcements of Published Editions
Year: 1964
Complete Citation:
Hume, Paul. “Review of Ten Early Songs.” Music Library Association Notes, Second Series, vol. II, no. 3 (June 1964).Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
B. Reviews and Announcements of Published Editions
Iverson, Jennifer
Year: 2011
Complete Citation:
Iverson, Jennifer. “Creating Space: Perception and Structure in Charles Ives’s Collages.” Music Theory Online 17.2 (July 2011).Source: Journal
VI. Topical Studies
B. Musical Quotation or Borrowing
B. Musical Quotation or Borrowing
Johnson, Lockrem
Year: 1960
Complete Citation:
Johnson, Lockrem. “Reviewed Works: Robert Browning Overture, for Large Orchestra by Charles E. Ives; The Rainbow (After the Poem by William Wordsworth), for Chamber Orchestra. [Flute, Basset or English Horn, str. and Piano] by Charles E. Ives; Persian Set. [Picc. (Or Fl.), Cl. Tar. (Or Guitar or Mandolin), Dr. (Persian Dr. or Tom-Tom), Vlns. I, II, III, Vc., Cb., Piano] by Henry Cowell.” Notes, vol. 17, no. 4 (September 1960): 656-657.Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
B. Reviews and Announcements of Published Editions
Keys, Ivor
Year: 1952
Complete Citation:
Keys, Ivor. “Sonata No. 3.” Music & Letters 33, no. 1 (January 1952): 91-92.Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
B. Reviews and Announcements of Published Editions
Kirby, Fred
Year: 1967
Complete Citation:
Kirby, Fred. “Ives Boom Boon to Peer- Southern.” Billboard 79 (April 22, 1967): 32--33.Notes:
Includes comments from Wladimir Lakond, international director of musical education and serious music department of Peer- Southern. States that Peer- Southern has over 100 copyrights of Ives’s music.
Source: Magazine
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
B. Reviews and Announcements of Published Editions
Kirkpatrick, John
Year: 1949
Complete Citation:
Kirkpatrick, John. “Review of ‘Three-Page Sonata,’ [etc.].” Music Library Association Notes, Second Series, Vol. 6, No. 3 (June, 1949).Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
B. Reviews and Announcements of Published Editions
Year: 1961
Complete Citation:
Kirkpatrick, John. “Ives as Revealed in His Marginalia.” Cornell University Music Review, Vol. 4 (1961).Source: Journal
X. Editing Practices and Articles Regarding Published Editions
A. Editing Practices
A. Editing Practices
Year: 1965
Complete Citation:
Kirkpatrick, John. “Preface.” In Charles Ives — Symphony No. 4. New York, NY: Associated Music Publishers, 1965.Source: Preface
X. Editing Practices and Articles Regarding Published Editions
A. Editing Practices
A. Editing Practices