Image
Complete Citation:
Cowell, Henry. Essential Cowell: selected writings on music. Edited by Dick Higgins. Kingston, NY: Documentext, 2001.
Bibliography
Genres
Cowell, Henry
Year: 2001
Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Cowell, Sidney
Year: 1990
Complete Citation:
Cowell, Sidney. “The Cowells and the Written Word.” In A Celebration of American Music: Words and Music in Honor of H. Wiley Hitchcock, edited by Richard Crawford, R. Allen Lott, and Carol J. Oja 79-91. Ann Arbor: University of Michigan Press, 1990.Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Dahlhaus, Carl
Year: 1970-1971
Complete Citation:
Dahlhaus, Carl. “Aussenseiter der Neuen Musik: Charles Ives und Edgard Varese.” In "Bericht über den internationalen Kongreß" Bonn 1970, edited by Carl Dahlhaus, 299. Kassel, Germany: Bärenreiter Verlag, 1971.Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Daniel, Oliver
Year: 1967
Complete Citation:
Daniel, Oliver. “Lou Harrison.” BMI: The Many Worlds of Music (Jan-uary 1967): 10.Notes:
Numerous Ives references; mentions the premiere of Sym-phony No. 3 (1956 April 5) and Harrison’s orchestral tribute on Ives's death, “At the Tomb of Charles Ives.”
Source: Magazine
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1974
Complete Citation:
Daniel, Oliver. “Henry Cowell.” Stereo Review (December 1974).Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1982
Complete Citation:
Daniel, Oliver. Stokowski: A Counterpoint of View. New York, NY: Dodd, Mead, and Company, 1982.Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Danner, Gregory
Year: 1984
Complete Citation:
Danner, Gregory “Ives’ Harmonic Language.” Journal of Musicological Research 5/1-2 (1984): 237-249.Source: Journal
VI. Topical Studies
G. Music Theory Analyses
G. Music Theory Analyses
Davis, Ronald L.
Year: 1980
Complete Citation:
Davis, Ronald L. "MacDowell and Ives." In A History of Music in American Life, Vol. 2: The Gilded Years, 1865-1920, 108-38. Huntington, NY: Robert Krieger, 1980.Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Davidson, Colleen
Year: 1968-69, 1970-71
Complete Citation:
Davidson, Colleen. “Winston Churchill and Charles Ives: The Progressive Experience in Literature and Song.” Student Musicologists at Minnesota 3 (1968-69): 168-94, and 4 (1970-71): 154-80.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
de la Fuente, Eduardo
Year: 2004
Complete Citation:
de la Fuente, Eduardo. “Max Weber and Charles Ives: The Puritan as Cultural Modernist.” Journal of Classical Sociology 4.2 (July 2004): 191-214.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Debruyn, Randall Keith
Year: 1975
Complete Citation:
Debruyn, Randall Keith. “Contrapuntal Structure in Contemporary Tonal Music: A Preliminary Study of Tonality in the 20th Century.” D.M.A. dis-s., University of Illinois, 1975.Source: D.M.A. Dis-sertation
VI. Topical Studies
G. Music Theory Analyses
G. Music Theory Analyses
Denhoff, Michael
Year: 1988
Complete Citation:
Denhoff, Michael. “Stille und Umkehr. Betrachtungen zum Phanomen Zeit.” MusikTexte 24 (1988): 27-38.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Dervan, Michael
Year: 2019
Complete Citation:
Dervan, Michael. “Getting to Know One of the most Unknown of the Unknown Composers: A Peer of Charles Ives and George Gerswhin, Irish-American Pianist and Composer Swan Hennessy has almost been Written Out of Music History.” The Irish Times, March 27, 2019.Source: Newspaper
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Dickinson, Peter
Year: 1996
Complete Citation:
Dickinson, Peter. “Style-modulation as a compositional technique: an inaugural lecture.” London, United Kingdom: Goldsmiths, University of London, 1996.Source: Book/Lecture
VI. Topical Studies
G. Music Theory Analyses
G. Music Theory Analyses
Year: 2016
Complete Citation:
Dickinson, Peter. “Charles Ives and Aaron Copland.” In Words and Music. Woodbridge, United Kingdom: The Boydell Press, 2016.Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Dobos, Lora Gingerich
Year: 1986
Complete Citation:
Dobos, Lora Gingerich. “A Technique for Melodic Motive Analysis in Music of Charles Ives.” Music Theory Spectrum 8 (1986): 75-93.Notes:
Uses Sonata No. 4 for violin and piano for her example.
Source: Journal
VI. Topical Studies
G. Music Theory Analyses
G. Music Theory Analyses
Donner, Gregory
Year: 1984-1985
Complete Citation:
Donner, Gregory. “Ives’s Harmonic Language.” Journal of Musicology 5 (1984-1985): 237-249.Source: Journal
VI. Topical Studies
G. Music Theory Analyses
G. Music Theory Analyses
Downes, Olin
Year: 1925
Complete Citation:
Downes, Olin. “Franco-American Musical Society.” The New York Times. February 15, 1925.Source: Newspaper
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1927
Complete Citation:
Downes, Olin. “Music: Pro-Musica Society.” The New York Times. January 30, 1927, 28.Source: Newspaper
Reprints:
Downes, Olin. “Music: Pro-Musica Society.” In <i>Charles Ives and His World</i>, 293-295. Edited by J. Peter Burkholder. Princeton, NJ: Princeton University Press, 1996.
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Drew, James
Year: 1968
Complete Citation:
Drew, James. “Information, Space and a New Time-Dialectic.” Journal of Music Theory 12/1 (Spring 1968): 86-103.Source: Journal
VI. Topical Studies
G. Music Theory Analyses
G. Music Theory Analyses