Fried, Alexander
Year: 1934
Complete Citation:
Fried, Alexander. “‘Ionization’s’ Percussions Pester Night Air—and Ear.” San Francisco Chronicle, May 29, 1934.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Fricke, Stefan
Year: 2004
Complete Citation:
Fricke, Stefan. “Im Märzen Musik.” Dissonanz (2004): 45.Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Froneman, Kristin
Year: 2012
Complete Citation:
Froneman, Kristin. “Triple Forte Offers a Reason to Get Dressed Up.” Vernon Morning Star, November 18, 2012, B5.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Fuchsberg, Larry
Year: 2004
Complete Citation:
Fuchsberg, Larry. “CD Review; Ives Pieces have their Ups, Downs.” Star Tribune (Minneapolis, MN), June 27, 2004, 18.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Fuhrmann, Peter
Year: 1977
Complete Citation:
Fuhrmann, Peter. “Ist seine Zeit gekommen? Charles Ives: Sinfonien Nr. 1-4.” Opernwelt 18/6 (1977): 48.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Fuller, Donald
Year: 1942
Complete Citation:
Fuller, Donald, “New York Mid-Season, 1942-’43.” Modern Music XX, 1 (November-December 1942): 113.Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1946
Complete Citation:
Fuller, Donald. “Forecast and Review.” Modern Music XXIII, 3 (Summer 1946): 201.Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1946
Complete Citation:
Fuller, Donald. “Airborne over New York.” Modern Music XXIII 2 (Spring 1946): 120.Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Gann, Kyle
Year: 1996
Complete Citation:
Gann, Kyle. “Heaven Enough.” Village Voice 41/26, June 25, 1996, 62.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 2000
Complete Citation:
Gann, Kyle. “That Grumpy Old Pianist Is Ives.” New York Times, Febru-ary 20 2000, sec. B, 34.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 2003
Complete Citation:
Gann, Kyle. “Not Gift Wrapped: New Frederic Rzewski Discs Reveal a Thinking Person's Postmodern Music.” The Village Voice, Vol. 48, No. 6 (2003): 101.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 2006
Complete Citation:
Gann, Kyle. Music Downtown: Writings from the Village Voice. Berke-ley, CA: University of California Press, 2006.Notes: Several citations, especially “Pulit-zer Hacks: Amateur Composers versus the Professionals” (p. 121--123) and “Composer’s Clearing House: The Pulitzer Prize” (p. 123--125).
Source: Book
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Gantz, Jeffrey
Year: 2011
Complete Citation:
Gantz, Jeffrey. “Schuller and Alea III Perform Ives Works in all their Glory.” The Boston Globe, November 19, 2011.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Garrett, Charles Hiroshi
Year: 2008
Complete Citation:
Garrett, Charles Hiroshi. “Chinatown, Whose Chinatown?: Defining America’s Borders with Musical Orientalism.” In Struggling to Define a Nation: American Music and the Twentieth Century, 1st ed., 121-164. Berkeley, CA: University of California Press, 2008.Source: Chapter in Book
VI. Topical Studies
B. Musical Quotation or Borrowing
Year: 2008
Complete Citation:
Garrett, Charles Hiroshi. “Charles Ives's Four Ragtime Dances and "True American Music.”” In American music and the twentieth century. CA: University of California Press: John Wiley and Sons Ltd., 2008.Source: Chapter in Book
VI. Topical Studies
B. Musical Quotation or Borrowing
Garvelmann, Donald
Year: 1977
Complete Citation:
Garvelmann, Donald. “Immersed in Ives.” The American Record Guide 40, no. 9 (August 1977): 16-19.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Gatens, William J.
Year: 2006
Complete Citation:
Gatens, William J. “Collections: “In the Old World and the New.”” American Record Guide, Vol. 69, No. 3 (2006): 195.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Gatito, El
Year: 2007
Complete Citation:
Gatito, El. “Art of Darkness.” Philadelphia Weekly, June 27, 2007.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Gawthrop, Daniel E.
Year: 1988
Complete Citation:
Gawthrop, Daniel E. “Richard Bales’ Early Ives.” The Washington Post, May 30, 1988, C2.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Geoffrey Block and J. Peter Burkholder, compilers
Year: 1888-1951
Complete Citation:
Geoffrey Block and J. Peter Burkholder, compilers. “Selected Reviews 1888-1951.” In Ives and His World, edited by J. Peter Burkholder, 273-362. Princeton, NJ: Princeton University Press, 1996.Source: Chapter in Book
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances