Image
Complete Citation:
Dickinson, Peter. “Style-Modulation: An Approach to Stylistic Pluralism.” The Musical Times, vol. 130, no. 1754 (1989): 208-211.
Bibliography
Genres
Dickinson, Peter
Year: 1989
Source: Journal
VI. Topical Studies
B. Musical Quotation or Borrowing
B. Musical Quotation or Borrowing
Dunning, Jennifer
Year: 1983
Complete Citation:
Dunning, Jennifer. “Dance: ‘Calcium Light’ Performed by City Ballet.” The New York Times, June 26, 1983, 45.Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews
D. Reviews
Year: 1985
Complete Citation:
Dunning, Jennifer. “Dance: Sokolow Group in a Suite Set to Ives.” The New York Times, December 15, 1985.Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
C. Other
C. Other
Year: 1992
Complete Citation:
Dunning, Jennifer. “Extracting the Essence of Charles Ives.” The New York Times, February 8, 1992, 16.Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews
D. Reviews
Year: 1998
Complete Citation:
Dunning, Jennifer. “Dance Review; Venturing out to the Limits of Partnering.” The New York Times. June 13, 1998, sec. B: 7.Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews
D. Reviews
Year: 1998
Complete Citation:
Dunning, Jennifer. “Venturing out to the Limits of Partnering.” The New York Times, 13 June 1998, sec. B: 7.Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
B. Dance
B. Dance
Year: 2000
Complete Citation:
Dunning, Jennifer. “A Serving of American, Garnished with Russian.” The New York Times, February 4, 2000, sec. E, 17.Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
B. Dance
B. Dance
Year: 2000
Complete Citation:
Dunning, Jennifer. “A Serving of Americana Gar-nished with Russian.” The New York Times (February 4, 2000) sec. E, 17.Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews
D. Reviews
Year: 2001
Complete Citation:
Dunning, Jennifer. “Care to Try the Special? It’s Beefcake.” The New York Times, March 29, 2001, sec. E, 9.Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
B. Dance
B. Dance
Eberson, Sharon
Year: 2013
Complete Citation:
Eberson, Sharon. “Hoops and Harmony City's ‘Charles Ives Take Me Home’ Pits Musical Father Against Athletic Daughter.” Pittsburgh Post-Gazett, November 14, 2013.Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews
D. Reviews
Ellison, Mary
Year: 1976
Complete Citation:
Ellison, Mary. “Ives’ Use of American ‘Popular’ Tunes as Thematic Material.” In South Florida’s Historic Ives Festival 1974-1976, edited by F. Warren O’Reilly, 30--34. -Coral Gables, FL: University of Miami at Coral Gables, 1976.Source: Chapter in Book
VI. Topical Studies
B. Musical Quotation or Borrowing
B. Musical Quotation or Borrowing
Feld, Eliot, choreographer
Year: 1988
Complete Citation:
Eliot Feld, choreographer. The Unanswered Question (1988); New York City Ballet. Music: The Unanswered Question; Calcium Light Night; Fugue in Four Keys; "The Housatonic at Stockbridge" from Orchestral Set No. 1 [Three Places in New England]; Sonata No. 2 for violin and piano (2nd movement): "In the Barn;" Remembrance; An Old Song De-ranged. Prf: 1988 April 30: New York; Paul Zukovsky, violin; Jeananne Albee, piano. 1999 June 17: New York; New York State Theater; Guillermo Figueroa, violin; Cameron Grant, piano.
Source: Performance (ballet)
XII. Interdisciplinary Performances with Ives’s Music
B. Dance
B. Dance
Field, Eliot, choreographer
Year: 1977
Complete Citation:
Eliot Feld, choreographer. Variations on "America"-, (1977); ballet; New York City Ballet.Prf: 1977 March 9: New York; City Center. 2003 March 11: New York.
Source: Performance (ballet)
XII. Interdisciplinary Performances with Ives’s Music
B. Dance
B. Dance
Fisher, Barbara Milberg
Year: 2005
Complete Citation:
Fisher, Barbara Milberg. “Rehearsing with Mr. B: Stravinsky, Schoenberg, Ives.” Dance Chronicle 28/3 (2005): 293-322.Source: Journal
XII. Interdisciplinary Performances with Ives’s Music
B. Dance
B. Dance
Garrett, Charles Hiroshi
Year: 2008
Complete Citation:
Garrett, Charles Hiroshi. “Chinatown, Whose Chinatown?: Defining America’s Borders with Musical Orientalism.” In Struggling to Define a Nation: American Music and the Twentieth Century, 1st ed., 121-164. Berkeley, CA: University of California Press, 2008.Source: Chapter in Book
VI. Topical Studies
B. Musical Quotation or Borrowing
B. Musical Quotation or Borrowing
Year: 2008
Complete Citation:
Garrett, Charles Hiroshi. “Charles Ives's Four Ragtime Dances and "True American Music.”” In American music and the twentieth century. CA: University of California Press: John Wiley and Sons Ltd., 2008.Source: Chapter in Book
VI. Topical Studies
B. Musical Quotation or Borrowing
B. Musical Quotation or Borrowing
Gibbons, William
Year: 2008
Complete Citation:
Gibbons, William. “‘Yankee Doodle’ and Nationalism, 1780-1920.” American Music 26/2 (2008): 246-274.Source: Journal
VI. Topical Studies
B. Musical Quotation or Borrowing
B. Musical Quotation or Borrowing
Goldner, Nancy
Year: 1975
Complete Citation:
Goldner, Nancy. “Dance.” The Nation 220/19 (May 17, 1975): 603--604.Notes:
Scherzo: Over the Pavements and Hallowe’en “seem to be lost for good. ... [I]t virtually introduced the great composer to a wide public.”
Source: Journal
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews
D. Reviews
Year: 1988
Complete Citation:
Goldner, Nancy. “A Robbins Ballet Debuts in New York.” The Philadelphia Inquirer, February 6, 1988.Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews
D. Reviews
H, J. S.
Year: 1954
Complete Citation:
H, J. S. “Music of the Ballet.” New York Herald Tribune, September 15, 1954, 26.Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews
D. Reviews