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Bibliography

Nancy Mandel, Alan Mandel, Eugene Gratovich, Regis Benoit, Daniel Stepner, and John Kirkpatrick

Year: 1977
Complete Citation:
“On performing the Violin Sonatas (Diskussion with Nancy Mandel, Alan Mandel, Eugene Gratovich, Regis Benoit, Daniel Stepner, John Kirkpatrick).” In An Ives Celebration: Papers and Panels of the Charles Ives Centennial Festival-Conference, edited by H. Wiley Hitchcock and Vivian Perlis, 127-140. Music in American Life. Urbana, Illinois: University of Illinois Press, 1977.
Source: Chapter in Book
VI. Topical Studies
B. Musical Quotation or Borrowing

Newman, Ron

Year: 1985
Complete Citation:
Newman, Ron. “Ragtime Influences in the Music of Charles Ives.” Jazz Research Papers 5 (1985): 145-156.
Source: Journal
VI. Topical Studies
B. Musical Quotation or Borrowing

Ogden, Gail

Year: 1998
Complete Citation:
Ogden, Gail. “Dansers Studio Offers all Ives’ Colors: City Edition.” Lincoln Journal Star, April 11, 1998.
Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews

Ostendorf, Berndt

Year: 1998
Complete Citation:
Ostendorf, Berndt. “Das amerikanische Folksong Revival: Ein Rückblick.” Jahrbuch für Volksliedforschung 43 (1998): 93-99.
Source: Journal
VI. Topical Studies
B. Musical Quotation or Borrowing

Owens, Tom C.

Year: 2009
Complete Citation:
Owens, Tom C. “Charles Ives and His Tunes.” American Music Review, vol. XXXVIII, no. 2 (2009): 12.
Source: Journal
VI. Topical Studies
B. Musical Quotation or Borrowing

Phillips, A.

Year: 1993
Complete Citation:
Phillips, A. “Blankert: ‘Charles Ives.’” Dance Theatre Journal 11/1 (Winter 1993): 37.
Source: Journal
XII. Interdisciplinary Performances with Ives’s Music
B. Dance

Rasmussen, Karl Aagi

Year: 1975
Complete Citation:
Rasmussen, Karl Aagi. “Music on Music — a study of quotation and college.” Lecture, First American Music Conference, Keene University, England, April 18-21, 1975.
Source: Lecture
VI. Topical Studies
B. Musical Quotation or Borrowing

Regner, Otto Friedrich

Year: 1972
Complete Citation:
Hartmut Regitz, Otto Friedrich Regner, and Heinz-Ludwig Schneiders. Reclams Ballet- führer. Stuttgart, Germany: Stuttgart Reclams, 1972.
Source: Book
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews

Reny, Bob

Year: 2015
Complete Citation:
Reny, Bob. “Between the Ears: DoAM Ensemble - “Mists: Charles Ives For Jazz Orchestra.”” IAJRC Journal, Vol. 48, No. 2 (2015): 70-71.
Source: Journal
XII. Interdisciplinary Performances with Ives’s Music
C. Other

Richard Dufallo and Brenden Gill, developers.

Year: 1975
Complete Citation:
Richard Dufallo and Brenden Gill, developers. Meeting Mr. Ives (1975); theater piece.
Notes:

Music: The Unanswered Question’, General William Booth Enters into Heaven', Like a Sick Eagle', and The Children's Hour. <br><br>Prf: 1975 August 20--24: Lenox, MA; Lenox Art Center; Dennis Nahat, choreographer and stage director; Wayne Turnage, bari-tone; Catherine Rowe, soprano; Donald Symington (George Ives); David Westfass (Charles Ives).

Source: Theater Piece
XII. Interdisciplinary Performances with Ives’s Music
A. Theatre

Riedel, Johannes

Year: 1975
Complete Citation:
Riedel, Johannes. “The Ives Liturgy: A Mass of the Com-mon Man.” Student Musicologists at Minnesota 6 (1975): 225--236.
Source: Journal
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews
Year: 1975-76
Complete Citation:
Riedel, Johannes. “The Ives Liturgy: A Mass of the Common Man.” Student Musicologists at Minnesota 6 (1975-76): 225-236.
Source: Journal
XII. Interdisciplinary Performances with Ives’s Music
C. Other

Riedel, Johannes, complier

Year: 1970
Complete Citation:
Johannes Riedel, compiler. The Ives Liturgy: A Mass of the Common Man (1970); service for reader, flute, brass group, instrumental group, and recordings. Compiled, and/or "created," from the writings and com-positions of Ives and American hymns.
Notes:

Included (in order, an asterisk signifies recorded example) excerpts from: *Variations on "America"; *Sonata No. 2, Concord, Mass., 1840--1860, for piano; “Watchman,TellUs of the Night;"*Hymn Variation—Symphony No. 4: 1; Immortality (as an introit); *The Unanswered Question; *Robert Browning Overture; *Symphony No. 4, 1; "Watch- man, Tell Us of the Night;" At the River, "Shall We Gather At the River"; *Central Park in the Dart, "From Greenland's Icy Mountains;" *Quartet No. 1: I; Musical Creed (a memo by Ives); "O, For a Thousand Tongues to Sing"; "What a Friend We Have in Jesus"; *Symphony No. 3: 1; *From the Steeples and the Mountains', Adeste Fidelis in an Organ Prelude. <br><br>Prf: 1970 May 17: Minneapolis; Episcopal Center, University of Minnesota; Sheila Wolk, soprano; Phillip Sandahl, guitar; Lyle Hagert, organ.

Source: Performance
XII. Interdisciplinary Performances with Ives’s Music
C. Other

Riegger, Wallingford

Year: 1939
Complete Citation:
Riegger, Wallingford. “To the New Through the Old.” Magazine of AH 32, 8 (August 1939): 491-492.
Source: Magazine
VI. Topical Studies
B. Musical Quotation or Borrowing

Ringer, Alexander L.

Year: 1990
Complete Citation:
Ringer, Alexander L. “Amerikanische Musik im Zeitalter des Jazz.” In Bericht über das Internationale Symposion 'Charles Ives und die amerikanische Musiktradition bis zur Gegenwart' Köln 1988, edited by Klaus Wolfgang Niemoller, 73-87. Kölner Beitrüge zur Musikforschung No. 164. Regensburg, Germany: Gustav Bosse Verlag, 1990.
Source: Chapter in Book
VI. Topical Studies
B. Musical Quotation or Borrowing

Robbins, Jerome, choreographer

Year: 1988
Complete Citation:
Jerome Robbins, choreographer. Ives, Songs (1988); New York City Ballet. Arranged in a manner evoking Thornton Wilder's Our Town with a "narrator" dressed as Ives. 1989 February 12: New York; New York State Theater; David Evitts, singer; Gordon Boelmer, piano.
Notes:

Music: The Children's Hour, Memories: Part A: "Very Pleasant"; Waltz', The Cage; The Se'er, Two Little Flowers', At the River, Serenity, He Is There!', Tom Sails Away, White Gulls; Songs My Mother Taught Me; There Is a Lane; In Summer Fields; from The Incantation; Autumn; Like a Sick Eagle; Elegie. <br><br>Prf: 1988 February 4: New York.

Source: Performance (ballet)
XII. Interdisciplinary Performances with Ives’s Music
B. Dance

Rodgers, Harold A.

Year: 1975
Complete Citation:
Rodgers, Harold A. “Lenox Art Center. ‘Ives’ Meeting Mr. Ives.” High Fidelity/Musical America 25/12 (December 1975): 26--27.
Source: Magazine
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews

Rudhyar, Dane

Year: 1938
Complete Citation:
Rudhyar, Dane. “The Birth of the Transcendental Movement and Its Manifestations in Music and the Modern Dance.” New Mexico Daily Examiner, August 21, 1938, 195-196.
Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
B. Dance

Sales, Grover

Year: 1984
Complete Citation:
Sales, Grover. “The Strange Case of Charles Ives, or Why is Jazz Not Gay Music.” Gene Lees Jazzleiter 4, no. 5 (December 1984): 1-8.
Source: Magazine
VI. Topical Studies
B. Musical Quotation or Borrowing

Schulman, Jennie

Year: 2000
Complete Citation:
Schulman, Jennie. “Eliot Feld Brings Provocation to NYC Ballet.” Back Stage 41, no.7 (February 2000).
Source: Magazine
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews