Image
Complete Citation:
Kolodin, Irving. “Ives by His Prophet. Bernard Herrmann.” The Saturday Review 55, no. 37 (September 9, 1972): 57-58.
Bibliography
Genres
Kolodin, Irving
Year: 1972
Source: Magazine
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Koppenhaver, Allen J.
Year: 1975
Complete Citation:
Koppenhaver, Allen J. “Charles Ives, Winslow Homer, and Thomas Eakins: Variations on America.” Parnassus: Poetry in Review 3/2 (Spring/Summer 1975): 381-393.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Kosman, Joshua
Year: 2006
Complete Citation:
Kosman, Joshua. “Symphony premieres Adams’s splendid Ives.” In The John Adams reader: essential writings on an American composer, edited by Thomas May, 376-378. Pompton Plains, NJ: Amadeus, 2006.Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Kostelanetz, Richard
Year: 1983
Complete Citation:
Kostelanetz, Richard. American imaginations: Charles Ives, Gertrude Stein, John Cage, Merce Cunningham, Robert Wilson. Series-Internationaler Merve-Diskurs, 111. Berlin, Germany: Merve-Verlag, 1983.Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1989
Complete Citation:
Kostelanetz, Richard. “Charles Ives (1967).” In On innovative music(Ian)s. New York, NY: Limelight Editions, 1989.Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
H. Ives, 20th Century Music, and Experimental Styles
Year: 1996
Complete Citation:
Kostelanetz, Richard. John Cage (ex)plain(ed), 8. New York, NY: Schirmer Books, 1996.Notes:
Traces lineage from Varèse to Ives to Cage), 26 <i>(The Unan-swered Question</i>), 52, 93, 104 (compares Cage's HPSCHD to Ives's Symphony No. 4 and <i>Universe Symphony), </i>143.
Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 2004
Complete Citation:
Copland, Aaron. Aaron Copland: A Reader, edited by Richard Kos-telanetz, 151-157. New York, NY: Routledge, 2004.Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Kostelanetz, Richard, ed.
Complete Citation:
“Interju med John Cage.” Translated by Joel Eric Suben. Nutida Musik (1987-1988) 21/1.Source: Magazine
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1970
Complete Citation:
Kostelanetz, Richard, ed. John Cage, 12, 25, 100-102, 130, 162-165, 167, 177, 202, 204. New York, NY: Praeger Publishers, 1970.Source: Book
Reprints:
Kostelanetz, Richard, ed. <i>John Cage</i>. London, United Kingdom: Allen Lane, 1971. * Kostelanetz, Richard, ed. <i>John Cage</i>. Cologne, Germany: Dumont Schauberg, 1973.
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1988
Complete Citation:
Kostelanetz, Richard, ed. “Conversing with Cage.” New York, NY: Limelight, 1988, 39-40, 47 and passim.Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Kozinn, Allan
Year: 2010
Complete Citation:
Kozinn, Allan. “Chronicle: December 10 - [Music of John Adams].” 21st Century Music, Vol. 17, No. 2 (2010): 5.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Kramer, Jonathan D.
Year: 1996
Complete Citation:
Kramer, Jonathan D. “Postmodern Concepts of Musical Time.” Indiana Theory Review 17, no. 2 (1996): 21-61.Source: Journal
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
H. Ives, 20th Century Music, and Experimental Styles
Kramer, Lawrence
Year: 1978
Complete Citation:
Kramer, Lawrence. “‘A Completely New Set of Objects’: Wallace Stevens and Charles Ives.” The Wallace Stevens Journal, vol. 2, no. 3/4 (1978): 3-15.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1978, 1988
Complete Citation:
Kramer, Lawrence. ““A Completely New Set of Objects”: The Spirit of Place in Wallace Stevens and Charles Ives.” The Wallace Stevens JournalVol. 2, No. 3/4 (Fall 1978): 3-15.
Source: Journal
Reprints:
Kramer, Lawrence. ““A Completely New Set of Objects”: The Spirit of Place in Wallace Stevens and Charles Ives.” In <i>Critical Essays on Wallace Stevens</i>, edited by Steven Gould Axelrod and Helen Deese. Boston, MA: G.K. Hall, 1988.
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1984
Complete Citation:
Kramer, Lawrence. “A Completely New Set of Objects.” In Music and Poetry: The Nineteenth Century and After, 171-202. Berkeley, CA: University of California Press. 1984.Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1996
Complete Citation:
Kramer, Lawrence. “The American Scene.” In Charles Ives and His World Festival, edited by J. Peter Burkholder, 46-48. Annandale-on-Hudson, New York; Bard College, August 9-11, 16-18, 1996.Source: [Chapter in] Festival Publication
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 2006
Complete Citation:
Kramer, Lawrence. ““S one strane enformelske muzike”: nostalgija, zastarevanje i avangarda.” Muzikologija, No. 6 (2006): 43-62.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Kramer, Leighton
Year: 1981
Complete Citation:
Kerner, Leighton. “Lilacs in Bloom.” The Village Voice 26, January 28, 1981, 66.Source: Newspaper
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Krull, Kathleen and Kathryn Hewitt
Year: 2012
Complete Citation:
Krull, Kathleen and Kathryn Hewitt. “He stretched our ears: Charles Ives.” In Lives of the musicians: good times, bad times (and what the neighbors thought). Boston, MA: Houghton Mifflin Harcourt, 2017.Source: Chapter in Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
H. Ives, 20th Century Music, and Experimental Styles
Kühn, Clemens
Year: 2018
Complete Citation:
Kühn, Clemens. Abenteuer Musik. Kassel, Germany: Bärenreiter-Verlag Karl Vötterle GmbH & Co. KG, 2018.VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
H. Ives, 20th Century Music, and Experimental Styles