Adams, John
    Year: 1994
Complete Citation: 
Adams, John. “Ives: The Amount to Carry.” In American Transcendentalists [Program Booklet]. Brooklyn Philharmonic Orchestra, Brooklyn Academy of Music, Brooklyn, New York, November 11-13, 1994. Da Camera of Houston, The Menil Collection, Houston, Texas, November 21-22, 1994.Source: Program Booklet
VI. Topical Studies
D. Insurance
Adkins, Cecil, and Alis Dickinson.
    Year: 1974
Complete Citation: 
Adkins, Cecil, and Alis Dickinson. “Supplement (1974) to Doctoral Dissertations in Musicology.” Journal of the American Musicological Society 27, 110.3 (Fall): 475-514.Source: Journal
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Albert, Thomas Russell
    Year: 1974
Complete Citation: 
Albert, Thomas Russell. “The Harmonic Language of Charles Ives’  Concord Sonata.” D.M.A. diss., University of Illinois, 1974.Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Alexander, Michael
    Year: 1986
Complete Citation: 
Alexander, Michael. “Improvisation in the Music of Charles.” Ph.D.  diss., Keele University, 1986.Source: Ph.D. Disseration
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Allen, Barbara Oakley
    Year: 1979
Complete Citation: 
Allen, Barbara Oakley. “An analysis of six Ives songs: with  suggestions for performance.” D.M.A. term project, Stanford  University, 1979.Source: D.M.A. Term Project
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Arnold, Jerome Steven
    Year: 2014
Complete Citation: 
Arnold, Jerome Steven. ““Country Band” March: Historical Perspectives,  Stylistic Considerations and Rehearsal Strategies.” D.M.A. diss.,  George Mason University.Source: D.M.A. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Ausubel, Hillel
    Year: 1953
Complete Citation: 
Ausubel, Hillel. “The Effect of Chromaticism on Tonality: As Found in  Selected Compositions from the Period between 1890 and 1910.” Ph.D.  diss., Columbia University, 1953.Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Averill, Ron
    Year: 1995
Complete Citation: 
Averill, Ron. “The use of quotation in 20th-century works by Ron  Averill, Charles Dodge, and Charles Ives.” D. Mus. Thesis, University  of Washington, 1995.Source: D. Mus. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Babb, Timothy Martin
    Year: 1994
Complete Citation: 
Babb, Timothy Martin. “Text painting in the songs of Charles Ives.”  D.M.A. Dissertation, University of South Carolina, 1994.Source: D.M.A. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Badolato, James Vincent
    Year: 1978
Complete Citation: 
Badolato, James Vincent. “The Four Symphonies of Charles Ives: A  Critical, Analytical Study of the Musical Style of Charles Ives.”  Ph.D. diss., Catholic University, 1978.Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Bagwell, James
    Year: 1999
Complete Citation: 
Bagwell, James. “Innovation and synthesis: the Psalm settings of  Charles Ives.” D. Mus. Thesis, Indiana University, 1999.Source: D. Mus. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Banks, Timothy Paul
    Year: 1985
Complete Citation: 
Banks, Timothy Paul. “Psalm 90 and Harvest home chorales by Charles  Ives: a history and performance analysis.” D.M.A. Dissertation,  University of Colorado, 1985.Source: D.M.A. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Barnettt, Christina Powers
    Year: 1986
Complete Citation: 
Barnettt, Christina Powers. “Charles Ives: 114 Songs and  Transcendental Philosophy.” D.M.A. Dissertation, University of Texas  at Austin, 1986.Source: D.M.A. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Baskerville, David Ross
    Year: 1965
Complete Citation: 
Baskerville, David Ross. “Jazz influence on art music to mid-century.”  Ph.D. diss., University of California, Los Angeles, 1965.Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Bayne, Harry McBrayer
    Year: 1990
Complete Citation: 
Bayne, Harry McBrayer. 1990. “A Critical Study of Henry  Bellamann's Life and Work.” Ph.D. diss., University of  Mississippi.Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Beck, Jill
    Year: 1985
Complete Citation: 
Beck, Jill. “Principles and Techniques of Choreography: A Study of  Five Choreographers from 1983.” Ph.D. diss., City University of New  York, 1985.Notes: Analysis of the choreographers' works using Labanotation score and video documentation. Also on videocassette {E309}.<br>Prf: 2003 December 6: Slippery Rock, PA; Slippery Rock Univer-sity of Pennsylvania.
 Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Belland, Anna
    Year: 1981
Complete Citation: 
Belland, Anna. “Piano Variations by Ives, Valen, Lutoslawski,  Dallapiccola: A Discussion of Their Styles and Forms.” D. Mus. diss.,  Jacobs School of Music, Indiana University, 1981.Notes: Includes chapter “Charles Ives: Varied Air and Variations”
 Source: D. Mus. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Year: 1981
Complete Citation: 
Belland, Anna. “Piano Variations by Ives, Valen, Lutoslawski,  Dallapiccola- A Discussion of Their Styles and Forms.” D. Mus.  dissertation, Indiana University, 1981.Notes: “Charles Ives: Varied Air and Variations” (p. 3-20).
 Source: D.M.A. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Bergman, Timothy
    Year: 1993
Complete Citation: 
Bergman, Timothy. “Symphony no. 2 by Charles Ives: a basis for  interpretation.” D.M.A. Thesis, University of Miami, 1993.Source: D.M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Berns, John Edgar
    Year: 2005
Complete Citation: 
Berners, John Edgar. “Use of Time and Spatial Form in String Quartet  No. 2 by Charles Ives.” Ph.D. diss., University of Michigan, 2005.Notes: Volume II of Berns’ dissertation. Volume I is an original composition.  Makes reference to Robert P. Morgan’ “Spatial Form in Ives.”
 Source: Ph.D. dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations