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Complete Citation:
Baron, Carol Kitzes. “Dating Charles Ives’s Music: Facts and Fictions.” Journal of the American Musicological Society Vol. 28, No. 1 (Winter 1990): 20-56.
Bibliography
Genres
Baron, Carol Kitzes
Year: 1990
Notes:
Also presented as a lecture in August 1991 at the Leighton Artists Center, Alberta Canada. Titled “Dating Ives’s Musical Manuscripts with Graphic Evidence."
Source: Journal
VI. Topical Studies
C. Chronology
C. Chronology
Bauer, Marion
Year: 1947
Complete Citation:
Bauer, Marion. “Charles Ives Receives Award.” Musical Leader 79/6 (June 1947): 9.Notes:
Notice of Ives's receiving the Pulitzer Prize for Symphony No. 3. Includes remarks about his being ignored and overlooked.
Source: Journal
VI. Topical Studies
V. Awards
V. Awards
Beckwith, Ethel
Year: 1947
Complete Citation:
Beckwith, Ethel. “Pulitzer Prize Winner Scoffs at $1,000 Award.” Sunday Herald (Bridgeport, Connecticut), May 11, 1947, 1, 16.Source: Newspaper
VI. Topical Studies
V. Awards
V. Awards
Budiansky, Stephen
Year: 2013
Complete Citation:
Budiansky, Stephen. “Ives, Diabetes, and His ‘Exhausted Vein’ of Composition.” American Music 31.1 (Spring 2013): 1-25.Source: Journal
VI. Topical Studies
I. Compositional Process
I. Compositional Process
Burkholder, J. Peter
Year: 1988
Complete Citation:
Burkholder, J. Peter. “Charles Ives and his Fathers: A Response to Maynard Solomon.” Institute for Studies in American Music Newsletter Vol. 18, No. 1 (November 1988): 8-11.Source: Journal
VI. Topical Studies
C. Chronology
C. Chronology
Year: 1996
Complete Citation:
Burkholder, J. Peter. “Chronology” and “A Note on the Dating of Ives's Music.” In Charles Ives and His World Festival, edited by J. Peter Burkholder, 1-3. Annandale-on-Hudson, New York; Bard College, August 9-11, 16-18, 1996.Source: [Chapter in] Festival Publication
VI. Topical Studies
C. Chronology
C. Chronology
Carlson, Michael
Year: 1996
Complete Citation:
Carlson, Michael. “The Discomposing Composer.” Specta-tor 277/8781 (November 2, 1996): 44.Notes:
“[H]is marvelous 'From Hanover Square North' ranks with Nielsen's Fifth as the most moving reactions to the Great War.”
Source: Journal
VI. Topical Studies
I. Compositional Process
I. Compositional Process
Cave II, Lawrence Harold
Year: 1984
Complete Citation:
Cave II, Lawrence Harold. “Abstract: The Role of the Organ in Ives’ Develop-ment as Composer.” Sonneck Society for American Music Bulletin 10 (Fall 1984): 62.Source: Journal
VI. Topical Studies
I. Compositional Process
I. Compositional Process
Denahan, Donal
Year: 1982
Complete Citation:
Henahan, Donal. “When the Music Ceases to Sound: Ego, Morale or Changing Times Can Cause Composers to Quit at Their Peak.” Kansas City Star. April 25, sec. K, 10.Notes:
“In 1916 he finished Symphony No. 4, and that was it: for the next 40 years, until his death in 1954 at the age of 79, Ives sat silent in Con-necticut.”
Source: Newspaper
VI. Topical Studies
I. Compositional Process
I. Compositional Process
Gann, Kyle
Year: 1991
Complete Citation:
Gann, Kyle. “Pulitzer Hacks: Amateur Composers versus the Profes-sionals.” Village Voice, July 30, 1991.Notes:
Cites the story from Milton Babbitt that Ives was not a professional composer.
Source: Newspaper
VI. Topical Studies
V. Awards
V. Awards
Year: 1992
Complete Citation:
Gann, Kyle. “Composer’s Clearing House: The Pulitzer Prize.” Village Voice, May 5, 1992.Notes:
Claims Lou Harrison urged Ives to “expunge the 'ex-perimental' parts of the Third Symphony” [i.e., “shadow parts”].
Source: Newspaper
VI. Topical Studies
V. Awards
V. Awards
Heister, Hanns-Werner
Year: 2004
Complete Citation:
Heister, Hanns-Werner. “Mimesis, Memoria, Montage: Uber einige Prinzipien des Komponisten Ives.” In Charles Ives 1874-1954: Amerikanischer Pionier der Neuen Musik, edited by Hanns-Werner Heister and Werner Kremp, 163-178. Atlantische Texte, Vol. 23. Trier, Germany: Wissenschaftlicher Verlag Trier, 2004.Source: Chapter in Book
VI. Topical Studies
I. Compositional Process
I. Compositional Process
Henahan, Donal
Year: 1988
Complete Citation:
Henahan, Donal. “Did Ives Fiddle With the Truth?”- The New York Times, February 21, 1988.Source: Newspaper
VI. Topical Studies
C. Chronology
C. Chronology
Isham, Howard
Year: 1973
Complete Citation:
Isham, Howard. “The Musical Thinking of Charles Ives.” Journal of Aesthetics and Art Criticism 31 (1973): 395-404.Source: Journal
VI. Topical Studies
I. Compositional Process
I. Compositional Process
Kolter, Horst
Year: 1972
Complete Citation:
Koller, Horst. “Zur Kompositionstechnik von Charles Edward Ives.” Neue Zeitschrift für Musik 133 (1972): 559-567.Source: Journal
VI. Topical Studies
I. Compositional Process
I. Compositional Process
Kozinn, Allan
Year: 1998
Complete Citation:
Kozinn, Allan. “Composer Wins Freedom, but It's Temporary.” The New York Times, January 15 1998.Source: Newspaper
VI. Topical Studies
V. Awards
V. Awards
Year: 2000
Complete Citation:
Kozinn, Allan. “Chinese-Born Composer Wins $225,000 Ives Prize.” The New York Times, December 21, 2000, sec. E, 11.Source: Newspaper
VI. Topical Studies
V. Awards
V. Awards
MacDonald, Calum
Year: 1996
Complete Citation:
MacDonald, Calum. “Memos and Premonitions and Chronology.” The Unanswered Question Festival; January 19 to 21: London.Source: Festival Lecture
VI. Topical Studies
C. Chronology
C. Chronology
Manfried, Walter
Year: 1948
Complete Citation:
Manfried, Walter. “Composer Won a Pulitzer Prize, But He’s Still the Great Unheard: Charles Ives Has Written Strange Music for Horns, But Doesn’t Toot His Own.” Green Sheet - Milwaukee Journal. June 23, 1948.Source: Newspaper
VI. Topical Studies
V. Awards
V. Awards
Masse, Thomas Gilmore
Year: 1997
Complete Citation:
Masse, Thomas Gilmore. “Revisions, Chronology and Redating of the Largo of Charles Ives.” Clarinet 24/3 (1997): 36--41.Notes:
Regarding the Largo for violin, clarinet, and piano.
Source: Journal
VI. Topical Studies
C. Chronology
C. Chronology