Dickinson, Peter
Year: 1979
Complete Citation:
Dickinson, Peter. “The Achievement of Ragtime: An Introductory Study with Some Implications for British Research in Popular Music.” In Proceedings of the Royal Music Association 105, 63-76. Oxford, United Kingdom: Oxford University Press, 1979.Notes: Ives is in-cluded in list of composers influenced by ragtime.
Source: Chapter in Book
VI. Topical Studies
B. Musical Quotation or Borrowing
Year: 1989
Complete Citation:
Dickinson, Peter. “Style-Modulation: An Approach to Stylistic Pluralism.” The Musical Times, vol. 130, no. 1754 (1989): 208-211.Source: Journal
VI. Topical Studies
B. Musical Quotation or Borrowing
Dolbin, Benedikt bred
Complete Citation:
Dolbin, Benedikt bred. Sketch. Eastern Underwriter.Source: Sketch
XVI. Photographs and Artwork
B. Artwork
Drosd, Nancy
Complete Citation:
Drosd, Nancy. Caricature, 1972. High Fidelity/Musical America 24/10 (October 1974): cover and on the magazine’s advertisements for subscriptions.Notes: Based on the Adolf E. Brotman sketch and/or a photograph by Halley Erskine.
Source: Illustration
Reprints: Peer International Corporation for Ives brochures
XVI. Photographs and Artwork
B. Artwork
Ellison, Mary
Year: 1976
Complete Citation:
Ellison, Mary. “Ives’ Use of American ‘Popular’ Tunes as Thematic Material.” In South Florida’s Historic Ives Festival 1974-1976, edited by F. Warren O’Reilly, 30--34. -Coral Gables, FL: University of Miami at Coral Gables, 1976.Source: Chapter in Book
VI. Topical Studies
B. Musical Quotation or Borrowing
Erskine, Halley
Year: 1951
Complete Citation:
Erskine, Halley. Photographs. Spring, 1951. In A Charles Ives Omnibus, by James Mack Burk and Michael J. Budds, 50, 57, and 859-860. Hillsdale, New York: Pendragon Press, 2008.Source: Photograph
Reprints: The full collection consists of eighty-four photographs of Ives alone or with Mrs. Ives at their West Redding home. Some have appeared as covers of recordings and in magazines as well as in several books. [Date determined from letter from Ms. Erskine to Ives (in the Charles Ives Papers at Yale University) and a letter to Ms. Erskine from Harmony Ives (in the James Mack Burk Col-lection).]
XVI. Photographs and Artwork
A. Photographs
Fischer-Dischau, Dietrich
Year: 2001
Complete Citation:
Fischer--Dischau, Dietrich. “5. Wortfestival in Lippstadt. 2001.” Item 33; oil painting.Notes: Based on the Halley Erskine photograph.
Source: Painting
XVI. Photographs and Artwork
B. Artwork
Friedlander, Lee
Year: 1960
Complete Citation:
Friedlander, Lee. Ives Country. 1960. In Charles Ives: Symphony No. 2. Columbia, KS 6155, 1960, 33.3 RPM.Source: Photograph
Reprints: Taken for Columbia record shows many scenes around the Ives home in West Redding, CT. [No original photographs of Ives.]
XVI. Photographs and Artwork
A. Photographs
Garrett, Charles Hiroshi
Year: 2008
Complete Citation:
Garrett, Charles Hiroshi. “Chinatown, Whose Chinatown?: Defining America’s Borders with Musical Orientalism.” In Struggling to Define a Nation: American Music and the Twentieth Century, 1st ed., 121-164. Berkeley, CA: University of California Press, 2008.Source: Chapter in Book
VI. Topical Studies
B. Musical Quotation or Borrowing
Year: 2008
Complete Citation:
Garrett, Charles Hiroshi. “Charles Ives's Four Ragtime Dances and "True American Music.”” In American music and the twentieth century. CA: University of California Press: John Wiley and Sons Ltd., 2008.Source: Chapter in Book
VI. Topical Studies
B. Musical Quotation or Borrowing
Gerratana, Frank
Year: 1947
Complete Citation:
Gerratana, Frank. Mr. and Mrs. Ives (she is holding a cat, “Christophina”). May, 1947. Photograph. Bridgeport Herald, May 11, 1947, 1.Source: Photograph
Reprints: Bettman Archive, page 14808. * <i>Music Journal</i> 24/3 (March 1966): 46.
XVI. Photographs and Artwork
A. Photographs
Year: 1947
Complete Citation:
Gerratana, Frank. Ives in front of a bookcase. May, 1947. Photograph. Bettman Archive, p. 11320.Notes: At the time Gerratana was photographer for the Bridgeport (CT) Herald.
Source: Photograph
Reprints: Cowell, Henry and Sidney. <i>Charles Ives and His Music</i>, frontispiece. New York, NY: Oxford University Press, 1966.
XVI. Photographs and Artwork
A. Photographs
Year: 1947
Complete Citation:
Gerratana, Frank. Ives by a window. May, 1947. Photograph. Charles Ives: Symphony No. 2. Columbia ML 6289/MS 6889, 33.3 RPM (1960).Source: Photograph
Reprints: Postcard by Fotofolio (ca. 2006).
XVI. Photographs and Artwork
A. Photographs
Gibbons, William
Year: 2008
Complete Citation:
Gibbons, William. “‘Yankee Doodle’ and Nationalism, 1780-1920.” American Music 26/2 (2008): 246-274.Source: Journal
VI. Topical Studies
B. Musical Quotation or Borrowing
Gilmore, Earl
Year: 1974
Complete Citation:
Gilmore, Earl. Collection of over 500 slides. 1970.Source: Photograph
Reprints: See announcement “Gilmore’s Ives Slides on Sept. 15.” Redding [CT] Pilot (1974 September 5): 10. Portraying Ives’s life. [No original photographs of Ives.] Shown numerous times.
XVI. Photographs and Artwork
A. Photographs
Hamilton, William
Year: 1974
Complete Citation:
William Hamilton. Cartoon, 1974. New Yorker 50/34 (October 14, 1974): 44.Source: Cartoon
XVI. Photographs and Artwork
B. Artwork
Harrison, Lou
Year: 1946
Complete Citation:
Harrison, Lou. “On Quotation,” Modern Music, Vol. 23, No. 3 (Summer 1946).Source: Journal
VI. Topical Studies
B. Musical Quotation or Borrowing
Hassard, Ray
Complete Citation:
Hassard, Ray. “Illustration in the form of a baseball card.” American Record Guide 54/4 (July/August 1991): 69.Notes: Based on a photo-graph by W. Eugene Smith.
Source: Illustration
XVI. Photographs and Artwork
B. Artwork
Henderson, Clayton W.
Year: 1974
Complete Citation:
Henderson, Clayton W. “Ives’ Use of Quotation.” Music Educators Journal 61/2 (October 1974): 24-28.Source: Journal
VI. Topical Studies
B. Musical Quotation or Borrowing
Henerson, Clayton Wilson
Year: 1974
Complete Citation:
Henerson, Clayton Wilson. “Structural Importance of Borrowed Music in the Works of Charles Ives: A Preliminary Assessment.” In Report of the Eleventh Congress of the International Musicological Society held at Copenhagen, 1972, ed. Henrik Glahn et al., Vol. 1, 437-46. Copenhagen: Edition W. Hansen, 1974.Source: Chapter in Book
VI. Topical Studies
B. Musical Quotation or Borrowing
