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Bibliography

Croce, Arlene

Year: 1975
Complete Citation:
Croce, Arlene. “Dancing: American Space.” The New Yorker 51/13 (May 19, 1975).
Notes:

Details the dances. “The piece is one of those on an American subject in which Balan- chine becomes completely an American choreographer —not the Stravinsky-Balanchine, or the Balanchine of ‘Western Symphony’ or ‘Stars and Stripes,’ who ex- presses America from a European point of view, but a Balanchine who sees us at the same distance from which we see Ourselves.”

Source: Magazine
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews
Year: 1975
Complete Citation:
Croce, Arlene. “Dancing: Free and More Than Equal.” The New Yorker 51/1 (February 24, 1975): 120--122.
Source: Magazine
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews

de Leeuw, Reinbert

Year: 1975-76
Complete Citation:
de Leeuw, Reinbert. “Charles Ives, Zijn Muziek: Inleidung, Ives’ Gebruik van Muzikaal Materiaal.” [From J. Bernlef and Reinbert de Leeuw, Charles Ives.] Translated by Bertus Polman. Student Musicologists at Minnesota 6 (1975-76): 128-191.
Source: Journal
VI. Topical Studies
B. Musical Quotation or Borrowing

Denby, Edwin

Year: 1954
Complete Citation:
Reviews: Edwin Denby. "Balanchine's American Ballet [Ivesiana]." Center 1 (October 1954): 14--18.
Source: Magazine
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews

Dickinson, Peter

Year: 1979
Complete Citation:
Dickinson, Peter. “The Achievement of Ragtime: An Introductory Study with Some Implications for British Research in Popular Music.” In Proceedings of the Royal Music Association 105, 63-76. Oxford, United Kingdom: Oxford University Press, 1979.
Notes:

Ives is in-cluded in list of composers influenced by ragtime.

Source: Chapter in Book
VI. Topical Studies
B. Musical Quotation or Borrowing
Year: 1989
Complete Citation:
Dickinson, Peter. “Style-Modulation: An Approach to Stylistic Pluralism.” The Musical Times, vol. 130, no. 1754 (1989): 208-211.
Source: Journal
VI. Topical Studies
B. Musical Quotation or Borrowing

Dingle, Christopher

Year: 2013
Complete Citation:
Dingle, Christopher. “DVD and Blu-Ray Review: From the New World.” BBC Music Magazine, Vol. 22, No. 2 (2013): 104.
Source: Magazine
XV. Television Broadcasts, Films, and Videocassettes
D. Reviews

Dunning, Jennifer

Year: 1983
Complete Citation:
Dunning, Jennifer. “Dance: ‘Calcium Light’ Performed by City Ballet.” The New York Times, June 26, 1983, 45.
Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews
Year: 1992
Complete Citation:
Dunning, Jennifer. “Extracting the Essence of Charles Ives.” The New York Times, February 8, 1992, 16.
Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews
Year: 1998
Complete Citation:
Dunning, Jennifer. “Dance Review; Venturing out to the Limits of Partnering.” The New York Times. June 13, 1998, sec. B: 7.
Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews
Year: 2000
Complete Citation:
Dunning, Jennifer. “A Serving of Americana Gar-nished with Russian.” The New York Times (February 4, 2000) sec. E, 17.
Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews

Eberson, Sharon

Year: 2013
Complete Citation:
Eberson, Sharon. “Hoops and Harmony City's ‘Charles Ives Take Me Home’ Pits Musical Father Against Athletic Daughter.” Pittsburgh Post-Gazett, November 14, 2013.
Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews

Ellison, Mary

Year: 1976
Complete Citation:
Ellison, Mary. “Ives’ Use of American ‘Popular’ Tunes as Thematic Material.” In South Florida’s Historic Ives Festival 1974-1976, edited by F. Warren O’Reilly, 30--34. -Coral Gables, FL: University of Miami at Coral Gables, 1976.
Source: Chapter in Book
VI. Topical Studies
B. Musical Quotation or Borrowing

Fine, Elaine

Year: 2007
Complete Citation:
Fine, Elaine. “Collections: “American Violin.”” American Record Guide, Vol. 70, No. 2 (2007): 208.
Source: Magazine
D. Reviews

Garrett, Charles Hiroshi

Year: 2008
Complete Citation:
Garrett, Charles Hiroshi. “Chinatown, Whose Chinatown?: Defining America’s Borders with Musical Orientalism.” In Struggling to Define a Nation: American Music and the Twentieth Century, 1st ed., 121-164. Berkeley, CA: University of California Press, 2008.
Source: Chapter in Book
VI. Topical Studies
B. Musical Quotation or Borrowing
Year: 2008
Complete Citation:
Garrett, Charles Hiroshi. “Charles Ives's Four Ragtime Dances and "True American Music.”” In American music and the twentieth century. CA: University of California Press: John Wiley and Sons Ltd., 2008.
Source: Chapter in Book
VI. Topical Studies
B. Musical Quotation or Borrowing

Gibbons, William

Year: 2008
Complete Citation:
Gibbons, William. “‘Yankee Doodle’ and Nationalism, 1780-1920.” American Music 26/2 (2008): 246-274.
Source: Journal
VI. Topical Studies
B. Musical Quotation or Borrowing

Goldner, Nancy

Year: 1975
Complete Citation:
Goldner, Nancy. “Dance.” The Nation 220/19 (May 17, 1975): 603--604.
Notes:

Scherzo: Over the Pavements and Hallowe’en “seem to be lost for good. ... [I]t virtually introduced the great composer to a wide public.”

Source: Journal
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews
Year: 1988
Complete Citation:
Goldner, Nancy. “A Robbins Ballet Debuts in New York.” The Philadelphia Inquirer, February 6, 1988.
Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews

H, J. S.

Year: 1954
Complete Citation:
H, J. S. “Music of the Ballet.” New York Herald Tribune, September 15, 1954, 26.
Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews