Image
Complete Citation:
Thomson, Virgil. “Cowell’s Magazine.” New York Herald Tribune, No-vember 2, 1947, sec. 5, 6.
Bibliography
Genres
Thomson, Virgil
Year: 1947
Notes:
Indicates that Ives did not approve of copyright and that he “insists that his works be always in the public domain.”
Source: Newspaper
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1988
Complete Citation:
Thomson, Virgil. Selected Letters of Virgil Thomson, edited by Tim Page and Vanessa Weeks Page 259, 329. New York, NY: Summit, 1988.Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Thurmaier, David
Year: 2013
Complete Citation:
Thurmaier, David. ““A Disturbing Lack of Musical and Stylistic Continuity”? Elliott Carter, Charles Ives, and Musical Borrowing.” Current Musicology, No. 96, (2013): 97-124.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 2014
Complete Citation:
Thurmaier, David. “‘When Borne by the Red, White, and Blue’: Charles Ives and Patriotic Quotation.” American Music 32.1 (Spring 2014): 46-81.Source: Journal
VI. Topical Studies
B. Musical Quotation or Borrowing
B. Musical Quotation or Borrowing
Tibbetts, John C.
Year: 1993
Complete Citation:
Tibbetts, John C. “Homesick in America: the nostalgia of Antonín Dvórâk and Charles Ives.” In Dvórâk in America, 1892-1895. Portland, Oregon: Amadeus Press, 1993.Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Tick, Judith
Year: 1974
Complete Citation:
Tick, Judith. “Ragtime and the Music of Charles Ives.” Current Musicology 18 (1974): 105-13Source: Journal
VI. Topical Studies
B. Musical Quotation or Borrowing
B. Musical Quotation or Borrowing
Year: 1997
Complete Citation:
Tick, Judith. Ruth Crawford Seeger: A Composer’s Search for American Music. New- York, NY: Oxford University Press, 1997.Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Tippett, Michael
Year: 1980
Complete Citation:
Tippett, Michael. Music of the Angels: Essays and Sketchbooks of Michael Tippett, edited by Meirion Bowen. London, United Kingdom: Eulenburg, 1980.Notes:
Ives is one of several composers discussed.
Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1995
Complete Citation:
Tippett, Michael. “Composers Past and Present — Charles Ives.” Tippett on Music, edited by Meirion Bowen, 83-88. Oxford, United Kingdom: Oxford University Press, 1995.Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Tippett, Michael and Meirion Bowen
Year: 1995
Complete Citation:
Tippett, Michael and Meirion Bowen. “Charles Ives.” In Tippett on Music. Oxford, United Kingdom: Clarendon Press, 1995.Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Tosser, Grégoire
Year: 2002
Complete Citation:
Tosser, Grégoire. “Links and Ligatures: György Kurtág’s “Ligatura-Message to Frances-Marie (The Answered Unanswered Question),” op. 31b.” Studia Musicologica: Academiae Scientiarum Hungaricae, Vol. 43, No. 3-4 (2002): 439-449.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Tryon, Winthrop P.
Complete Citation:
Tryon, Winthrop P. “Of Ives and Others.” Christian Science Monitor, February 3, 1927, 6.Source: Newspaper
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1924
Complete Citation:
Winthrop P. Tryon. “Folk Song and Hymn Tunes of America.” Christian Science Monitor, November 29, 1924, 18.Source: Newspaper
VI. Topical Studies
B. Musical Quotation or Borrowing
B. Musical Quotation or Borrowing
Year: 1927
Complete Citation:
Tryon, Winthrop P. “Of Ives and Others.” Christian Science Monitor, February 3, 1927.Source: Newspaper
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Utz, Christian
Year: 2005
Complete Citation:
Utz, Christian. “Bernd Alois Zimmermann und Charles Ives: Schichtungsverfahren, Intertextualität, kulturelle Verotung.” In Bernd Alois Zimmermann, Zeitauffassung und musikalische Poetik. Munich, Germany: Edition Text + Kritik, 2005.Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Vaquero Williams, Claire
Year: 2013
Complete Citation:
Vaquero Williams, Claire. “Discos: Compra segura.” Scherzo: Revista de Música, Vol. 28 (2013): 53.Source: Magazine (recording review)
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Vermeulen, Ernst
Year: 1968
Complete Citation:
Vermeulen, Ernst. “Compositions by Louis Andriessen and Peter Schat Incorporating Quotations.” Sonorum Speculum (Summer 1968) 35: 1-12.Notes:
Compares quotations by Louis Andriessen and Peter Schatt with some aspects of Ives’s use of quotation. In English and in Dutch.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Vinay, Gianfranco
Year: 1998
Complete Citation:
Vinay, Gianfranco. “Le “son américain” entre utopie et tradition: á l'origine de la musique expérimentale américain (Ives et Cowell).” Revue Belge de Musicologie: Belgisch Tijdschrift voor Muziekwetenschap, Vol. 52 (1998): 91-100.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 2004
Complete Citation:
Vinay, Gianfranco. “Charles Ives tra nostalgia e Utopia.” Il Giornale della Musica 20/204 (May 2004): 26.Notes:
Part of “Ives, un Padre del Novecento,” for the fiftieth anni-versary of Ives’s death.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Warburton, Thomas
Year: 1982
Complete Citation:
Thomas, Warburton,. “Abstract: Ives’s Modular Rags and a Skit for Danbury Fair.” Sonneck Society for American Music Bulletin (Spring) 9: 18.Notes:
A paper read at the American Musicological Society meeting (November 7: Ann Arbor, MI).
Source: Conference Paper
VI. Topical Studies
B. Musical Quotation or Borrowing
B. Musical Quotation or Borrowing