no author listed
Year: 1995
Complete Citation:
“Single Play; Charles Ives and Paul Creston: Second Symphonies Detroit Symphony / Neeme Jarvi (Chandos CHAN 9390). John Taverner: Western Wind Mass, etc Tallis Scholars, Directed by Peter Phillips (Gimell CDGIM 995).” The Independent, September 1, 1995.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 1995
Complete Citation:
“An American Original; Music.” Sunday Times, December 31, 1995.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1995
Complete Citation:
“CD Review.” The Sun-Herald, October 15, 1995, 136.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 1996
Complete Citation:
“Between the Bandstand and the Concert Hall: Ives and His Sources.” In Charles Ives and His World Festival, edited by J. Peter Burkholder, 49-52. Annandale-on-Hudson, New York; Bard College, August 9-11, 16-18, 1996.Notes: Selections of marching band music, choral music, and solo songs from turn-of-the-century America (selected works of Ives drawn from these categories).
Source: [Chapter in] Festival Publication
VI. Topical Studies
B. Musical Quotation or Borrowing
Year: 1997
Complete Citation:
“Spooky Superlatives for Boulder Concert.” Denver Post, November 1, 1997, B-03.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1999
Complete Citation:
“Concord Days.” The New York Times, May 9, 1999.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1999
Complete Citation:
Tucker, Dan. “Universalizing Ives Deutsche Kammerphilharmonie a Match for Music: Chicago Sports Final Edition.” Chicago Tribune, November 2, 1999.Notes: Special to the Tribune
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 2001
Complete Citation:
“On Stage a Stand-Up Kind of Guy; Musical Notes Ives of March. SPECIAL EVENTS Eve’s Dropping. NEXT WEEK Iron, Silk and Ink: HOME Edition.” Daily Breeze, March 30, 2001.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 2002
Complete Citation:
“Compact Discs: Klavier im Quadrat.” Dissonanz (2002): 38.Source: Journal (recording review)
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 2002
Complete Citation:
“The Great American Innovator.” Daily Post [Conwy, Wales], June 7, 2002, 24.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 2002
Complete Citation:
“Evening the Score for Charles Ives: FINAL Edition.” The Washington Post, March 17, 2002.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 2002
Complete Citation:
“Footlights: Marching to Many Beats.” The New York Times, August 15, 2002, E1.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 2002
Complete Citation:
“Friday Review: Classical CD: Ives: From the Steeples and the Mountains; the Unanswered Question; Three Places in New England; Songs.” The Guardian, March 22, 2002, 22.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 2002
Complete Citation:
“Ives Still has Bite.” Herald Sun (Melbourne, Victoria, Australia), June 18, 2002, 55.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 2003
Complete Citation:
“Let’s Hear it First for Ives.” Birmingham Evening Mail, January 15, 2003, 8.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 2003
Complete Citation:
“Friday Review: Music Review: Classical CD Releases: Body and Soul: Andrew Clements on Kovacevichs Triumphant Rendition of Beethovens Sonatas, an Unconventional Take on Bach and the Rest of the Weeks Releases: Ives: Emerson Concerto; Symphony no 1 Feinberg/National Symphony of Ireland/Sinclair (Naxos).” The Guardian, October 24, 2003, 23.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 2003
Complete Citation:
“Charles Ives; on Record.” Sunday Times (London, England), October 19, 2003: 24.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 2004
Complete Citation:
“Charles Ives; on Record.” Sunday Times, May 9, 2004, 24.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 2004
Complete Citation:
“Charles Ives Wrote it His Way; Blaze Your Path: Maverick Composer Ignored Critics to Create New Harmonies.” Investor’s Business Daily, October 21, 2004, A04.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 2004
Complete Citation:
“Discos: los Discos Excepcionales del Mes de Enero de 2004.” Scherzo: Revista de Música, Vol. 19 (2004): 64.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
